JEFF BECK w/ROD STEWART BECK-OLA RARE ORIG '69 UK EMI/COLUMBIA STEREO LP NR MINT

$

43

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       JEFF BECK GROUP FEATURING ROD STEWART, NICKY HOPKINS AND RON WOOD -  BECK-OLA - – VERY RARE ORIGINAL BRITISH PRESSING ON ORIGINAL "ONE EMI BOX" EMI/COLUMBIA LABEL  - ORIGINAL 1969 EMI/COLUMBIA  STEREO LP SCX-6351

·       ORIGINAL U.K. PRESSING

·       ORIGINAL BLACK EMI/COLUMBIA (UK) LABEL WITH ONE (1) COLUMBIA "BOX" LOGO AND PRINT IN  SILVER AND WHITE LETTERS

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

·       ORIGINAL FLIP-BACK COVER (1/2-INCH MARGINS OF THE FRONT PANEL ARE FOLDED AND PASTED ONTO THE BACK PANEL)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-2'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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When it was originally released in June 1969, Beck-Ola, the Jeff Beck Group's second album, featured a famous sleeve note on its back cover: "Today, with all the hard competition in the music business, it's almost impossible to come up with anything totally original. So we haven't. However, this disc was made with the accent on heavy music. So sit back and listen and try and decide if you can find a small place in your heads for it." Beck was reacting to the success of peers and competitors like Cream  and Led Zeppelin here, bands that had been all over the charts with a hard rock sound soon to be dubbed heavy metal, and indeed, his sound employs much the same brand of "heavy music" as theirs, with deliberate rhythms anchoring the beat, over which the guitar solos fiercely and the lead singer emotes. But he was also preparing listeners for the weakness of the material on an album that sounds somewhat thrown together. Two songs are rehauls of Elvis Presley standards ("All Shook Up" and "Jailhouse Rock") and one is an instrumental interlude contributed by pianist Nicky Hopkins, promoted from sideman to group member, with the rest being band-written songs that serve basically as platforms for Beck's improvisations. But that doesn't detract from the album's overall quality, due both to the guitar work and the distinctive vocals of Rod Stewart, and Beck-Ola easily could have been the album to establish the Jeff Beck Group as the equal of the other heavy bands of the day. Unfortunately, a series of misfortunes occurred. Beck canceled out of a scheduled appearance at Woodstock; he was in a car accident that sidelined him for over a year; and Stewart  and bass player Ron Wood decamped to join Faces, breaking up the group. Nevertheless, Beck-Ola stands as a prime example of late-'60s British blues-rock and one of Beck's best records.

 (EXCERPT FROM AN ONLINE REVIEW BY WILLIAM RUHLMAN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some writing on its back side (written in blue ballpoint pen, about 1/4 X 1 inch in size)

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover shows some light yellowing on both sides, apparently from aging.

-        Cover has a few tiny wrinkles along the spine (BARELY VISIBLE)

-        Cover has a light "wrinkle" (crease)  in one of the corners.

-        Minor shelf wear noted on the seams (nothing significant)

-        Cover has two corners slightly worn / dinged (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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