IGGY & THE STOOGES Raw Power RARELY SEEN UK ORIG 1973 CBS 1st PRESS + INNER
£
142
$
188
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Description
ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.
Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrive damaged in them at some time. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS. Full details nearer the end of the listing.
Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.
ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.
FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.
Artist or Band: IGGY AND THE STOOGES
Album Title: Raw Power
Producer(s): Iggy Pop
Mixing Credits: David Bowie & Iggy Pop
TRACK LIST:
Side 1: Search and Destroy; Gimme Danger; Your Pretty Face is Going to Hell; Penetration.
Side 2: Raw Power; I Need Somebody; Shake Appeal; Death Trip.
Label/Format: CBS, original deep orange format, matt surfaces with a gentle hint of texturing.
Label Conditions: Both very clean, fresh and attractive with only very light, fine and faint spindle traces and no wear around the hole area.
Catalogue Number: S 65586
Mode / Speed: Stereo / 33.3 rpm.
Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.
Weight of this Record: 135 grams. A very good solid weight for the year.
Country of Manufacture: England
Rarity: Scarce+, Stooges albums sold in very small numbers and were largely ignored. Most copies of this and previous albums are usually seen as later reissues.
Original Year of Release: 1973
Matrix Nos: S 65586 A1 / S 65586 B1
Musicians: Iggy Pop – vocals; James Williamson – guitar; Ron Asheton – bass, vocals; Scott Asheton – drums.
Brief Info: Along with MC5, The Stooges are now considered one of the most pioneering American proto-punk garage bands of all-time, but commercial success failed to happen. The Stooges issued two albums prior to this, their last. One in 1969 and then 1970 – both the self-titled debut and ‘Fun House’ went largely ignored, especially in the UK, they are beyond difficult to find as originals. Proving commercial failures and some band members heavily into drugs, their performances becoming ever-more erratic and unpredictable, they split in 1971. Fronted by Iggy Pop, then a largely unknown vocalist, his stage presence and full-on performances are legendary. Sometimes outrageous, wild and uncompromising, his stage antics went beyond theatre. His career was somewhat saved by David Bowie who admired his work with The Stooges and they became good friends. Pop, like Bowie was given a contract with Mainman and produced this groundbreaking and influential album, now under the name Iggy and The Stooges, which Bowie helped mix. Again, it went largely ignored and any reunion of the band was short-lived. Over time, critics and public opinion on The Stooges has been considerably more positive. Many regard their albums as classics and inspirational for the development of alternative and punk rock. Originals are rare and seldom seen, many that do surface usually in very poor or trashed conditions. This record is very impressive and plays accordingly. The cover in fine condition, the rare inner sleeve had one side torn and I have repaired it best as I could – now generally neat and certainly intact. Until Iggy Pop had some success as a solo artist, these early Stooges albums were hardly known and virtually ‘lost’ protopunk classics, when interest gained momentum in them, few could even find them as originals. Iggy, now nicknamed the ‘Godfather of Punk’, began his long career here, and this a rare opportunity to own arguably the best of the three Stooges albums.
Cover Grade and Format: EXCELLENT(–): a single unlaminated format with matt, smooth surfaces. Printed and made in England by Shorewood, includes the graphic inner sleeve.
Cover Front: Very prone to wear for obvious reasons, this front has fared generally well. Quite light rim dulling, and some lightish rubbing near the bottom edge. It retains strong unfaded colour, and most of any creasing are fine edge types. There are sticker issues which this cover is known to be intolerant. The striking image of Iggy is superb, the lack of any band name or title on the front being unusual for any album. Even with this superb picture of the singer, the album went largely unnoticed.
Cover Back: The back is largely the same, the lack of ugly penetrating ring wear is a plus for sure.
Top Edge: Thin, but straight with only light patchy rubbing.
Bottom Edge: Moderate rubbing on this storage edge, possibly with some subtle colouring in here-and-there from the past, certainly not much in that respect and not too obvious. But I will always mention anything I notice.
Right Edge(s), and Type: Clean, mostly sharp with very little wear. Any thickening or burring minimal and light as seen viewed end-on. Record enters on this edge that is guaranteed untrimmed or enhanced.
Spine and Text: Solid, straight with minimal compression. One small enhancement is seen on the back fold. The text largely present and strong with just some rubbing to the word ‘RAW’, the rest all intact as seen.
Corners: Light to moderate tip rubs with very fine shape retained with no knocks or significant dinks.
Cover Summary: A cover as uncompromising as the band, this will rarely be found in much better condition, finding it at all as a genuine UK original is a challenge in its own right. Just enough, mostly on the edges and corners to remind of age, with a few subtle enhancements in those areas. Not for purists, but this has far more positives than negatives, and many fans and collectors wanting this classic cover will be happy.
The Inner Sleeve: VERY GOOD: and not easy grading an inner sleeve that has a significant repair to one side, this is a subjective grading and open to opinion. Basically, I think this looks very good, and arguably better, and I have graded it as such. But now back intact, this still looks impressive, but clearly not for the highly discerning, that is more than fair to state. A rare inner sleeve that was not made available on later repressings, this is not seen at all often. At some time, an owner put cellotape on the two side edges, this has since dried up and fallen off, the non-flipback side had a tear all the way down, I decided to repair this as best I could, and made a pretty decent job of it (I think). Some old tape residue is still present, but not on the main areas of interest. The bottom edge is naturally fully intact (against the odds). Iggy is seen in close-up – pictures are the same both sides – in black and white from the same graphic as the main cover. The back side of the inner has text and Great Britain manufacturing credits as well as two external flipbacks. Paper is very thin indeed and is unlined, so edge damage is hugely difficult to avoid. What has been avoided is creasing, this is neat and still impressive to view. But it has issues as stated, but better that than no inner at all – this is rare and collectable in its own right.
Vinyl Condition/Visual Grading: NEAR EXCELLENT:a very fine visual copy that is very clean with equally fine shine and solidly pressed. A copy with modest usage on all the evidence with any surface trace marks very light and wispy as seen under my bright grading lamp. No penetrating stylus scratches, viewed in average room light, hardly anything really shows, both labels are superb as seen. This record is just so hard to find, let alone in much better condition. Rarely, if ever bought by hi-fi purists or connoisseurs, but a more younger audience who were prepared to try the more ‘out-there’ new acts of the time. Visually a splendid original record that should please many collectors.
Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]
Sound Quality and Audio Grading: This ‘lost’ classic plays even above it’s high visual grading with very little to fault. Offering strong, distortion-free sound, all frequencies are sharp and clear – sound quality is high with a wide dynamic range and detailed sound. Production was probably deliberately quite raw and unpolished, but that’s the way ‘punk’ music was supposed to be. Any over-production of this set would have destroyed its powerful impact. Any surface sounds are minimal indeed and this is an exceptional clean pressing with no tracking issues*. Mostly loud and uncompromising rock, few copies will outperform this original A1/B1 UK first pressing significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played only lightly and has been generally carefully handled. The wispy surface traces probably from dry-cloth ‘cleaning’ and totally harmless. Nothing of any note spoilt my pleasure when play-grading this wonderful record. It could prove difficult to find significantly better and can be strongly recommended – my first copy for years – a rare opportunity.
* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2.2 grams.
Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programs. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.
Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Tellurium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.
PACKING - THIS IS WHAT YOU GET.
What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.
I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 14 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE – they offer next-to-no-protection, and should be banned, no ‘professional’ should consider using them in my opinion. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.
NOTE: First Time Bidders: Please ask me first.
PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.
SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:
Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:
1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75
1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.
Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.
Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)
Payment Conditions:
I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.
Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.
My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.
SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE
My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.
The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.