JEFFERSON AIRPLANE Surrealistic Pillow LP RCA VICTOR 1967 ITA re KAUKONEN-CASADY
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Description
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JEFFERSON AIRPLANE
PAUL KANTNER, SPENCER DRYDEN, MARTY BALIN, JACK CASADY, GRACE SLICK, JORMA KAUKONEN
The quintessential San Francisco psychedelic band and a defining force
in pop before turning toward political statements in the late '60s
"SURREALISTIC PILLOW"
<reissue, originally published in 1967>
Produced by Rick Jarrard
LP RCA VICTOR RECORDS STEREO LSP-3766
MADE IN ITALY 1976 REPRESSING
SINGLE COVER
Barcode and Other Identifiers
Barcode: none
LABEL: RCA Victor - BROWNISH LABEL w/WHITE LOGO & RIM - BLACK TEXT
Catalog on cover: LSP-3766
Catalog on labels: LSP 3766 FKAY 30948 / LSP 3766 FKAY 30949
Matrix / Runout (Side A, Stamped & Etched very lightly): FKAY 30948 1S 1B 2 ? P 6
Matrix / Runout (Side A, Stamped & Etched very lightly): FKAY 30949 1S 1B 2 ? P ll
On labels:
Produced by Rick Jarrard
?76 SIAE(boxed)
3-line rim text reads "Manufactured by RCA..........forbidden"
Rights Society: SIAE (printed on both sides and stamped on Side A)
On Back Cover: Produced by Rick Jarrard
Jefferson Airplane Fan Club, Vicky St. Clar.....
Jerry Garcia musical and spiritual adviser
© 1967, Radio Corporation of America Made in Italy - Arti Grafiche Arese - Roma
tracklisting
Side A: SHE HAS FUNNY CARS - SOMEBODY TO LOVE
MY BEST FRIEND -TODAY - COMIN' BACK TO ME
Side B: 3/5 OF A MILE IN 10 SECONDS - D.C.B.A.-25 - HOW DO YOU FEEL
EMBRYONIC JOURNEY - WHITE RABBIT - PLASTIC FANTASTIC LOVER
grading
RECORD EX but (please, read below description)
SLEEVE VG+ but (please, see pictures and read above description)
The second album by Jefferson Airplane, Surrealistic Pillow was a groundbreaking piece of folk-rock-based psychedelia, and it hit like a shot heard round the world; where the later efforts from bands like the Grateful Dead, Quicksilver Messenger Service, and especially, the Charlatans, were initially not too much more than cult successes, Surrealistic Pillow rode the pop charts for most of 1967, soaring into that rarefied Top Five region occupied by the likes of the Beatles, the Rolling Stones, and so on, to which few American rock acts apart from the Byrds had been able to lay claim since 1964. And decades later the album still comes off as strong as any of those artists' best work. From the Top Ten single "Somebody to Love" to the sublime "Embryonic Journey," the sensibilities are fierce, the material manages to be both melodic and complex (and it rocks, too), and the performances, sparked by new member Grace Slick on most of the lead vocals, are inspired, helped along by Jerry Garcia (serving as spiritual and musical advisor and sometimes guitarist). Every song is a perfectly cut diamond, too perfect in the eyes of the bandmembers, who felt that following the direction of producer Rick Jarrard and working within three- and four-minute running times, and delivering carefully sung accompaniments and succinct solos, resulted in a record that didn't represent their real sound...(AllMusic)
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