HOUND DOG TAYLOR & The HOUSE ROCKERS Natural Boogie LP ALLIGATOR 1974 USreissue
  €   18
  $   21

 


€ 18 Sold For
Oct 21, 2019 Sold Date
Mar 10, 2019 Start Date
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Description

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HOUND DOG TAYLOR


with BREWER PHILLIPS, guitar and TED HARVEY, drums

Alligator Records, Chicago's leading contemporary blues label, might never have been launched at all 

if not for the crashing, slashing slide guitar antics of Hound Dog Taylor. Bruce Iglauer, then an employee 

of Delmark Records, couldn't convince his boss, Bob Koester, of Taylor's potential, so Iglauer took matters 

into his own hands. In 1971, Alligator was born for the express purpose 

of releasing Hound Dog's debut album. We all know what transpired after that.


"NATURAL BOOGIE"


<reissue, originally published in 1974>


Recorded at Sound Studios, Chicago


LP     ALLIGATOR RECORDS      AL 4704


PRINTED IN U.S.A.   1978 circa REPRESSING

STILL IN SHRINK SINGLE SLEEVE

including "GATORS BY MAIL" Card


Barcode and Other Identifiers


Barcode: none


LABEL: ALLIGATOR -  GREEN LABEL WITH WHITE ARTWORK/LOGO - BLACK/WHITE TEXT


Catalog on cover: 4704  

Catalog on labels: AL 4704-A / AL 4704-B


Matrix / Runout (Side A, Etched): AL-4704  SIDE-1   ?  ALT   IPRI  

Matrix / Runout (Side B, Etched): AL 4704   SIDE-2   ?  ALT


On labels: STEREO

Alligator Records Box 60234 Chicago IL 60660


On Back Sleeve: Produced by Hound Dog Taylor and Bruce Iglauer

? 1974,  Alligator Records

Alligator Records offers a large catalog of the finest contemporary blues albums....

For more informations on the contemporary blues scene, we recommended a subscription to Living Blues.....


tracklisting

Side A: TAKE FIVE - HAWAIIAN BOOGIE - SEE ME IN THE EVENING

YOU CAN'T SIT DOWN - SITTING AT HOME ALONE - ONE MORE TIME

Side B: ROLL YOUR MONEYMAKER - BUSTER'S BOOGIE

SADIE - TALK TO MY BABY - GOODNIGHT BOOGIE

  

grading

RECORD NEAR MINT but (please, also read above description) 

SLEEVE NEAR MINT but (please, see pictures and read above description)


Hound Dog Taylor's second album was every bit as wild as the first, bringing with it a fatter sound 

and a wider range of emotions and music. A recut here of Taylor's first single, "Take Five," 

totally burns the original while the smoldering intensity of "See Me in the Evening" and "Sadie" 

take this album to places the first one never reached...(AllMusic)









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