JANIS JOPLIN VERIFIED 1ST STAMPER #D 805 MFSL 45RPM CHEAP THRILLS AUDIOPHILE 2LP
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Description
JANIS JOPLIN CHEAP THRILLS SET 1ST STAMPER - MFSL FOR THE 1ST TIME EVER PRESSED THIS TITLE ON AUDIOPHILE 45 RPM VINYL NUMBERED 805
NOTE: THIS MFSL 45 RPM SET HAS THE ORIGINAL MFSL COLLECTORS VERIFYING LIMITED EDITION 805 NUMBERED GOLD FOILED STAMPED ON THE BACK OF THE JACKET PROVING THIS IS THE ORIGINAL 2016 RELEASE FROM MFSL.
PRISTINE SEALED MFSL COLLECTORS NUMBERED 805 VERIFIED WITH THE 1ST 1000 RELEASES FROM 2016 ORIGINAL RELEASE AND APART OF THE 1ST STAMPERS OF THIS 805 MFSL COLLECTORS AUDIOPHILE OUT OF PRINT 180 GRAM 45 RPM MASTERED VINYL LP. IF YOU ARE A COLLECTOR AND WANT TO OWN 1ST RELEASES FROM MFSL THEN THIS NUMBER 805 VERIFIES THIS THE ORIGINAL 2016 RELEASE NOT THE RE-ISSUES IN MUCH HIGHER NUMBERS DONE SOME YEARS LATER.
IF THE GOLD FOILED NUMBER ISN'T ON BACK OF THE JACKET THEN YOUR ITEM IS NOT A 1ST EDITION OF THIS MFSL 45 RPM SERIES.
1ST LIMITED EDITION MFSL 45 RPM AUDIOPHILE NUMBERED 805 MASTERPIECE
THE COLLECTORS TREMENDOUSLY 2016 PRESSING NOT THE NEWLY RELEASE 2023 ISSUE -
180-gram 45 RPM double LP And of course cutting at 45 speed is the audiophile choice for the highes quality. A 45-RPM record is sonically superior to a 33 1/3 variety because of a 35 percent reduction of groove curvature compared to a 33 1/3 cut.. It means that while you can't fit as much music into a 45, the undukations of the groove that your cartridge has to track are stretched over a longer distance. For these reissues, the music was displaced onto four sides, meaning each side contains about 10 minutes of music.
This is the ultimate reissues. The only way you'll get closer to this classic music is to listen to the master tapes or have been in the studio with the artist originally during the actual session.
Limited, numbered edition
THE COLLECTORS BIG BROTHER AND THE HOLDING COMPANY CHEAP THRILLS AUDIOPHILE 45 RPM MFSL DOUBLE LP SET
Features
- Numbered, Limited Edition
- Double LP
- 45rpm
- Source: 1/4" / 15 IPS Analog Copy to DSD 256 to Analog Console to Lathe
- Production & Mastering by Mobile Fidelity Sound Lab
- Specially Plated & Pressed on 180 grams of High Definition Vinyl
- Special Static Free - Dust Free Inner Sleeve
- Heavy Duty Protective Packaging
- Pressed at RTI
1968 smash a potent mix of psychedelia, blues, folk, and rock: Janis Joplin delivers powerhouse vocal performance on major-label debut
Mobile Fidelity reissues tout enhanced spaciousness, punchiness, pacing, dynamics, and texture: Cheap Thrills sounds as close to live as music gets
Ranked No. 338 on Rolling Stone's 500 Greatest Albums of All Time List: Big Brother and Joplin convey fearlessness, toughness, and synergy on every note
In many ways, Big Brother and the Holding Company's Cheap Thrills is the quintessential album to spring from the outcome of the Summer of Love. Best known as Janis Joplin's major-label debut, the 1968 set arrived when the countercultural movement was in full swing and before co-optation, drugs, and violence signaled the fall of the era. Ranked No. 338 on Rolling Stone's 500 Greatest Albums of All Time, it puts a female singer in the prominent position traditionally given to a male and showcases a band pouring a potent cocktail of fiery psychedelic, blues, and folk sounds that informed the unfettered creativity of the San Francisco scene. Produced by John Simon, Cheap Thrills also features one of the most iconic and elaborate album covers in history. Now, thanks to Mobile Fidelity, the instantly identifiable effort also possesses sonics equivalent to its visual and musical status.
Cut at 45 RPM and pressed on dead-quiet vinyl at RTI, the iconic audiophile label's analog reissue intensifies the quintet's storied sophomore effort. Due to the wider grooves, this pressing benefits from increased spaciousness, punchiness, energy, pacing, and dynamics. Joplin's hurricane-force singing reverberates with texture, grittiness, and volume. An arresting array of instrumental colors and tones comes on with clearer separation and depth. While previous pressings find the band and Joplin's voice in competition with one another for room, both emerge as distinct entities. Always noted for its rawness, Cheap Thrills sounds as close to live as it gets, an unadulterated portrait of nervy rock n' roll delivered with exuberant enthusiasm and all-out determination. This is music at is most visceral.
Having drawn national attention for their legendary performance at the Monterey International Pop Festival in 1967, Big Brother and Joplin faced huge expectations to deliver a studio set that would convey their onstage vibrancy and potency. Cheap Thrills does this and more, becoming one of 1968's most commercially successful releases that remained on the charts the week Joplin announced her separation from the ensemble. Contrary to popular belief, only one of the album's songs, "Ball and Chain," was recorded live. Everything else owes to the unhinged, spirit-elevating performances and true collaboration between vocalist and band that manifests itself throughout the record's 37-minute-plus running time. Merging biker-babe ruggedness with wounded-bird poignancy, Joplin's expressive belting, mega-watt moaning, and sensitive crooning take center stage. Yet her bandmates match every step with explosive rhythms, heavy guitar-driven blues, and assertive solos that take inspiration from free-form jazz.
Indeed, Cheap Thrills still exhilarates not only due to Joplin's almighty singing but because of boundary-shredding arrangements that reflect the period's anything-is-possible mindset. More so than any other musicians Joplin encountered, the members of Big Brother pushed limits on convention via soirees into acid-dipped psychedelia and its orbiting sonic galaxies. Together, they aim and achieve an aural mythos that makes a permanent connection between artist and audience by way of eliminating traditional divisions. Such communal power is evident on the mind-bending version of Big Mama Thornton's "Ball and Chain" and insistent, sinewy "I Need a Man to Love." It's also obvious during quieter moments, whether the tripped-out, twisted, and curvaceous contours of George and Ira Gershwin's "Summertime" or restrained, throwback acoustic blues of "Turtle Blues."
1. Combination of the Two
2. I Need a Man to Love
3. Summertime
4. Piece of My Heart
5. Turtle Blues
6. Oh, Sweet Mary
7. Ball and Chain
E-BAY STORE. FOR YOUR INDIVIDUAL JOPLIN SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN JJOPLIN OR FOR OTHER OOP TITLES USE THE CODE JOPLIN INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR
High definition analog vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and ears. The ultimate record – the way music was meant to be heard. Out of Print forever in the specific issue!!
You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.
Check out Mymusicfix for additional Audiophile Vinyl by hitting “ME” OR the Mymusicfix STORE tab on the Title Purchase Page to view our current items up on E-Bay.
AS OF Sep-26-2008 per USPS policy, seller added the following information:
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