HARDWATER (PRODUCED BY DAVID AXELROD) SAME-TITLED ORIG'68 PSYCH LP IN SHRINK N/M
$
47
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Description
WE CURRENTLY HAVE MORE THAN 400 LISTED ITEMS
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· HARDWATER – THE SELF-TITLED FIRST (AND ONLY) ALBUM (“HARDWATER”) - VERY RARE PSYCHEDELIC ALBUM PRODUCED AND ARRANGED BY LEGENDARY DAVID AXELROD – ORIGINAL 1968 CAPITOL RECORDS STEREO LP ST-2954
· West Coast sound jangle guitar and flowing fuzz acid rock. Produced by David Axelrod. Ex-Astronauts.
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW) BAND ALONG THE LABEL’S EDGE AND CAPITOL’S LOGO ON TOP (12 O’CLOCK POSITION) OF THE LABEL
· CAPITOL RECORDS, SCRANTON, PA PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Not far into the first track on the sole, self-titled Hard Water album, it's pretty obvious these guys had to be big Buffalo Springfield fans. The hard folk-rock riffs, the soaring harmony vocals, and the way the drums push the beat can't fail to recall Springfield classics like "Rock 'n' Roll Woman" and "Mr. Soul" (whose squelched, backwards distorted guitar riffs are even echoed in some cuts). Perhaps there's a bit of the San Francisco sound, à la early Jefferson Airplane or Moby Grape, in some of the guitar tones and harmonies as well. You can't fault young musicians for admiring the best, but they might have benefited from someone -- say, the respected producer of this 1968 Capitol album, David Axelrod -- taking them aside and advising them to put more of themselves into their songwriting and arrangements. Instead, it's a little like hearing Buffalo Springfield Revisited again, but with considerably less substance, especially in the songwriting department. If you're not one to demand something of the level of their inspirations, and just want to hear a rarity that's reminiscent of the Springfield in some ways, Hard Water isn't bad (though as heavily Springfield-influenced bands of the time go, the Penny Arkade are much better). The country-tinged folk-rock is tight, though there isn't much of the humor heard in much Springfield, and it's more on the Stephen Stills side than the Neil Young one in the songwriting department. "City Sidewalks" is one of the less derivative numbers and a mild standout for that reason, edging toward the overly earnest with a lead vocal in the pinched, early Bee Gees mold. "To Nowhere" is also a bit of a departure into bittersweet acoustic balladry that's a bit poppier and more sentimental than the Springfield and their ilk usually got. The album really is an OK listen, despite its faults, but its appeal is probably limited to collectors who are especially big fans of late-'60s California folk-rock (with some pop and country in the mix).
(EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
COVER IS NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has a cutout hole in one of the corners
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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