JACK BRUCE, Songs For A Tailor UK 1st pressing Excellent- LP FREE SHIPPING
  $   90

 


$ 90 Sold For
Jun 29, 2026 Sold Date
Mar 10, 2026 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Jack Bruce – Songs For A Tailor Label: Polydor – 583 058 Format: Vinyl, LP, Album, Stereo, Gatefold Country: UK Released: Aug 1969 Genre: Jazz, Rock Style: Prog Rock, Fusion, Jazz-Rock A1 Never Tell Your Mother She's Out Of Tune Drums – Jon Hiseman Tenor Saxophone, Soprano Saxophone – Art Themen, Dick Heckstall-Smith Trumpet – Harry Becket*, Henry Lowther Vocals, Piano, Bass – Jack Bruce 3:39 A2 Theme For An Imaginary Western Drums – Jon Hiseman Guitar – Chris Spedding Vocals, Piano, Organ, Bass – Jack Bruce 3:27 A3 Tickets To Water Falls Drums – Jon Hiseman Guitar – Chris Spedding Vocals, Piano, Organ, Bass – Jack Bruce 2:59 A4 Weird Of Hermiston Drums – Jon Hiseman Guitar – Chris Spedding Vocals, Piano, Organ, Bass – Jack Bruce 2:20 A5 Rope Ladder To The Moon Drums – John Marshall Vocals – Felix Pappalardi Vocals, Cello, Guitar, Piano, Bass – Jack Bruce 2:51 B1 The Ministry Of Bag Drums – Jon Hiseman Guitar – Chris Spedding Tenor Saxophone – Art Themen, Dick Heckstall-Smith Trumpet – Harry Becket*, Henry Lowther Vocals, Piano, Bass – Jack Bruce 2:47 B2 He The Richmond Drums – John Marshall Percussion – Felix Pappalardi Vocals, Guitar, Bass – Jack Bruce 3:34 B3 Boston Ball Game, 1967 Drums – Jon Hiseman Tenor Saxophone – Art Themen, Dick Heckstall-Smith Trombone – John Mumford Trumpet – Harry Becket*, Henry Lowther Vocals, Piano, Bass – Jack Bruce 1:44 B4 To Isengard Drums – Jon Hiseman Guitar – Chris Spedding Vocals, Guitar – Felix Pappalardi Vocals, Guitar, Bass – Jack Bruce 5:28 B5 The Clearout Drums – Jon Hiseman Guitar – Chris Spedding Vocals, Piano, Organ, Bass – Jack Bruce 2:36 Manufactured By – Polydor Records Ltd. Made By – MacNeill Press Ltd. Printed By – MacNeill Press Ltd. Published By – Bruce Music Pressed By – Phonodisc Ltd. Artwork – Ink Studios Composed By, Arranged By – Jack Bruce Engineer – Andrew Johns* Other [Artwork Got Together By] – Ralph Photography By [Cover] – Roger Phillips Producer – Felix Pappalardi Words By – Pete Brown (5) Issued in an unlaminated gatefold sleeve with lyrics inside.

UK FIRST PRESSING VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL COMPANY INNER SLEEVE.

MATRIX:  SIDE A: 583058 A//2 /  SIDE B:   583058 B//2

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.   INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.

DISC: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.


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