HORACE TAPSCOTT With Pan-Afrikan Peoples Arkestra, The ?– Live At I.U.C.C. NM/EX
$
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
Horace Tapscott With Pan-Afrikan Peoples Arkestra, The ?– Live At I.U.C.C.
Label: Nimbus West Records ?– NIMBUS No. 357 Format: 2 × Vinyl, LP, AlbumCountry: US Released: 1979 Genre: Jazz Style: Free Jazz
TracklistHide Credits
A Macrame Alto Saxophone – Michael Sessions*Bass – David Bryant (4)Drums – Everett Brown Jr.Flute – Herbert Callies, Kafi Roberts*Tenor Saxophone – James Andrews (6)Written-By, Soprano Saxophone – Jesse Sharps 20:25 B1 Future Sally's Time Written-By – Arthur Blythe, Stanley Crouch 12:10 B2 Noissessprahs Bass – David Bryant (4)Cello – Louis SpearsFrench Horn – Bob Watt jr.Percussion – Mike Daniels (5)Piano – Linda HillTenor Saxophone – Desta WalkerWritten-By – Sabia Matteen* 16:13 C Village Dance Written-By – Sabia Matteen* 26:13 D1 L.T.T. Written-By – Horace Tapscott 14:50 D2 Desert Fairy Princess Alto Clarinet – Herbert CalliesBass – David Bryant (4)Drums – Everett Brown Jr.Flute – Kafi Roberts*Tenor Saxophone – James Andrews (6)Tuba – Red CallenderWritten-By – Jesse Sharps 11:00 D3 Lift Every Voice Piano, Vocals – Unknown Artist 1:58Credits
- Baritone Saxophone – John Williams (14) (tracks: B1 to D2)
- Bass – Alan Hines (tracks: A to D2), Roberto Miranda (tracks: B1 to D1)
- Drums – Billy Hinton (tracks: B1 to D1)
- Flute – Adele Sebastian (tracks: B1 to D2), Aubrey Hart (tracks: B1 to D1)
- Percussion – Daa'oud Woods (tracks: B1 to D2)
- Piano, Co-producer – Horace Tapscott (tracks: A, B1, C, D1, D2)
- Producer – Tom Albach
- Soprano Saxophone – Billy Harris* (tracks: B1 to D2)
- Tenor Saxophone – Sabia Matteen* (tracks: A to D2)
- Trombone – Lester Robinson (tracks: B1 to D2)
Notes
Recorded February to June 1979 at the Imannuel United Church of Christ, 85th and Holmes, Los Angeles. The U.G.M.A.A (=Union Of God's Musicians & Artists Ascension) Foundation was involved.See our other EBAY auctions by using search by seller and using “record collector michigan”
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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