IRON MAIDEN "THE NUMBER OF THE BEAST"1982 ST-12202 EX-/NM IN SHRINK W/INSERT OOP

$

31

TWO YEARS AGO I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE MUSIC COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!). THIS ITEM IS FROM HIS COLLECTION.

THE PHOTO'S MAY BE A LITTLE BLURRY, HAVE A LITTLE GLARE, SOME REFLECTIONS OR IN SOME CASES YOU MAY SEE SPECKS OF DUST. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. I DO COMBINE SHIPPING.

THESE ARE VISUALLY & PLAY GRADED.

ARTISTS: IRON MAIDEN

TITLE: “THE NUMBER OF THE BEAST”

TRACK LISTING: SEE BELOW

Companies, etc.

• Manufactured By – Capitol Records, Inc.
• Marketed By – Capitol Records, Inc.
• Distributed By – Capitol Records, Inc.
• Mastered At – Capitol Mastering

Credits

• Artwork – Cream (7)
• Artwork [Illustrations] – Derek Riggs
• Bass Guitar – Steve Harris
• Drums – Clive Burr
• Engineer [Second] – Nigel "It Was Working Yesterday" Hewitt-Green*
• Lead Guitar – Adrian Smith (2), Dave Murray (2)
• Management – Rod "Bloody 'ell Fire" Smallwood*
• Mastered By – Wally Traugott
• Photography By – Simon Fowler (2)
• Photography By [Photo Montage] – Ian Kay
• Producer, Engineer – Martin 'Farmer' Birch*
• Vocals – Bruce Dickinson

Notes

Barcode and Other Identifiers

• Barcode: 07777122021
• Matrix / Runout: ST-1-12202 F-4 A MASTERED BY CAPITOL Wally
• Matrix / Runout: ST-2-12202 F-8 MASTERED BY CAPITOL
• Matrix / Runout: ST-2-12202 F-7 MASTERED BY CAPITOL
• Matrix / Runout: ST-1-12202 F-1 #5 A MASTERED BY CAPITOL Wally
• Matrix / Runout: ST-2-12202 G-13 #1 ---0} MASTERED BY CAPITOL ER
• Matrix / Runout: ST-1-12202 F-5 A MASTERED BY CAPITOL Wally

LABEL: HARVEST/EMI/CAPITOL RECORDS

CAT.#: ST-12202

YEAR: 1982

RECORD CONDITION: THE RECORD (VISUALLY & PLAY GRADED). IS IN EX-/VG+ CONDITION (UNLESS OTHERWISE NOTED). NO LINES, SCRATCHES, SMEARS, SMUDGES ETC. THE VINYL HAS A NICE SHINEY BLACK LUSTER. BOTH LABELS IN EXCELLENT CONDITION. VERY LIGHT BACKGROUND SOUND ON THE LEAD IN GROOVE ON SIDE 2, A FEW LIGHT POPS/CLICKS. THE SONGS PLAY SUPER CLEAN.

SLEEVE CONDITION: IS IN EX/NM CONDITION. NICE CLEAN STRAIGHT EDGES. NO RIPS, TEARS, WRITING, SEAM SPLITS ETC. THE JACKET IS STILL IN IT'S ORIGINAL SHRINK WRAP.

OTHER INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. THE ONE SHEET ORDER FORM IS IN EXCELLENT CONDITION.

ARTIST INFO:

Iron Maiden are an English heavy metal band formed in Leyton, East London, in 1975 by bassist and primary songwriter Steve Harris. The band's discography has grown to thirty-eight albums, including sixteen studio albums, twelve live albums, four EPs, and seven compilations.

Pioneers of the new wave of British heavy metal, Iron Maiden achieved initial success during the early 1980s. After several line-up changes, the band went on to release a series of UK and US platinum and gold albums, including 1982's The Number of the Beast, 1983's Piece of Mind, 1984's Powerslave, 1985's live release Live After Death, 1986's Somewhere in Time and 1988's Seventh Son of a Seventh Son. Since the return of lead vocalist Bruce Dickinson and guitarist Adrian Smith in 1999, the band have undergone a resurgence in popularity, with their 2010 studio offering, The Final Frontier, peaking at No. 1 in 28 countries and receiving widespread critical acclaim. Their sixteenth studio album, The Book of Souls, was released on 4 September 2015 to similar success.

Despite little radio or television support, Iron Maiden are considered one of the most successful heavy metal bands in history, with The Sunday Times reporting in 2017 that the band have sold over 100 million copies of their albums worldwide.The band won the Ivor Novello Award for international achievement in 2002. As of October 2013, the band have played over 2000 live shows throughout their career. For over 35 years the band have been supported by their famous mascot, "Eddie", who has appeared on almost all of their album and single covers, as well as in their live shows.

The Number of the Beast is the third studio album by the English heavy metal band Iron Maiden, released in March 1982. It was their first release to feature vocalist Bruce Dickinson and their last with drummer Clive Burr.

The Number of the Beast met with considerable critical and commercial success and was a landmark release for the band, becoming their first album to reach No. 1 in the UK Albums Chart, and to reach the Top 40 of the Billboard 200 in the US. The album also produced the singles "Run to the Hills" and "The Number of the Beast", the former of which was the band's first top-ten UK single. The album was also controversial, particularly in the United States, due to the religious references in its artwork and the title track's lyrics.

Since the release of The Number of the Beast and its subsequent tour, The Beast on the Road, "The Beast" has become an alternate name for Iron Maiden and was later used in the titles of some of their compilations and live releases, including Best of the Beast and Visions of the Beast.

Writing and recording[edit]

The Number of the Beast is Iron Maiden's only album to include songwriting credits from Clive Burr and was the band's first album to feature writing by guitarist Adrian Smith. In addition, the release saw Steve Harris adopt a different approach to writing, which would cater more for new vocalist Bruce Dickinson. The album's producer Martin Birch remarked, "I simply didn't think [former vocalist Paul Di'Anno] was capable of handling lead vocals on some of the quite complicated directions I knew Steve wanted to explore ... When Bruce joined, it opened up the possibilities for the new album tremendously." 

According to several interviews, Dickinson was heavily involved in writing several of the album's songs, and in particular the tracks "Children of the Damned", "The Prisoner" and "Run to the Hills". Due to his previous band Samson's ongoing contractual issues, Dickinson could not legally take part in any songwriting for the record, and had to make what he called a "moral contribution", which meant he was able to influence particular tracks, but not provide enough creative input so as to earn a writing credit. The recording and mixing of the album had to be completed in only five weeks, after the band had spent too long constructing the new songs.This was allegedly because the group were for the first time creating a new album from scratch, with very little material written prior to the record's pre-production stage. However live recordings show that five of the album's songs were premiered live already towards the end of the Killer World Tour. With Invasion being a re-write of an earlier song Invaders, this leaves two tracks, the title track and "Gangland" as written after the 1981 tour ended.

Music press reports told stories of unexplained phenomena occurring during the sessions at Battery Studios, such as lights turning on and off of their own accord and the recording gear mysteriously breaking down. These odd occurrences climaxed when Birch was involved in a car accident with a mini-bus transporting a group of nuns, after which he was presented with a repair bill for £666.

Album artwork[edit]

Like all of Iron Maiden's album artwork during the 1980s and early 90s, it was painted by Derek Riggs. The cover was originally created for the song "Purgatory", but Rod Smallwood deemed it of too high a calibre for a single release and decided to save it for The Number of the Beast album instead. The original 1982 artwork includes a blue sky in the background; this was a mistake by the printers of the album cover, and was later rectified and became black when the album was remastered for compact disc in 1998. In the lower right hand corner of the album art, the outline of a Xenomorph alien with an outstretched arm can be seen. 

The album was also the centre of controversy, particularly in the United States, due to the lyrics of the title track and the cover art depicting Eddie controlling Satan like a puppet, while Satan is also controlling a smaller Eddie. Smallwood explains that the concept was to ask "who's the really evil one here? Who's manipulating who?" According to Riggs this was inspired by a Doctor Strange comic book "which had some big villain with Doctor Strange dangling on some strings like a puppet, it was something I read as a child back in the 1960s I think", while the images of hell were "taken from my knowledge of medieval European Christian art which was full of such scenes."

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