JETHRO TULL STAND UP. 12" VINYL LP RECORD ALBUM. 1ST ISSUE PINK LABELS ILPS-9103
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Description
JETHRO TULL
STAND UP
MATT GATEFOLD COVER WITH POP UP INSERT INSIDE
ORIGINAL FIRST RELEASE 12" VINYL STEREO LP RECORD ALBUM RELEASED ON 1ST AUGUST 1969
FIRST ISSUE PRESSING WITH ORANGE BULLSEYE PINK LABELS
*E.J DAY IN WHITE INK ON FRONT RIGHT HAND BOTTOM SIDE OF POP-UPAND NO STEREO WRITTEN ON SPINE WHICH DENOTES THAT THIS IS THE FIRST ISSUE*
FROM MY OWN PERSONAL COLLECTION
OWN A PIECE OF HISTORY
1ST UK RELEASE
VINYL IN GOOD CONDITION (SEE GRADING GUIDE BELOW)
COVER IN EXCELLENT CONDITION (SEE PHOTOS)
ISLAND RECORDS
ILPS-9103
1969
THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALEI DO NOT USE MISLEADING STOCK PHOTOS
FREE UK POSTAGE
THANKS FOR LOOKING
Stand Up
Label: Island Records ?– ILPS 9103 Format: Vinyl, LP, Album, StereoCountry: UK Released: 01 Aug 1969 Genre: Rock Style: Folk Rock, Prog Rock
Tracklist
A1 A New Day Yesterday A2 Jeffrey Goes To Leicester Square A3 Bourée A4 Back To The Family A5 Look Into The Sun B1 Nothing Is Easy B2 Fat Man B3 We Used To Know B4 Reasons For Waiting B5 For A Thousand MothersCompanies, etc.
- Printed By – Ernest J. Day & Co. Ltd.
- Made By – Ernest J. Day & Co. Ltd.
- Published By – Chrysalis Music
- Recorded At – Morgan Studios
- Produced For – Chrysalis Productions
- Pressed By – Orlake Records
Credits
- Arranged By [Strings], Conductor [Strings] – David Palmer (2) (tracks: B4)
- Artwork [Woodcuts] – Jimmy Grashow*
- Bass Guitar – Glen Cornick*
- Cover [Based On Ideas From] – John Williams (30), Terry Ellis
- Drums, Percussion [All Manner Of] – Clive Bunker
- Electric Guitar – Martin Lancelot Barre*
- Engineer – Andy Johns
- Flute – Martin Lancelot Barre* (tracks: A2, B4)
- Flute, Acoustic Guitar, Organ [Hammond], Piano, Mandolin, Balalaika, Mouth Organ, Vocals – Ian Anderson
- Producer – Ian Anderson, Terry Ellis
- Written-By, Composed By – Ian Anderson
Notes
Matt gatefold sleeve with pop-up of band.Orange bullseye pink label UK pressing, which is different to the other orange bullseye pink label UK pressing Jethro Tull - Stand Up.
Unlike the other orange bullseye pink label pressing Jethro Tull - Stand Up, this orange bullseye pink label pressing does not have "Printed and made by Ernest J. Day & Co. Ltd., London W.11.", on the back cover.
Another difference between this and the other orange bullseye pink label pressing Jethro Tull - Stand Up is that the whole type set on Side One is printed slightly lower on the label; this is particularly noticeable when you look at the word STEREO, but in fact all of the type set is lower than that seen in Jethro Tull - Stand Up . On Side Two, the only obvious difference between the 2 orange bullseye pink label pressings is that the word "Produced" is slightly closer to the spindle hole on this pressing than on Jethro Tull - Stand Up.
Original cover has E.J Day printer credits inside gatefold (written in white colour near the feet on the right of the band members, on the "pop up").
"The cover was based on ideas from Terry Ellis and John Williams and printed from woodcuts by New York graphic artist, Jimmy Grashow."
Catalogue number on spine: ILPS 9103
Catalogue number on back cover: ILPS STEREO 9103
Catalogue number on labels: ILPS-9103
Island Records Ltd, Basing Street London W.11.
Published by Chrysalis Music
? 1969
"MADE IN ENGLAND" on labels at 6 O'Clock
Pink label release, can be found with the three earliest Island logo versions:
First issue: orange bulls eye pink label (this one)
Second issue: pink black block i label.
Third issue: pink small white i label.
First issue has no 'Stereo' on spine.
Barcode and Other Identifiers
- Matrix / Runout (Side A, stamped): ILPS+9103+A
- Matrix / Runout (Side B, stamped): ILPS+9103+B
Record Collector Magazine's Grading Guide:
"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."
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