JETHRO TULL HEAVY HORSES SEALED ORIG 1976 (PROMO?) LP

$

33

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·       JETHRO TULL – HEAVY HORSES – ORIGINAL 1976 CHRYSALIS RECORDS STEREO LP CHR-1175

·       ORIGINAL U.S. PRESSING

·       BELIEVED TO BE THE PROMOTIONAL PRESSING (BASED ON THE V-SHAPED CUTOUT CORNER); NAMELY, ON COLUMBIA AND AFFILIATED LABELS, SUCH AS CHRYSALIS, A V-SHAPED CUTOUT CORNER IN THE UPPER RIGHT-HAND CORNER SIGNIFIES PROMO RELEASE, NOT, REPEAT, NOT A CUTOUT ITEM.

*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***

·       ORIGINAL U.S. PRESSING

·       BELIEVED TO BE PRESSED ON THE ORIGINAL BLUE-FADES-TO-WHITE CHRYSALIS LABEL WITH BUTTERFLY LOGO (NO OTHER LABELS EXIST THAT WE ARE AWARE OF)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       ORIGINAL "TEXTURED" (RAISED LETTERS) COVER. 

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Jethro Tull's 11th studio album is one of their prettier records, a veritable celebration of English folk music chock full of gorgeous melodies, briskly played acoustic guitars and mandolins, and Anderson's flute lilting in the background, backed by the group in top form. This record is a fairly close cousin to 1977's Songs From the Wood, except that its songs are decidedly more passionate, sung with a rough, robust energy that much of Tull's work since Thick As a Brick had been missing, and surpassing even Aqualung in its lustiness. "No Lullaby" is the signature heavy riff song, a concert version of which opened Live—Bursting Out. Anderson sings it—and everything else here—as though it might be the last lines he ever gets to voice, with tremendous intensity. The band plays hard behind him throughout, with lead guitarist Martin Barre (most notably on "Weathercock") and bassist John Glascock showing up very well throughout. Anderson's production and Robin Black's engineering catch their every nuance without sacrificing the delicacy of his acoustic guitar and mandolin playing. "Acres Wild," "Rover," "One Brown Mouse," "Weathercock," and "Moths" (which makes this listener think of a folk version of Peter Gabriel's "Solsbury Hill"), the latter featuring some of David Palmer's most tasteful orchestral arrangements, are among the loveliest songs in the group's entire repertory. Curved Air's Darryl Way plays violin solo on the title track — a tribute to England's vanishing shire horses, which doesn't really take off until Way's instrument comes in on the break, with a marked tempo change — and on "Acres Wild."

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID)

(b)          The record is apparently pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(c)           The record is believed to come in its original, custom, inner sleeve, which is UNIQUE to this album.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-        Cover has a visible cutout corner

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE  items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable judgment  on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy .

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