HIP LINKCHAIN "Change My Blues" LP Shrink w CC Promo NM/EX 1981 CHICAGO BLUES
$
21
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
AMG Artist Biography by Bill Dahl
Airbusters Cancer struck guitarist Hip Linkchain down before he could shed his status as a Chicago blues journeyman. With a fine album on the Dutch Black Magic logo, Airbusters, to his credit shortly before he died, Linkchain might have managed to move up a rung or two in the city's blues pecking order had he lived longer.
Born Willie Richard in Mississippi, his odd stage name stemmed from being dubbed "Hipstick" as a lad. (White residents of the area gave his seven-foot-tall dad the name Linkchain because he wore logging chains around his neck). Dad and older brother Jesse both played the blues, and Hip followed in their footsteps. He heard Elmore James, Little Milton, and Sonny Boy Williamson while living in the Delta before relocating to Chicago during the early '50s.
Change My BluesLinkchain made inroads on the competitive Chicago circuit during the '50s and '60s, playing with harpists Dusty Brown, Willie Foster, and Lester Davenport. His own band, the Chicago Twisters, was fronted by a very young Tyrone Davis in 1959. Linkchain cut a handful of very obscure 45s for the tiny Lola and Sanns logos prior to the emergence of his debut domestic album for Teardrop Records, Change My Blues, circa 1981.
Hip Linkchain ?– Change My Blues
Label: Teardrop Records (2) ?– Treardrop 001 Format: Vinyl, LP, AlbumCountry: US Released: 1981 Genre: Blues Style: Chicago Blues
Tracklist
A! Cold Chills A2 Change My Blues A3 Shaggy Hound A4 Call Muddy Waters B1 Walking Blues B2 Mad & Evil B3 Walking From Door To Door B4 That Will Never DoSee our other EBAY auctions by using search by seller and using “record collector michigan”
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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