GWEN McCRAE "On My Way" LP M/NM w Saw Cut Cover 1982 Soul Funk Disco

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Gwen McCrae Biography by Steve Huey

Best remembered for her number one R&B hit "Rockin' Chair" from 1975, Gwen McCrae was a gutsy Southern soul diva with a particular affinity for dance tracks. Along with her husband George ("Rock Your Baby"), Gwen was part of the Miami-based T.K. Records stable, which laid a great deal of groundwork for the disco explosion. Born Gwen Mosley in Pensacola, FL, in 1943, she grew up singing in her Pentecostal church and later discovered secular singers like Sam Cooke and Aretha Franklin. She began performing in local clubs as a teenager, also singing with local groups like the Lafayettes and the Independents. In 1963, she met a young Navy sailor named George McCrae, whom she married within a week. When George was discharged, he re-formed an earlier group he'd sung with called the Jivin' Jets, and invited Gwen to join as well. Soon, however, George and Gwen split off to form a duo -- aptly dubbed George & Gwen -- and moved to West Palm Beach to perform in clubs all over South Florida.

George & Gwen were discovered in 1967 by singer Betty Wright, who helped get them signed to Henry Stone's Alston label. Their debut single, "Three Hearts in a Tangle," was released in 1969; the follow-up, "Like Yesterday Our Love Is Gone," marked the first time they worked with the writing team of Clarence Reid (who would later morph into the bawdy comic Blowfly) and Willie Clarke. Both were regional hits, as was third single, "No One Left to Come Home," although none of those records broke nationally; meanwhile, the McCraes and Wright were collectively earning a reputation as stellar session vocalists. In 1970, one of Gwen's solo recordings, the Bobby "Blue" Bland cover "Lead Me On," was picked up by Columbia and became her first Top 40 hit on the R&B charts. In the wake of that breakthrough, George temporarily retired from singing to become her manager, and Alston leased her contract to Columbia; she recorded several more singles over the next few years, but without comparable chart success.

Rockin' Chair

Columbia declined to renew McCrae's contract in 1973, and she was signed to a different Henry Stone label, the T.K. subsidiary Cat. She had a regional hit with "He Keeps Something Groovy Goin' On" that year, and then her second national hit with the R&B Top 20 "For Your Love" (originally recorded by Ed Townsend). However, her minor 1974 hit "It's Worth the Hurt" was overshadowed by George's across-the-board smash "Rock Your Baby," a song originally intended for Gwen that heralded disco's arrival on the pop charts. It was Gwen's turn in the spotlight the following year, when she took the sexy Reid/Clarke composition "Rockin' Chair" all the way to the top of the R&B charts, not to mention the pop Top Ten. In the wake of its success, McCrae released her first-ever album (also called Rockin' Chair) and scored further R&B hits with "Love Insurance" and "Cradle of Love."

Gwen McCrae

By this time, the separate successes were taking their toll on the McCraes' marriage (Gwen has since alleged that her husband beat her frequently). A 1976 duet single, "Winners Together, Losers Apart," fell short of the R&B Top 40, and a full album of duets failed to assuage matters. The couple split later that year, and Gwen scored what turned out to be her last chart hit for Cat, "Damn Right It's Good." Despite a fine effort with the 1978 LP Let's Straighten It Out, McCrae's commercial momentum was stalled, and although 1979's "All This Love That I'm Giving" later became a favorite on Britain's Northern soul scene, it didn't attract much attention upon its release. With the T.K. label family in serious financial trouble, McCrae moved to New Jersey and signed with Atlantic in 1980, a stint that produced two albums (Gwen McCrae and On My Way) and several chart singles still prized by collectors: "Funky Sensation," "Poyson," and "Keep the Fire Burning." Feeling underpromoted, McCrae moved back to Florida, cut a one-off single for the small Black Jack label in 1984 called "Do You Know What I Mean," and retired from the music business.

McCrae was rediscovered by the British Northern soul and rare groove scenes during the '80s, and she traveled to England to record a couple of singles for Rhythm King in 1987. Pleased with her enduring popularity in the U.K., McCrae eventually recorded an entire album for the British Homegrown label in 1996, titled Girlfriend's Boyfriend. Upon returning to America, she signed with the revived Goldwax label, distributed by Ichiban, and recorded another album later that year, Psychic Hot Line. In 1998, Ichiban reissued Girlfriend's Boyfriend in the U.S. McCrae returned in 1999 with Still Rockin', which received favorable reviews in blues and classic soul circles.

Gwen McCrae – On My Way

Gwen McCrae - On My Way album cover

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Label: Atlantic – 80019-1

Format:

Vinyl, LP, Album, SP

Country: US

Released: 1982

Genre: Funk / Soul

Style: Soul, Funk, Disco

A1 Hang In 4:19

A2 Make Believe 5:03

A3 Keep The Fire Burning 5:37

A4 I Need To Be With You 3:53

B1 Be For Real 4:32

B2 Hey World 4:25

B3 I Didn't Take Your Man 4:42

B4 Doin' It 4:48

Record Company – Warner Communications

Phonographic Copyright ℗ – WEA International Inc.

Phonographic Copyright ℗ – Atlantic Recording Corporation

Copyright © – Atlantic Recording Corporation

Manufactured By – Atlantic Recording Corporation

Pressed By – Specialty Records Corporation

Recorded At – Hollywood Sound Recorders

Mixed At – Hollywood Sound Recorders

Mastered At – Atlantic Studios

Produced For – Webo Productions

Arranged By [Horns] – Fred Wesley, Harold Batiste*, Webster Lewis

Arranged By [Strings] – H.B. Barnum, Webster Lewis

Arranged By [Vocals] – Gwen McCrae, James Gadson, Monica Pege, Webster Lewis

Artwork – Sandi Young

Backing Vocals – Gwen McCrae, James Gadson, Julia Waters, Maxine Waters, Michael Wycoff, Stephanie Spruill

Bass – Nate Watts*

Coordinator [Album] – Rochelle Randolph

Drums – James Gadson

Engineer – Dennis King, Nikki Bowden, Ross Palone*

Guitar – David T. Walker, Leo Nu Centelli*

Horns – Ernie Fields

Horns [Solos] – Mark Russo*

Keyboards – Denzil Miller, Michael Wycoff, Webster Lewis

Mastered By – Dennis King

Mixed By – Ross Palone*

Percussion – Paulinho Da Costa

Photography By – Herbert Schulz

Producer – Webster Lewis

Producer [Assistant] – James Gadson

Strings – Ernie Fields

Synthesizer – Robbie Buchannon*, Webster Lewis

Specialty Records Corporation (SP) press variation.

Recorded And Mixed At Hollywood Sound.

Mastered At Atlantic Studios, New York City.

"Special thanks first and foremost to God and Jesus Christ who allowed me this opportunity once again. To my children, Sophia, Leah and Alex and Mrs. Burgess, Kim, Karen and the rest of my family whose love and support sustains me. To Ahmet Ertegün, Doug Morris, Henry Allen, Noreen Woods, Simo Doe and the entire Atlantic family for their belief and encouragement. To Shelly Kerner, my friend, lawyer, manager and cheering section. And most of all, to you who listen and applaud - without you there is no me"

My love, Gwen McCrae.

℗ 1982 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

© 1982 Atlantic Recording Corporation.

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.