GENE AMMONS [Nice an' Cool] PRESTIGE/STATUS [RVG]:
  $   32

 


$ 32 Sold For
Jan 16, 2010 Sold Date
Jan 9, 2010 Start Date
$   10 Start price
4   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

WE'VE JUST ACQUIRED A TERRIFIC BATCH OF ORIGINAL JAZZ, SOUL & BLUES LP's.

THE  OWNER PURCHASED THEM NEW AND THEY HAVE BEEN IN THE SAME COLLECTION
SINCE DAY ONE.
95% OF THESE LOOK TO HAVE BEEN PLAYED ONCE TO ONLY HANDFUL
OF TIMES... VERY CLEAN LP's WITH SLIGHT SHELF OR STORAGE WEAR BEING THE
BIGGEST ISSUE.
THIS IS AN EXCITING & INTERESTING SELECTION, SO PLEASE HAVE
A LOOK AT ALL OF OUR OTHER OFFERINGS!

GOOD LUCK & HAPPY NEW YEAR
FROM YOUR FRIENDS AT

INNERSLEEVE

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innersleeve1 Store

 1961 PRESTIGE/STATUS Records ST 18

DEEP GROOVE [one side] * MONO

[RVG] stamps in dead wax

*

VINYL is EX+
very nice


 COVER is VG++
light edge/surface wear


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A 1961 set of standards heavy on the ballads, Nice 'n Cool is prime Gene Ammons. In front of a sympathetic piano-bass-drums trio (Richard Wyands, Doug Watkins, and the great J.C. Heard, respectively), Ammons' brilliantly soulful tenor saxophone really stretches out on the familiar melodies, but the relatively concise arrangements (all of the eight tracks are between three and eight minutes, with most hovering around the five-minute mark) don't allow him to wander too far afield as he occasionally does on less structured sessions. Nice 'n Cool is first and foremost a mood album, with the unity of sound more important than the individual performances, but Ammons particularly shines on the extended opener, a tender, restrained version of The Music Man's "Til There Was You" that sidesteps the mawkishness of many interpretations in favor of a dignified grace. The backing trio is excellent throughout, although Wyands' too-brief solo passages do make the listener wish that the pianist had been given more of a chance to shine.
All Music Guide

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