Friday The 13th Part VII: The New Blood (Soundtrack) (reissue)
£
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Harry MANFREDINI / FRED MOLLIN
Friday The 13th Part VII: The New Blood (Soundtrack) (reissue)
Waxwork US
gatefold 180 gram 'psychokinetic' blue purple pink white splattered vinyl 2xLP + insert Cat: WW 137Rel: 20 May 24
Soundtracks Side 1 - Track 1. Prologue Side 1 - Track 2. Main Title Side 1 - Track 3. Flashback Side 1 - Track 4. Dad's Death Side 1 - Track 5. Tina's Theme Side 1 - Track 6. The Pier 12 Years Later Side 1 - Track 7. Matchbook Exercise Side 1 - Track 8. Tina Summons Side 1 - Track 9. Jason Resurrected Side 1 - Track 10. Tina's Vision Side 1 - Track 11. This Is Some Birthday Side 2 - Track 1. Mom, I Saw Him Again Side 2 - Track 2. Dan & Judy Side 2 - Track 3. Jason Impales Dan Side 2 - Track 4. Sleeping Bag Bash Side 2 - Track 5. Nick & Tina Side 2 - Track 6. Pearls Go Flying Side 2 - Track 7. I Hate This Place Side 2 - Track 8. Flying TV Side 2 - Track 9. Skinny Dip Side 2 - Track 10. Russell Gets Axed Side 2 - Track 11. Mom In The Study Side 3 - Track 1. Tina Overhears Crashes Side 3 - Track 2. Death From Above Side 3 - Track 3. Kate's Murder Side 3 - Track 4. Nick & Tina Find Mike Side 3 - Track 5. Blood On The Floor Side 3 - Track 6. It Was Him In The Lake Side 3 - Track 7. Robin's Death Side 3 - Track 8. Human Body Shield Side 3 - Track 9. Death By Bush Trimmer Side 4 - Track 1. Tina Finds Mom & Meets Jason Side 4 - Track 2. Melissa Meets Jason/Confrontation Side 4 - Track 3. Jason Comes Up For Air/Jason Unmasked Side 4 - Track 4. Jason Grabs Tina/Nails/Tina Burns Jason Side 4 - Track 5. Resurrecting Dad Side 4 - Track 6. Ambulance/Where's Jason? We Took Care Of Him Side 4 - Track 7. End Title Side 4 - Track 8. End Credits
While legendary composer and jazz soloist Harry Manfredini has handled the scores to the vast majority of entries into the Friday the 13th horror franchise, it would be the ironically titled Part VII: The New Blood that would see producer Fred Mollin brought in to provide unique cues to counterweight Manfredini's compositions. With only Mollin returning to score the following eighth instalment, this score provides the only torch passing intersection between the two uniquely brilliant composers, while this pressing lands on "psychokinetik splatter", echoing the film's plot of a young telekinetic girl going to war with the hockeymasked Jason (for those not up on their Camp Crystal Lake lore).
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