GOSDIN BROTHERS SOUNDS OF GOODBYE RARE ORIG'67 PROMO LP

$

106

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·       THE GOSDIN BROTHERS – SOUNDS OF GOODBYE - ORIGINAL 1967 CAPITOL RECORDS STEREO LP ST-2852

·       ORIGINAL U.S. PRESSING

·       *** PROMOTIONAL COPY; THE RECORDS HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL EMBOSSMENT STAMP (“FREE”)  ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW) BAND ALONG THE LABEL’S EDGE AND CAPITOL’S LOGO ON TOP (12 O’CLOCK POSITION) OF THE LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A1/-A1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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The Gosdin Brothers' obscure 1968 LP Sounds of Goodbye is an overlooked country-rock milestone, and one that owes as much to the sound of the 1966-1967 era Byrds  as it does to country music. That's unsurprising, perhaps, given that the Gosdins helped out a lot on Gene Clark's debut solo album in 1967, and sometimes shared bills with the early Byrds, as they shared the same management. In truth, this will appeal far more to the early Byrds  fan than to the straight country fan. That's not damning with faint praise, far from it; it's actually high praise. It's a fair guess, too, that anyone who likes Gene Clark's early work will enjoy this record, as it has a similar low-key, hurt, vulnerable mystique to the melodies, vocals, and harmonies. The material, though sometimes average, is also sometimes outstanding, as on "Love at First Sight," which actually comes quite close to the classic 1966 Byrds  jangle rock sound; the melancholy, graceful "She's Gone," with the kind of unexpected compelling chord changes you'd expect from the Gene Clark songwriting school; and "The Victim," with its pungent burned-by-love lyrics, and an odd (though not displeasing) dash of psychedelic echo on the chorus. The covers cast an eclectic net ("Catch the Wind," "Let It Be Me," the Everly Brothers' "Bowling Green") and are not as distinctive as the originals, but even so there's an excellent reading of Ewan MacColl's "The First Time Ever I Saw Your Face."

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top seam (less than 1 inch / 2.5 centimeters)

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover has a tiny "wrinkle" (crease)  in one of the corners  (VISIBLE ON BACK SIDE ONLY) .

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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