JEFFERSON AIRPLANE TAKES OFF RARE ORIG'66 RCA MONO LP AUTOGRAPHED BY ALL MEMBERS
$
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· JEFFERSON AIRPLANE - TAKES OFF (THE GROUP’S FIRST ALBUM AND THE ONLY ONE WITH SIGNE ANDERSON AS A LEAD VOCALIST) ORIGINAL 1966 RCA MONO LP LSP-3584 (11-song version) -
· ORIGINAL U.S. PRESSING
· PERSONALLY AUTOGRAPHED BY ALL SIX MEMBERS OF THE GROUP. PLEASE NOTE THAT THESE ARE THE AUTOGRAPHS OF THE CLASSIC "MARK II" LINE-UP OF THE BAND, WITH GRACE SLICK ON VOCALS AND SPENCER DRYDEN ON DRUMS, SO THE AUTOGRAPHS OF THE FEMALE VOCALIST AND THE DRUMMER DO NOT MATCH THE MEMBERS OF THE BAND SHOWN ON THE FRONT COVER; THIS IS THE GREATEST JEFFERSON AIRPLANE LINE-UP, WHICH RECORDED ALL CLASSIC AIRPLANE ALBUMS FROM 'SURREALISTIC PILLOW' TO 'BLESS ITS POINTED LITTLE HEAD; (THREE STUDIO ALBUMS AND ONE LIVE ALBUM)
· THE SIGNATURES, AS FAR AS WE COULD IDENTIFY THEM ARE AS FOLLOWS: PAUL KANTNER (TOP LEFT); MARTY BALIN (TOP RIGHT) GRACE SLICK (CENTER LEFT); JORMA KAUKONEN (MID-CENTER) SPENCER DRYDEN (CENTER RIGHT) AND JACK CASADY (BOTTOM). HYPOTHETICALLY, IT IS POSSIBLE THAT SPENCER DRYDEN'S SIGNATURE BELONGS TO SKIP SPENCE, THE GROUP'S FIRST DRUMMER WHO PLAYED ON 'JEFFERSON AIRPLANE TAKES OFF' (SPENCE AND SPENCER SOUND AND SPELL ALMOST THE SAME) BUT THIS APPEARS UNLIKELY, SINCE SPENCE HAD LEFT THE BAND ALMOST SIX MONTHS BEFORE GRACE SLICK (WHO SIGNED THIS COPY OF THE ALBUM) JOINED THE GROUP.
· ORIGINAL BLACK RCA VICTOR LABEL WITH "WHITE TOP" [RCA VICTOR’S NAME IS IN WHITE LETTERS], AND DOGGIE LOGO ON TOP CENTER OF THE LABEL
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Probably one of the few most historically significant items in the development of the West Coast Psych Scene, this wonderfully poetic and moody folk-psych freshman effort by Jefferson Airplane, from the spring of 1966, represents probably the first real "Psychedelic" album ever recorded. The songs vary from reworking of John Loudermilk's classic "Tobacco Road" to the beautiful rendition of "Chauffeur Blues", an old blues ditty by Memphis Minnie, but most of the songs are band's originals. And what originals they are: You will be transported to a different time and different place, circa 1966 and when people truly enjoyed their newly found freedom (at least for a brief moment in time). This album contains the first, original line-up of the band: Marty Balin - Paul Kantner - Jorma Kaukonen - Jack Casady - the-now legendary Alex "Skip" Spence on drums - and Signe Anderson on vocals. It is unfortunate that Signe left the band shortly after the making of this album, as she had such a sweet and expressive voice. Truly a jem. The songs are: Blues from an Airplane - Let me in - Bringing me down - It's no secret - Tobacco Road - Come up theYears - Run Around - Let's get together - Don't slip away - Chauffeur Blues - And I like it. Don't miss this great, classic album in its original MONO format. Finding a copy autographed by all six members?!?! Forget it – not even a HOPE!!! This may be the last one you will ever see.
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD+ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record comes in the original stock inner sleeve.
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Mono pressing of this title is much rarer, and by far more preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 4:1.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+ (VG+)
The following flaws or imperfections are noted on the cover:
- Cover has a small cutout hole in one of the corners
- Cover has all three seams (top, bottom and spine) partially split, as follows:
- Top seam: between 2 and 4 inches / 5 to 10 centimeters. This split seam was delicately taped by the previous owner with a piece of transparent scotch tape
- Bottom seam: less than 1 inch / 2.5 centimeters.
- Spine: between 2 and 4 inches / 5 to 10 centimeters.
- Cover has some visible fraying/tattering on all three seams
- Cover has all four corners slightly worn / dinged / bent.
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine
- Cover has a visible wrinkle (crease) in the cardboard base on the back panel
- Back cover has a few tiny, spot-like peel-off marks in one localized area not larger than 1 square inch.
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out corners
- No saw-marks or indents
- No writing (except for the six autographs)
- No stamps
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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