HOUND DOG TAYLOR & The HOUSE ROCKERS Natural Boogie LP ALLIGATOR 1974 USreissue
€
18
$
21
€ 18
Sold For
Oct 21, 2019
Sold Date
Mar 10, 2019
Start Date
1
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Italy
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eBay
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Description
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HOUND DOG TAYLOR
with BREWER PHILLIPS, guitar and TED HARVEY, drums
Alligator Records, Chicago's leading contemporary blues label, might never have been launched at all
if not for the crashing, slashing slide guitar antics of Hound Dog Taylor. Bruce Iglauer, then an employee
of Delmark Records, couldn't convince his boss, Bob Koester, of Taylor's potential, so Iglauer took matters
into his own hands. In 1971, Alligator was born for the express purpose
of releasing Hound Dog's debut album. We all know what transpired after that.
"NATURAL BOOGIE"
<reissue, originally published in 1974>
Recorded at Sound Studios, Chicago
LP ALLIGATOR RECORDS AL 4704
PRINTED IN U.S.A. 1978 circa REPRESSING
STILL IN SHRINK SINGLE SLEEVE
including "GATORS BY MAIL" Card
Barcode and Other Identifiers
Barcode: none
LABEL: ALLIGATOR - GREEN LABEL WITH WHITE ARTWORK/LOGO - BLACK/WHITE TEXT
Catalog on cover: 4704
Catalog on labels: AL 4704-A / AL 4704-B
Matrix / Runout (Side A, Etched): AL-4704 SIDE-1 ? ALT IPRI
Matrix / Runout (Side B, Etched): AL 4704 SIDE-2 ? ALT
On labels: STEREO
Alligator Records Box 60234 Chicago IL 60660
On Back Sleeve: Produced by Hound Dog Taylor and Bruce Iglauer
? 1974, Alligator Records
Alligator Records offers a large catalog of the finest contemporary blues albums....
For more informations on the contemporary blues scene, we recommended a subscription to Living Blues.....
tracklisting
Side A: TAKE FIVE - HAWAIIAN BOOGIE - SEE ME IN THE EVENING
YOU CAN'T SIT DOWN - SITTING AT HOME ALONE - ONE MORE TIME
Side B: ROLL YOUR MONEYMAKER - BUSTER'S BOOGIE
SADIE - TALK TO MY BABY - GOODNIGHT BOOGIE
grading
RECORD NEAR MINT but (please, also read above description)
SLEEVE NEAR MINT but (please, see pictures and read above description)
Hound Dog Taylor's second album was every bit as wild as the first, bringing with it a fatter sound
and a wider range of emotions and music. A recut here of Taylor's first single, "Take Five,"
totally burns the original while the smoldering intensity of "See Me in the Evening" and "Sadie"
take this album to places the first one never reached...(AllMusic)
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