JIMMY Giuffre: JIMMY Giuffre 3, 1961 2 LP, 180 Grams Audiophile Vinyl
$
60
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
JIMMY Giuffre: JIMMY Giuffre 3
2 LP
180 grams of vinyl
new & sealed
available immediately!
Label: ECM
Date of release: 04/04/1992
Originally produced by Creed Taylor for Verve
Engineer: Dick Olmstead
Remixed June 1990 at Rainbow Studio, Oslo by Jan Erik Kongshaug and Manfred Eicher
Reissue produced by Manfred Eicher and Jean-Phillipe Allard
A true arbiter of the chamber jazz idiom before it even was one, clarinetist JIMMY Giuffre was brought back to vivid life in this much-needed ECM rescue. Engaging a then-acoustic Steve Swallow on bass and a gushing Paul Bley on piano in a twofold session of ruffled play for Verve (who showed no signs of reissuing these great works), Giuffre brought his signature silken tone to an ephemeral trio whose tuneful interactivity made for gobs of affirming music. In a wonderful encapsulating essay, Steve Lake tells us that the group had by this point reached a state of free jazz that dove past the blaring expectations of its current fashion and headed straight into the instincts beating quietly below.
Tracklist:
side 1
1. Jesus Mary
2. emphasis
3. In The Mornings Out There
4. Scootin' About
side 2
5. cry want
6. Letter Hesitation
7. venture
8. afternoon
9. trudgin'
page 3
10. ictus
11. carla
12. sonic
13. whirrr
14. That's true, that's true
page 4
15. goodbye
16. Flight
17. TheGamut
18. Me too
19. Temporarily
20. Herb & Ictus
Remixed June 1990 at Rainbow Studio, Oslo by Jan Erik Kongshaug and Manfred Eicher Reissue produced by Manfred Eicher and Jean-Phillipe Allard A true arbiter of the chamber jazz idiom before it even was one, clarinetist JIMMY Giuffre was brought back to vivid life in this much-needed ECM rescue. Engaging a then-acoustic Steve Swallow on bass and a gushing Paul Bley on piano in a twofold session of ruffled play for Verve (who showed no signs of reissuing these great works), Giuffre brought his signature silken tone to an ephemeral trio whose tuneful interactivity made for gobs of affirming music. In a wonderful encapsulating essay, Steve Lake tells us that the group had by this point reached a state of free jazz that dove past the blaring expectations of its current fashion and headed strai
price rating
