Media Grading: MINT Sleeve Grading: NM
Fantastic condition!! Opened, but NOT played!! Housed in a cardboard picture box and limited to 2000 copies.  This copy is 483/2000!!  Comes with 12-page booklet.

Notes

Into The Grave
Recorded and mixed at Sunlight Studios, 17-30 June '91. Track B5 on Into The Grave taken from the "In The Eyes Of Death 1" compilation. Track B6 & B7 on Into The Grave taken from the "Tremendous Pain" 7 inch.

You'll Never See...
Recorded and mixed at Sunlight Studios, June '92. Track D3 of You'll Never See... taken from the "In The Eyes Of Death 1" compilation. Tracks D4 to D7 of You'll Never See... taken from the "Anatomia Corporis Humani" demo.

...And Here I Die
Tracks E1 to E3 recorded and mixed at Studio Musicano, Visby, 27th - 29th of July '93. Tracks E4 to E6 recorded at Nobel Studios Bielefeld Oct. '90. Track E7 of ...And Here I Die is a pre-production demo of May 1991. Tracks F1 to F4 of ...And Here I Die taken from the "Sexual Mutilation" demo.

Soulless
Recorded and mixed at Sunlight Studios '94. Mastered At Cutting Room.

Hating Life
Recorded and mixed at Sunlight Studios, December '95 - January '96. Mastered at Cutting Room. Tracks J4 to J6 of Hating Life taken from the "Sick Disgust Eternal" demo.

Back From The Grave
Produced, recorded, edited and mixed March - June 2002 at Sunlight Studio, Stockholm. Mastered at Polar Studios, Stockholm.

Housed in a cardboard picture box and limited to 2000 copies. Comes with 12-page booklet.

All tracks remastered with Direct Metal Mastering.

Grave (2) ‎– Morbid Ways To Die

Label: Century Media ‎– 77543-0 Format: Box Set, Compilation, Limited Edition, Numbered
6 × Vinyl, LP, Album, Picture Disc, Reissue, Remastered
Country: Germany Released: 08 Dec 2003 Genre: Rock Style: Death Metal

Tracklist

Into The Grave A1 Deformed 5:58 A2 In Love 3:36 A3 For Your God 3:46 A4 Obscure Infinity 3:08 A5 Hating Life 3:03 A6 Into The Grave 4:03 A7 Extremely Rotten Flesh 4:55 B1 Haunted 3:28 B2 Day Of Mourning 3:34 B3 Inhuman 3:39 B4 Banished To Live 4:50 B5 Putrefaction Remains 2:53 B6 Tremendous Pain 3:29 B7 Eroded 3:15 You'll Never See... C1 You'll Never See... 5:08 C2 Now And Forever 4:17 C3 Morbid Way To Die 4:37 C4 Obsessed 3:50 C5 Grief 4:53 C6 Severing Flesh 5:15 D1 Brutally Deceased 3:52 D2 Christi(ns)anity 4:43 D3 Haunted 3:28 D4 Extremely Rotten Flesh 4:30 D5 Brutally Deceased 3:48 D6 Septic Excrements 3:02 D7 Reborn Miscarriage 3:54 ...And Here I Die E1 ...And Here I Die...Satisfied 4:09 E2 I Need You 4:31 E3 Black Dawn 3:27 E4 Tremendous Pain 3:27 E5 Day Of Mourning 3:32 E6 Inhuman 3:39 E7 Obscure Infinity 3:12 F1 Slow Death (Intro) / Deformed 5:58 F2 Reality Of Life 3:34 F3 Morbid Way To Die 4:37 F4 Sexual Mutilation / The Death Of The Bumblebee (Outro) 4:40 Soulless G1 Turning Black 4:31 G2 Soulless 3:08 G3 I Need You 4:18 G4 Bullets Are Mine 3:43 G5 Bloodshed 4:11 G6 Judas 3:00 H1 Unknown 3:37 H2 ...And Here I Die 3:40 H3 Genocide 3:46 H4 Rain 4:08 H5 Scars 5:32 Hating Life I1 Worth The Wait 3:41 I2 Restrained 3:44 I3 Winternight 3:02 I4 Two Of Me 2:38 I5 Beauty Within 3:46 I6 Lovesong 3:11 I7 Sorrowfilled Moon 4:23 J1 Harvest Day 3:43 J2 Redress 3:29 J3 Still Hating Life 1:15 J4 Pacemaker Death (Intro) / Into The Grave 6:14 J5 Annihilated Gods 5:04 J6 Infernal Massacre 6:11 Back From The Grave K1 Intro 0:42 K2 Rise 5:42 K3 Behold The Flames 4:31 K4 Dead Is Better 3:47 K5 Receiver 5:01 K6 No Regrets 3:33 L1 Resurrection 4:16 L2 Below 4:41 L3 Bloodfed 4:49 L4 Thorn To Pieces 6:22

Companies, etc.

• Recorded At – Sunlight Studios
• Mixed At – Sunlight Studios
• Recorded At – Studio Musicano
• Mixed At – Studio Musicano
• Recorded At – Nobel Studios
• Mastered At – Cutting Room
• Mastered At – Polar Studios
• Copyright (c) – Magic Arts Publishing
• Phonographic Copyright (p) – Century Media Records Ltd.
• Distributed By – SPV GmbH
• Distributed By – Caroline Distribution
• Distributed By – RSK Entertainment Ltd.
• Distributed By – M10
• Distributed By – Suburban (4)
• Distributed By – Border Music
• Distributed By – NSM Records
• Distributed By – Phonag
• Distributed By – Self Distribuzione
• Distributed By – Mastertrax
• Distributed By – Edel
• Distributed By – MMP Records (2)
• Distributed By – M.A.B. Records
• Distributed By – Sound & Vision (5)
• Distributed By – Spinefarm Records
• Distributed By – Tuba Records
• Distributed By – Target Group
• Distributed By – F>A>B> Distribution
• Distributed By – Raven Music
• Distributed By – Shock (2)
• Pressed By – GZ Digital Media – 54001E
• Pressed By – GZ Digital Media – 54002E
• Pressed By – GZ Digital Media – 54003E
• Pressed By – GZ Digital Media – 54004E
• Pressed By – GZ Digital Media – 54005E
• Pressed By – GZ Digital Media – 54006E

Credits

• Artwork [Back From The Dead] – Jacek Wiśniewski
• Artwork [Into The Grave], Artwork [You'll Never See...] – Axel Hermann
• Backing Vocals – Jensa Paulsson (tracks: D4 to D7), Ola Lindgren (2) (tracks: A1 to A7, B1 to B3, E1 to E7, F1 to F4)
• Bass – Fredrik Isaksson (tracks: K1 to K6, L1 to L4), Jonas Torndal (tracks: A1 to A7, B1 to B7, E1 to E7), Jörgen Sandström (tracks: C1 to C6, D1 to D3, G1 to G7, H1 to H5), Ola Lindgren (2) (tracks: D4 to D7, F1 to F4, I1 to I6, J1 to J6)
• Drums – Jensa Paulsson (tracks: A1 to A7, B1 to B7, C1 to C6, D1 to D7, E1 to E7, F1 to F4, G1 to G7, H1 to H5, I1 to I7, J1 to J6, K1 to K6, L1 to L4)
• Engineer – Grave (2) (tracks: E1 to F4)
• Guitar – Jonas Torndal (tracks: K1 to K6, L1 to L4), Jörgen Sandström (tracks: A1 to A7, B1 to B7, C1 to C6, D1 to D7, E1 to E7, F1 to F4, G1 to G7, H1 to H5, J4 to J6), Ola Lindgren (2) (tracks: A1 to A7, B1 to B7, C1 to C6, D1 to D7, E1 to E7, F1 to F4, G1 to G7, H1 to H5, I1 to I6, J1 to J6, K1 to K6, L1 to L4)
• Keyboards – Jensa Paulsson (tracks: C1 to C6, D1 to D3)
• Mastered By – Peter In De Betou (tracks: G1 to J6)
• Mixed By – Tomas Skogsberg (tracks: A1 to D7)
• Music By, Lyrics By – Corpse (6) (tracks: E3), Grave (2) (tracks: A1 to E2, E4 to L4)
• Producer – Grave (2) (tracks: A1 to B7, E1 to F4), Tomas Skogsberg (tracks: A1 to D7, G1 to L4)
• Producer [Assisted] – Fred Estby (tracks: G1 to H5)
• Producer, Engineer – Toben Johanson* (tracks: E1 to F4)
• Producer, Recorded By, Edited By, Mixed By – Ola Lindgren (2) (tracks: K1 to L4)
• Recorded By, Edited By – Tomas Skogsberg (tracks: K1 to L4)
• Remastered By – Alan Douches (tracks: A1 to B7)
• Vocals – Jensa Paulsson (tracks: J5), Jörgen Sandström (tracks: A1 to A7, B1 to B7,C1 to C6, D2 to D7, E1 to E7, F1 to F4, G1 to G7, H1 to H5, J6), Ola Lindgren (2) (tracks: D1, I1 to I6, J1 to J4, K1 to K6, L1 to L4)

Barcode and Other Identifiers

• Barcode: 7 277017 754308
• Matrix / Runout (Side A): 54001E1/A
• Matrix / Runout (Side B): 54001E2/A
• Matrix / Runout (Side C): 54002E1/A
• Matrix / Runout (Side D): 54002E2/A
• Matrix / Runout (Side E): 54003E1/A
• Matrix / Runout (Side F): 54003E2/A
• Matrix / Runout (Side G): 54004E1/A
• Matrix / Runout (Side H): 54004E2/A
• Matrix / Runout (Side I): 54005E1/A
• Matrix / Runout (Side J): 54005E2/A
• Matrix / Runout (Side K): 54006E2/A
• Matrix / Runout (Side L): 54006E2/A

The Goldmine Standard for grading is used for my vinyl listings:

 

Mint (M)

 

The sleeve and cover are absolutely perfect in every way. To qualify as Mint, the record must never have been played and is possibly still sealed. Mint should be used sparingly as a grade, if at all. Note that a record can be sealed and not Mint. There could be sleeve discoloration, ring wear, or vinyl warp if guidelines on how to store vinyl were not followed. If you suspect your record is in Mint condition, do not play it.

Near Mint (NM or M-)

 

A nearly perfect record. A Near Mint (NM) record has more than likely never been played. The vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. The sleeve of a 45 of EP should have no more than the most minor defects, such as any sign of slight handling. The LP cover should have no creases, folds, seam-splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc. Many dealers won’t give a grade higher than NM, implying (perhaps correctly) that no record is ever truly perfect.

Very Good Plus (VG+)

 

A Very Good Plus (VG+) record will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a VG+ record should sound the same as a Near Mint (NM) one. Vinyl surfaces may show some signs of wear, such as slight scuffs or very light scratches. Slight warps that do not affect the sound are okay. The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some wear, slightly turned-up corners, or a small seam-split. An LP cover may have sparse signs of wear and may be marred by a cut-out hole, indentation, or cut corner. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

 

The defects found in a Very Good Plus (VG+) record will be more pronounced in a Very Good (VG) item. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, such as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, a VG item will not have all of these problems at the same time.

Good, Good Plus (G, G+)

 

A record in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam-splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and “ticks” will almost certainly accompany the playback.

Poor, Fair (P, F)

 

The record is cracked, badly warped, and won’t play through without skipping or repeating. The picture sleeve could be water damaged, split on more than one seam, and heavily marred by wear or writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon. Poor (P) or Fair (F) records are generally worth very little, at most 5% of the Near Mint (NM) price.