JACK BRUCE (CREAM) w/MITCH MITCHELL HARMONY ROW RARE SEALED ORIG 1971 ATCO LP
$
101
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WE CURRENTLY HAVE NEARLY 700 LISTED ITEMS
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· JACK BRUCE with CHRIS SPEDDING, MITCH MITCHELL (OF THE JIMI HENDRIX EXPERIENCE) AND OTHERS – HARMONY ROW - JACK BRUCE'S THIRD SOLO ALBUM (OUTSIDE OF "CREAM") - ORIGINAL 1971 ATCO RECORDS STEREO LP SD-33-365
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· GUARANTEED ORIGINAL YELLOW ATCO LABEL WITHOUT WEA LOGO ALONG THE LABEL’S EDGE AND WITH BROADWAY, NY ADDRESS (LATE 60’s STYLE)
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· TWO (MICROSCOPIC) “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL UNIPAK-STYLE COVER (ONE SIDE OF THE GATEFOLD OPENS, THE OTHER ONE IS A SINGLE-PLY CARDBOARD) [THE CONSTRUCTION OF THE COVER IS SOMEWHAT UNUSUAL, AND IS SIMILAR TO JONI MITCHELL’S ‘FOR THE ROSES’ ALBUM, OR URIAH HEEP'S 'DEMONS AND WIZARDS']
· THICK, HEAVY VINYL PRESSING
According to the person from whom we acquired this item (a good friend of ours and a very fine gentleman), this album comes from the estate of the legendary Rock critic, journalist, liner notes writer and freelancing talent scout Al Aronowitz (1928-2005) best known for introducing Bob Dylan to The Beatles in 1964. Aronowitz was the original manager of The Velvet Underground, getting the band their first gig in the auditorium of the high school in Summit, New Jersey (The Velvet Underground stole Aronowitz's tape recorder and dumped him weeks later when they met Andy Warhol) . In a historically infamous episode known as "I want to hold your bong", Aronowitz introduced Bob Dylan to the Beatles in a New York City hotel room on August 28, 1964. According to his own journal entries, at this meeting he brought a marijuana joint which would be the first pot smoked by the Beatles. So...if you are wondering who was responsible for "tripping" the Beatles into recording all those mind-blowing, consciousness-expanding psychedelic masterpieces such as Revolver, Sgt. Pepper's Lonely Hearts' Club Band, Magical Mystery Tour, The White Album or Abbey Road, seek no further. It was the Man who owned this fine piece.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Quite a unique sound here, Bruce using mostly keyboards to front the material with Chris spedding's restrained electric guitar integrated into the sound and Alan Marshall's drums driving things on.
It works mostly because Bruce is an excellent keyboard player using them to design a kind of prog-jazz that is pretty listenable despite the often lyrical overload (from his regular co-writer poet Pete brown)
Bruce isn't particularly great melodically it has to be said but the music flows so well together you can overlook the less accessible bits.
From the hard jazz styles of 'smiles and grins' and 'you burned the tables' to material that feels closer to some of Cat Stevens stuff like 'folk song' then finishing off with the 2 best tracks "Victoria Sage' a superb track that reminds me of 'hunky dory' era bowie and the latin pop of 'consul at sunset' which is one of my favourite things ever by him.
This was Jacks own personal choice from his solo work. I can definitely see why.
(EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)
Harmony Row is the legitimate follow-up to Jack Bruce'excellent Songs For A Tailor, although 1971 also saw the almost-simultaneous release of 1968 jazz tapes entitled Things We Like by this artist. An elaborate gatefold package has a shadow photo of the artist from the back, overlooking a golden sun on the waters. The self-produced disc begins with the pop excursion "Can You Follow," which blends into "Escape To The Royal Wood (On Ice)." Jack Bruce provides the voice, keyboards, bass, and some percussion, making this very much a solo project. "You Burned The Tables On Me" takes things into a progressive rock-meets-jazz arena. The only reference to blues here is Bruce's voice, but guitarist Chris Spedding's scratchy guitar, and the percussion -- either by Jack Bruce or drummer Jim Marshall (who plays on what is not specified) make the track sound almost like Cream without Clapton. There's a rare photo of Peter Brown in the second cardboard gatefold, and one of Bruce, while all of Brown's lyrics are spread out for public consumption. A nice touch, as Peter Brown is to Jack Bruce what Keith Reid is to Procul Harum, and the cleverly obscured words are sometimes the only foundation to grasp at while one of rock & roll's most innovative bassists goes from genre to genre, combining rhythms and melodies that defy commercial categorization. Harmony Row is the album that combines many flavors of Bruce's experimentations, making it courageous, adventurous, and hardly the product for a mass audience. "Folk Song" is barely a folk song; it is a progressive pop tune with that elegant, Procul Harum-like, sweeping, mystical statement. There's a pretty piano against church-like organ and vocals, with amazing guitar embellishments by Chris Spedding. "Folk Song" has elements Bruce would examine again, on the album Monkjack; it's a song which should have made him the darling of underground FM radio. It's a far cry from the all-out assault of his forthcoming power trio, West, Bruce & Laing, which emerged a year after this. The delicacy of "Smiles And Grins" suggests that hard jazz is what would have given the project with Leslie West a much needed diversion. But what happened was that Bruce embraced the trail Mountain stampeded down, while a purer blending of the two would have been re-readings of this Harmony Row material. "Post War" is a good example of how the underappreciated Leslie West could have expanded his influence -- Spedding's contributions are enormous, and like West, he is the only other musician save the drummer on Bruce's essential projects in 1971 and 1972, on the albums Harmony Row, and Why Dontcha. Drummer Jim Marshall appeared on the previous songs for a tailor, as did Spedding, though they didn't perform together on that disc. Here, Jack Bruce takes two players from that solo album, and moves them into another head-space. His use of the talents around him is impeccable, and yet another reason why fans should have embraced this quirky and intelligent troubadour. "A Letter Of Thanks" is so complex it borders on The Mothers Of Invention-style of non-groove, while "Victoria Sage" is more in-line with the ideas set forth on songs for a tailor, and with exquisite vocals by this tremendous singer. The final track, the tasty, Spanish-influenced "The Consul At Sunset," utilizes multiple percussive ideas with piano and guitars overlapping Peter Brown's words; those words are as important as the contributions from Marshall, Spedding, and Bruce. It's actually quite an amazing transition when set against the other discs released in this four-year period, and a stunning output from a major artist without yielding a Top 40 hit.
(EXCERPT FROM AN ONLINE REVIEW BY JOE VIGLIONE, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is believed to come in its original stock inner sleeve.
(c) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has one corner slightly dinged (BARELY VISIBLE)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND (BUT DO NOT INSIST) that you select USPS International Priority Mail OR International Express mail when making a payment.
INTERNATIONAL POSTAGE rates vary from one region of the world to another. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED; Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
FINE (BUT IMPORTANT!) PRINT
(1) The year indicated in the title bar is the year of the original release, NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7) All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner; please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever; Thank You & Good Night!
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