"Fats" Waller & His Rhythm ?– Handful Of Keys, 1957, Traditional Jazz - NM Vinyl
  $   20

 


$ 20 Sold For
Sep 9, 2020 Sold Date
Aug 7, 2020 Start Date
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Description

(Visually Graded) Vinyl looks Near Mint and sleeve looks VG+. See pics and info for details.

"Fats" Waller & His Rhythm ?– Handful Of Keys

Label:
RCA Victor ?– LPM-1502, RCA Victor ?– LPM 1502
Format:
Vinyl, LP, Compilation, 12", Mono, 33 RPM
Country:
US
Released:
1957
Genre:
Jazz, Blues
Style:
Swing, Rhythm & Blues, Ragtime, Traditional

Tracklist

A1     I'll Dance At Your Wedding     
A2     Original E Flat Blues     
A3     I Just Made Up With That Old Girl Of Mine     
A4     You're Laughing At Me     
A5     Ring Dem Bells     
A6     Up Jumped You With Love     
A7     Our Love Was Meant To Be     
A8     You Went To My Head     

B1     Christopher Columbus     
B2     How Can You Face Me     
B3     Dream Man (Make Me Dream Some More)     
B4     What's The Reason     
B5     Sweet And Slow     
B6     Handful Of Keys     
B7     I Used To Love You But It's All Over Now     
B8     There'll Be Some Changes Made     

Credits

    Bass – Bill Taylor* (tracks: B2, B3), Cedric Wallace (tracks: A1, A2, A6, A8, B7), Charles Turner (5) (tracks: A3, A4, A7, B1, B4, B5, B8)
    Clarinet – Mezz Mezzrow (tracks: B2)
    Clarinet, Alto Saxophone – Rudy Powell (tracks: B4, B5)
    Clarinet, Tenor Saxophone – Gene Sedric (tracks: A1 to A4, A6 to B1, B3, B8)
    Drums – Arnold Bolden (tracks: A3, B1, B8), Arthur Trappier (tracks: A6), Harry Dial (tracks: B2 to B5), Larry Hinton (tracks: B7), Slick Jones (tracks: A1, A2, A4, A7, A8)
    Guitar – Al Casey (tracks: A1, A3, A4, A6 to B5), John Smith (6) (tracks: A2, B7, B8)
    Photography By – Burt Goldblatt
    Piano, Vocals – Fats Waller
    Tenor Saxophone – Chauncey Graham (tracks: B7)
    Trombone – Floyd O'Brien (tracks: B2)
    Trumpet – Bill Coleman (2) (tracks: B3), Herman Autry* (tracks: A1, A3, A4, A7 to B2, B7, B8), John Hamilton (6) (tracks: A2, A6)

Notes
Recording dates:
A1: Dec. 7, 1938
A2: July 16, 1940
A3: August 1, 1936
A4: Feb. 4, 1937
A5: May 18, 1941
A6: July 18, 1942
A7: Sept. 7, 1937
A8, March 11, 1938
B1: April 8, 1936
B2: Sept. 28, 1934
B3: Nov. 7, 1934
B4: March 6, 1935
B5: May 8, 1935
B6: March 1, 1929
B7: June 28, 1939
B8: June 24, 1935

Notes

- BIO - Fats Waller
Real Name:
Thomas Wright Waller
Profile:
American jazz pianist, organist, composer and comedic entertainer (born 21 May 1904 in Harlem, New York, USA - died 15 December 1943 in a Santa-Fé-Express near Kansas City, Missouri, USA (bronchial pneumonia).
One of the most popular jazz performers of his era.

Thomas Wright Waller was the youngest of four children born to Adaline Locket Waller and the Reverend Edward Martin Waller. He started playing the piano when he was six and graduated to the organ of his father's church four years later. At the age of fourteen he was playing the organ at Harlem's Lincoln Theater and within twelve months he had composed his first rag. Waller's first piano solos ("Muscle Shoals Blues" and "Birmingham Blues") were recorded on October 1922 in Race Records when he was 18 years old.

He was the prize pupil, and later friend and colleague, of stride pianist James P. Johnson. Fats Waller was the son of a preacher and learned to play the organ in church with his mother. Overcoming opposition from his clergyman father, Waller became a professional pianist at 15, working in cabarets and theaters. In 1918 he won a talent contest playing Johnson's "Carolina Shout", a song he learned from watching a player piano play it. -wikipedia

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- General Standards For Record Grading -


NM-
(NEAR MINT)
The vinyl is almost flawless, bright and shiny. A very light minor, barely visible mark or two may be permitted. The disc should play with no audible noise. The label is bright, clean and unmarked. Sleeve looks almost Mint.
VG++/EX
(VERY GOOD ++/ Excellent)
Disc plays near perfectly, but may have minor, light scuffs that do not interfere with the sound quality. There can possibly be a light hairline scratch or two but nothing that is obvious or affects play. Vinyl is bright and shiny; label is clean and unmarked. Sleeve is Excellent.
VG+
(VERY GOOD PLUS)
Some visible surface wear, very minor scratches and scuffs, but minimal impact on the sound quality. Vinyl will still have good luster; labels may have minor imperfections (small labels or initials, etc.) but otherwise clean. Sleeve may have some shelf wear, or minor writing, no seem splits.


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