High Llamas "Lollo Rosso" LP OOP Vinyl Kid Loco Stereolab
  $   20

 


$ 20 Sold For
Aug 2, 2016 Sold Date
Aug 1, 2009 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
save auction  

Description

High Llamas "Lollo Rosso"  LP V2/Alpaca (US)

Vinyl is NM, Jacket is VG!

Out of Print!

Track Listing:

A1   Showstop Hic Hup (6:36)     Remix - Mouse On Mars
  Remix [Credited To] - Andy Toma* , Jan St Werner* A2   Homespin Rerun (6:12)     Remix - Cornelius
  Remix [Credited To] - Keigo Oymada* A3   Homerun Ubershow (7:37)     Remix - Schneider TM A4   Milting Tindmills (Inst.) (4:18)     Remix - High Llamas, The B1   Mini-Management (8:25)     Remix - Jim O'Rourke B2   The Space Raid Remix (Inst.) (7:47)     Remix - Kid Loco B3   Reflections In A Plastic Glass (5:13)     Remix - Stock, Hausen & Walkman
  Remix [Credited To] - Andrew Sharpley , Matt Wand

The High Llamas is a London-based musical project created by Irish guitarist and songwriter Sean O'Hagan after the demise of his group Microdisney. It derives its name from a character played by Michael Nesmith in the Monkees. Although O'Hagan writes and arranges the music and frequently uses the High Llamas moniker for his own personal musical efforts (e.g. remixes), the High Llamas is nominally a group, usually including Microdisney bassist Jon Fell, along with a rotating cast of others including keyboardist and cellist Marcus Holdaway, percussionist Dominic Murcott and drummer Rob Allum.

Although the High Llamas' output (including the eponymous debut album, technically credited to "Sean O'Hagan") shows influences including pre-1950s American pop and folk, Brazilian jazz and bossa nova, film composers of the 1960s, and 1990s European electronic music, criticism of O'Hagan's work most frequently includes references to Brian Wilson's psychedelic period and/or kitsch lounge revival. Although O'Hagan sometimes expresses discomfort at reviewers' claims of derivative works, he generally wears his influences on his sleeve, even naming several more recent songs after the composers and pop musicians who most inspired that particular track. (Examples: "Bach Ze", "Pat Mingus", "Shuggie Todd.") The Beach Boys' influence on O"Hagan is most obvious on the expansive, cinematic 1996 album "Hawaii", a musical spaghetti western on themes of tourism and colonialism. It blended elements of Pet Sounds, Smile and Wild Honey so expertly that O'Hagan was even recommended by Bruce Johnston to produce an eventually nixed Beach Boys comeback LP.

The High Llamas' own musical arrangements vary according to album, but marimbas, nylon-string guitars, and heavily reverbed pounding tack pianos are often featured. For a period in the late 1990s, O'Hagan's work was often marked by distinctive vintage synthesizer "gurgling" or "bouncing" effects, first explored and developed in Turn-On, his experimental collaboration record with members of Stereolab. The High Llamas' albums are also notable for frequent guest appearances by members of that band, with whom O'Hagan once played guitar, and for whom he often contributes string and horn arrangements.

The High Llamas infrequently tour and only release an album every few years; since the group was dropped by V2 Records they have made it clear that their records are personal projects that do not support them financially. O'Hagan frequently does arranging and production work for artists like The Boo Radleys, Doves, Super Furry Animals and Sondre Lerche, and percussionist Allum has worked with Turin Brakes. Their work for V2 is anthologized on the compilation "Retrospective, Rarities and Instrumentals," and they continue to record for Duophonic Records (UK) and Drag City (US).

All records are shipped in professional 7” & 12” box mailers. All CDs are shipped in padded bubble mailers.  Buy multiple items and save on shipping.  Thanks for Visiting!!


price rating