HONEYBUS Story LP DERAM 1970 UK orig+Stereo PETE DELLO-COLIN HARE
  £   69
  $   91

 


£ 69 Sold For
Jul 26, 2015 Sold Date
Jul 16, 2015 Start Date
£   65 Start price
3   Number Of Bids
  Italy Country Of Seller
eBay Auctioned at
 
save auction  

Description

U.K.  BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS

 BEFORE BIDDING, PLEASE

CAREFULLY READ BELOW THE CORRECT SHIPPING COST!

 THESE RATES ARE FOR BOXES UP TO 1 KILOS (1 or 2, maybe 3, LPs). 

WE COMBINED SHIPPING DISCOUNTS

WE ARE POSTING EVERYWHERE IN THE  WORLD.

SO IN ORDER TO AVOID MISUNDERSTANDING  WE ADVISE YOU TO ENQUIRE 

ABOUT POSTAGE COST BEFORE YOU ACTUALLY BID/PURCHASE THE ITEM

  FOR THESE ITEMS 

WE’LL SHIP ONLY WITH REGISTERED MAIL

NO EXCEPTIONS PLEASE

PLEASE ASK FOR ANY INFORMATION

HONEYBUS

 RAY CANE, PETE DELLO, COLIN HARE, PETER KIRCHER

The story of Honeybus is almost a cautionary tale. Considering that most have never heard of them, 

it's amazing to ponder that they came very close, in the eyes of the critics, to being Decca Records' 

answer to the Rubber Soul-era Beatles. The harmonies were there, along with some catchy, 

hook-laden songs and usually tastefully overdubbed brass and violins. 

The pop sensibilities of Honeybus' main resident composers, Pete Dello and Ray Cane, 

were astonishingly close in quality and content to those of Paul McCartney and the softer sides 

of John Lennon of that same era. What's more, the critics loved their records. Yet, somehow, 

Honeybus never got it right; they never had the right single out at the proper time, 

and only once in their history did they connect with the public for a major hit, in early 1968 

"STORY"

Produced by Ivor Raymonde

1970     LP     DERAM RECORDS      STEREO   SML 1056


MADE IN ENGLAND    ORIGINAL COPY

with an "indicator hole" in the backcover to let the inner sleeve 

peep through: red = mono, blue = stereo.

Released in a laminated (on front) single cover

WITH COMPANY INNER SLEEVE

Barcode and Other Identifiers

LABEL:  DERAM -  RED/WHITE LABEL - BLACK & WHITE TEXT

Catalog on cover: (rear): RED-MONO DML 1056  BLUE-STEREO SML 1056

(spine): M DML 1056   S SML 1056  

Catalog on labels: SML 1056 (ZAL 9187P / ZAL 9188P) 

Matrix / Runout (Side A, Stamped): ZAL-9187.P-1W

Matrix / Runout (Side B, Stamped): ZAL-9188.P-1W

On labels: Made in England         The Decca Record Co. Ltd.

?1969 on both labels (on the labels the release year appears at 6 o'clock)

Rights Society: 

(on Side 1): White Dove Music

(on Side 2): White Dove Music, Ambassador Music, Apollo Music

On Back Sleeve: U.K. Patents Applications No. 43212/68

STORY (Music For White Doves)

Notes by Ivor Raymonde

Producer: Ivor Raymonde for Honeybus Productions

*Recorded at Central Sound Studios

DERAM Regd. Trade Mark

Deram Records, The Decca Record Company Limited, Decca House, 9 Albert Embankment, London S.E.1.

Sleeve printed in England by Clout & Baker Ltd.

Laminated with 'Clarifoil' made by British Celanese Limited

All Titles Published By White Dove Music Excepting +

tracklisting

Side A: STORY - BLACK MOURNING BAND - SCARLET LADY

FRESHER THAN THE SWEETNESS IN WATER

HE WAS COLUMBUS - CEILINGS NO.1

Side B: UNDER THE SILENT TREE - +* SHE'S OUT THERE

SHE SAID YES - + I REMEMBER CAROLINE

+* HOW LONG - CEILINGS NO.2

  grading

RECORD VG+ but (please, read above description) 

SLEEVE VG(+) but (please, see pictures and read above description)


Honeybus' sole album was recorded in 1969 and released in early 1970, by which time "I Can't Let Maggie Go" 

was fading from the memory of the British public, original leader Pete Dello was long gone, 

and the band itself had been inactive for months. It's therefore not entirely representative of what the group was about. 

Honeybus did show themselves to be one of the few bands that could emulate the lighter and quieter sides 

of the 1968-1969 Beatles with a degree of competence, although as is usual when the Beatles were imitated, 

the songs and execution were much more lightweight than what the Beatles themselves recorded. 

At times it sounds like Badfinger without the muscle or occasional outstanding songs that made 

Badfinger recall the Beatles without sounding like tepid wannabes. The Beatlesque harmonies are nice 

and the lyrics sometimes clever, and the arrangements are tasteful, 

sometimes employing substantial traces of country music and subtle orchestration...(AllMusic)

 


price rating