Gospel According To Zeus by Power of Zeus (Vinyl, Apr-2019, LP, Mr Bongo) *NEW*

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Gospel According To Zeus by Power of Zeus [Vinyl LP]
Track Listing:

• 1 It Couldn't Be Me
• 2 In the Night
• 3 Green Grass & Clover
• 4 I Lost My Love
• 5 The Death Trip
• 6 No Time
• 7 Uncertain Destination
• 8 Realization
• 9 Hard Working Man
• 10 The Sorceror of Isis (The Ritual of the Mole)

Seminal funk-rock album originally released on Rare Earth in 1970. Featuring the monster breakbeat on 'The Sorcerer Of Isis'.

Formed in Detroit in 1968, Power of Zeus became the first rock band to be signed by Motown subsidiary label, Rare Earth.  The group drew inspiration from British hard rock and heavy metal giants like Cream, Black Sabbath, and Led Zeppelin when they created this well-produced, seminal post-hard rock album.   After 'The Gospel According to Zeus', the group never made another album and slipped into obscurity, until it was discovered by the hip hop diggers.   The drum beat from "Sorcerer of Isis" has been one of the most sampled in hip-hop music, including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.   Half-speed mastered by Miles Showell at Abbey Road Studios, London.  Transferred from 2 x 1/4" analog reels at 192kHz/24-bit. Official Mr Bongo reissue.  Released for Record Store 2019.
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Arguably the first hard rock album released by the Motown-owned Rare Earth imprint, 1970's The Gospel According to Zeus was also the first and last recording by Detroit heavy rockersPower of Zeus.  Needless to say, these two facts were inextricably linked, as the producers and engineers responsible for fueling the Motown hit factory had little or no understanding of what it took to capture the new decade's Earth-shaking hard rock sounds in their studios.  Interestingly, this wound up pushing Power of Zeus' psychedelic elements -- mostly evident in their vocal harmonies and use of the Hammond organ -- to the fore at the expense of a meatier guitar, bass, and drums foundation.  Also, unlike many of the era's incredibly bloated, jam-happy behemoths (e.g., Iron Butterfly's "In-A-Gadda-Da-Vida," Deep Purple's "Child in Time"), tough, punchy songs like "It Couldn't be Me," "No Time," and "Realization" are conspicuously short and concise -- as mandated by Motown's pop architects, no doubt.  And if you're expecting distortion, forget it. The uniquely forceful "The Sorcerer of Isis (The Ritual of the Mole)" offers about the only opportunity for the band to really cut loose with some instrumental overload and actual guitar shredding (fitting that they cited it as the most representative of their live shows).  More often than not, however, it was trippy acoustic guitars and harpsichords that had Baroque folk ballads like "Green Grass and Cover" and "Uncertain Destination" breaking up the pacing; and the ominous-sounding "The Death Trip" is actually a rather sleepy, almost Pink Floyd-like swirl of a song.  In other words, for a band professing to love the hard psych-rock of Cream and the Kimi Hendrix Experience and the proto-metal of Led Zeppelin and Black Sabbath, The Gospel According to Zeus is obviously a sonically stunted effort.  And yet ironically, what at the time doomed both the band and album's chances of success has since transformed it into a true original outside any identifiable genre. ~ Eduardo Riviadavia

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