Freddie Roach BROWN SUGAR Blue Note NY KILLER ORGAN LP

	€		49
	$		56

Freddie Roach: Brown Sugar LP/Vinyl
Blue Note-Klassiker - Organ Killer!!!

Original BLUE NOTE New York 1960's release BST 84168
Musicians are: Joe Henderson, tenor sax, Freddie Roach, organ, Eddie Wright, huitar, Clarence Johnston, drums.

Pressingdetails: label state 'New York USA' ; run out deadwax have VAN GELDER stamp and Ear mark.
Cover details: Blue Note Records Inc., 43 West 61st St., New York 23

Record condition: VG+
Cover condition: VG(+); seam wear, corner crease, still a decorative cover; removed [soc] on rear cover, light wear on rear cover.

Allmusic.com says:
Brown Sugar marks a turning point for Freddie Roach: It's the moment he decided to get dirty, funky, and soulful. Previously, he had plenty of funk in his playing, but he was tasteful, at times a little bit too tasteful. On Brown Sugar, he simply burns. The album is devoted to blues, R&B, and soul, with the title track (the lone original on the album) functioning as a rallying cry of sorts. Roach is hotter than ever, but he never overplays or overloads the organ; whether it's slow blues or smoking R&B, he gets deep into the groove and works it hard, without neglecting to contribute compelling solos. And if you're looking for compelling solos, tenor saxophonist Joe Henderson proves that he is as exceptional with R&B and soul-jazz as he is with hard bop. Clarence Johnston, Roach's longtime drummer, provides stable support and guitarist Eddie Wright has his moments as well, helping make Brown Sugar the standout item in Roach's catalog.

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Shipping fee:
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World = 15 Euro

Goldmine Standard

The Goldmine Grading System:

Mint (M)
Absolutely perfect in every way - certainly never played, possibly even still sealed. Should be used sparingly as a grade, if at all.

Near Mint (NM or M-)
A nearly perfect record.
The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.  An LP jacket should have no creases, folds, seam-splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same should be true of any inserts, such as posters, lyric sleeves, and the like.  Basically, an LP in Near Mint condition looks as if you just got it home and removed the shrink wrap.

Very Good Plus (VG+)
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.  The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play.
Picture sleeves and LP inner sleeves will have some slight wear, turned-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print or sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
 
Very Good (VG)
Many of the defects found in the VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as well as light scratches (deep enough to feel with a fingernail) that will affect the sound.  Labels will be marred by writing, or have tape [TOL] or stickers [SOL] (or their residue) attached. The same will be true of picture sleeves or LP covers [TOC] or [SOC]. However, it will not have all of these problems at the same time, only two or three of them.
 
Good (G), Good Plus (G+)
Good does not mean Bad! A record in Good or Good Plus condition can be put on a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A jacket or sleeve will have seam-splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.

Poor (P), Fair (F)
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.


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