GARY STEWART, Steppin' Out USA 1st pressing Excellent- LP FREE SHIPPING
$
40
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Description
Gary Stewart – Steppin' Out Label: RCA – APL1-1225, RCA Victor – APL1-1225 Format: Vinyl, LP, Album, Stereo Country: US Released: 1976 Genre: Folk, World, & Country Style: Country, Honky Tonk A1 Flat Natural Born Good-Timin' Man Written-By – Gary Stewart 2:47 A2 Quits Written-By – Danny O'Keefe 3:10 A3 Trudy Written-By – Charlie Daniels 4:15 A4 I Still Can't Believe You're Gone Written-By – Willie Nelson 3:54 A5 Lord What A Woman Written-By – Gary Stewart, Wayne Carson* 2:50 B1 Oh, Sweet Temptation Written-By – Wayne Carson* 2:49 B2 If You've Got The Money (I've Got The Time) Written-By – Jim Beck, Lefty Frizzell 1:39 B3 (I Can't Be) Your Backdoor Written-By – Carol Anderson (2), Gayle Barnhill, Mary Beth Anderson 2:34 B4 Hank Western Written-By – Gary Stewart 3:20 B5 Easy People Written-By – Bill Eldridge, Gary Stewart 2:48 B6 In Some Room Above The Street Written-By – Sterling Whipple 3:05 Recorded At – RCA Victor Studios, Nashville Pressed By – RCA Records Pressing Plant, Indianapolis Copyright © – RCA Records Phonographic Copyright ℗ – RCA Records Record Company – RCA Corporation Published By – Forrest Hills Music, Inc. Published By – Road Canon Published By – Warner-Tamerlane Publishing Co. Published By – Rada Dara Music Published By – Willie Nelson Music, Inc. Published By – Tree Publishing Co., Inc. Published By – Rose Bridge Music Inc. Published By – Peer International Corp. Published By – Chappell Music Published By – Unichappell Music, Inc. Backing Vocals – Lea Jane Berinati (tracks: A1, A4, B1, B2, B4, B6), The Jordanaires (tracks: A1, A4, A5, B1, B2, B4, B6), The Lea Jane Singers (tracks: A3, A5) Banjo – Bobby Thompson Bass – Henry Strzelecki, Mike Leech Bass Guitar – Harold Bradley, Joe Zinkan Dobro – Josh Graves Electric Guitar – Reggie Young Engineer – Al Pachucki, Bill Harris (2), Bill Vandevort* Fiddle – Buddy Spicher, Johnny Gimble, Tommy Williams (5) Fiddle, Electric Guitar – Charlie Daniels Lacquer Cut By – ⁄|⁄ǀ⁄|⁄ǀ⁄|⁄K* Mandolin – Buck White Piano – Bobby Wood, David Briggs (2) Producer – Roy Dea Rhythm Guitar – Chip Young, Jerry Shook, Jimmy Capps, Ray Edenton Slide Guitar – Gary Stewart Steel Guitar – Weldon Myrick Technician [Recording] – Bubba Campbell, Chuck Seitz
USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL INNER SLEEVE.
SLEEVE: VERY GOOD, SPINE SEAM SPLIT IN MIDDLE AND SOME SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE HAS MIDDLE SEAM SPLITS.
DISC: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
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