GHOST BALLADS Dean Gitter CHARLES ADDAMS COVER LP Vinyl Halloween Riverside 1957
  $   50

 


$ 50 Sold For
Oct 16, 2014 Sold Date
$   10 Start price
1 Number Of Bids
  USA Country Of Seller
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Description

This LP is in NM condition. Beautiful! The Charles Addams cover is in VG condition, but the top seam is completely split, and the left seam is half split. (see photo)

Dean Gitter "Ghost Ballads" (Riverside, RLP 12-636, 1957)

Perhaps most famous for his production work on Odetta's debut album "Sings Ballads And Blues" (a primary influence on a young Bob Dylan), Dean Gitter involved himself in the 1950's folk scene under a variety of guises. Producing records mostly for Riverside (though the jacket claims "various record companies" as his clients) and working his hand in folk publishing to boot, this looks to be his lone solo album. Luckily for us it's a cool collection of mostly traditional (and sometimes just trad sounding) folk numbers with supernatural themes that run the gamut from spookily evocative to playful, all housed under a perfect 1953 Charles Addams illustration. The music itself is composed of nothing more than Mr. Gitter's voice and his acoustic guitar, and along with the zipped song files I've included a large scan of the back cover liner notes, which (in the folk tradition) are extra informative about each song's history. Taken as a whole the package does a nice job of providing the backdrop not only for the tunes being sung & played, but also for the time (a half century ago!) that this LP was produced. (From "Scar Stuff") Please check out my current (and upcoming) vinyl listings!
U.S. and Canadian bidders only, please.
Guidelines for assessing the grading / condition of used records (based on Goldmine Grading for Records)

MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.

NEAR MINT or NM, M- : this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.

EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.

VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.

GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the cover is worthless.


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