IF If (If One) LP ISLAND 1970 UK original+pink+stereo ILPS 9129 ZZEBRA PROG JAZZ
£
20
$
26
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Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
SO PLEASE DO NOT PAY IMMEDIATELY AFTER WINNING
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BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).
The shipping cost from Italy to UK and Europe from 1 up to 5 albums
[it is a question of weight, we have to stay under 3kg]
is £13 with registered letter, with a sturdy and well conceived box.
The shipping cost also depends by the exchange euro/pounds.
Still, starting from the 1st of December the Italian Post increased the price for the international shipment.
We have done our best to absorb any handling fees in order to keep all international shipping rates as low as we can
PLEASE ASK FOR ANY INFORMATION
IF
JOHN MEALING, TERRY SMITH, JIM RICHARDSON, DENNIS ELLIOT
DICK MORRISSEY, J.W. HODKINSON
If was Great Britain's contribution to the jazz-rock movement begun and popularized
in the late '60s/early '70s by Blood, Sweat & Tears and Chicago. Formed in 1969
by Melody Maker jazz poll winners Dave Quincy, Dick Morrissey, and Terry Smith,
the band never found popular success in the United States. However,
If produced several albums noteworthy for placing jazz players in a pop/rock band context
and producing a true fusion of the two genres without diluting the players' improvisational skills.
Unlike most of their horn-band contemporaries, If had no brass players in the band,
relying solely on the saxophones of Dick Morrissey and the flute and saxophones of Dave Quincy.
But what really gave If its unique sound were the vocals of J.W. Hodgkinson and the guitar of Terry Smith
"IF"
Produced by Lew Futterman
1970 LP ISLAND RECORDS STEREO ILPS 9129
MADE IN ENGLAND ORIGINAL COPY
This version: Pink Island Labels with White 'I'
unlaminated single sleeve
Barcode and Other Identifiers
Barcode: none
LABEL: ISLAND - PINK LABEL with WHITE 'I' - BLACK TEXT
Catalog on cover: ILPS 9129
Catalog on labels: ILPS-9129 (SIDE ONE / SIDE TWO)
Matrix / Runout (Side A, Etched): ILPS 9129 A*1
Matrix / Runout (Side A, Etched): ILPS 9129 B?1
On labels: ?1970 on both labels (on the labels the release year appears at 9 o'clock circa)
Rights Society: Andover Music & RSO Publishing
Produced by: Lew Futterman
rim text reads "Stereo Made in England"
On Back Sleeve: Recorded in February, March and April 1970 at Island Studios, London
Island Records Ltd. Basing Street London W11
Printed and made by the E. J. Day Group, London and Bedford
from my records collection
tracklisting
Side A: I'M REACHING OUT ON ALL SIDES
WHAT DID I SAY ABOUT THE BOX, JACK? - WHAT CAN A FRIEND SAY?
Side B: WOMAN, CAN YOU SEE (WHAT THIS BIG THING IS ALL ABOUT)?
RAISE THE LEVEL OF YOUR CONSCIOUS MIND
DOCKLAND - THE PROMISED LAND
grading
RECORD VG(+) but (please, read abow description)
SLEEVE VG(-) but (please, see pictures and read above description)
If's first album came out in the summer of 1970, while most horn-driven jazz-rock bands were
still mimicking the successful formula employed by Chicago and Blood, Sweat & Tears.
If was different, with more of a jazz feel on both the instrumental and the vocal ends.
The material on If provides plenty of room for reedmen Dave Quincy and Dick Morrissey,
plus guitarist Terry Smith, to stretch out. Though not particularly deep or profound, the lyrics
nonetheless express the positive, optimistic sentiments prevalent at the time.
J.W. Hodgkinson's unusual tenor vocal timbre fits like a lead instrument in the mix,
soaring above and within the arrangements. "What Can a Friend Say" kicks the album off
in fine style, setting the parameters within which the band works throughout the rest of the disc,
with the horns complementing Hodgkinson's rendering of the verses, which wrap
around excellent, extended sax and guitar solos. The instrumental "What Did I Say About the Box, Jack?"
showcases Morrissey's high-octane flute work and the speedy fingers of guitarist Smith.
The album continues in the same consistently excellent vein, with the ballad "Dockland"
providing a beautiful respite toward the end of the album...(AllMusic)