JOE COCKER With A Little Help From LP REGAL ZONOPHONE 1969 UK orig+st JIMMY PAGE
  £   38
  $   50

 


£ 38 Sold For
Dec 12, 2017 Sold Date
Dec 2, 2017 Start Date
£   20 Start price
11   Number Of Bids
  Italy Country Of Seller
eBay Auctioned at
 
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Description

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JOE COCKER

with CHRIS STAINTON, B.J. WILSON, MIKE KELLIE, KENNY SLADE, HENRY McCULLOUGH,

TOMMY EYRE, MADELINE BELL, SUE & SUNNY WEETMAN, CLEM CATTINI,

STEVE WINWOOD, JIMMY PAGE, MATTHEW FISHER, MERRY CLAYTON, ALBERT LEE, etc.

After starting out as an unsuccessful pop singer (working under the name Vance Arnold), Joe Cocker 

found his niche singing rock and soul in the pubs of England with his superb backing group, the Grease Band. 

He hit number one in the U.K. in November 1968 with his version of the Beatles' "A Little Help from My Friends." 

His career really took off after he sang that song at Woodstock in August 1969. A second British 

hit came with a version of Leon Russell's "Delta Lady" in the fall of 1969 (by then, Russell was Cocker's 

musical director) and both of his albums, With a Little Help from My Friends (April 1969) and 

Joe Cocker! (November 1969), went gold in America. In 1970, his cover of the Box Tops hit "The Letter" 

became his first U.S. Top Ten. Cocker's first peak of success came when Russell organized the 

Mad Dogs & Englishmen tour of 1970, featuring Cocker and over 40 others 

and resulting in a third gold album and a concert film 

 "WITH A LITTLE HELP FROM MY FRIENDS"

Produced by Denny Cordell

1969      LP        REGAL ZONOPHONE RECORDS   STEREO  SLRZ 1006

MADE IN ENGLAND    ORIGINAL PRESSING

First pressing released on the red Regal Zonophone label with boxed EMI logo on front/back cover 

Released in a laminated (on front) single cover with flipback on rear

printed by Garrod & Lofthouse

Barcode and Other Identifiers

Barcode: none

LABEL: REGAL ZONOPHONE -  RED LABEL w/SILVER STRIPE - SILVER TEXT

Catalog on cover: (rear) SLRZ 1006 (1E 062 ? 90232)

Catalog on labels: SLRZ 1006 (YCARX.55) / SLRZ 1006 (YCARX.56) 

Matrix / Runout (Side A, Stamped): YCARX 55-2    P 1

Matrix / Runout (Side B, Stamped): YCARX 56-2   O 1

On labels: Made in Gt. Britain

The Gramophone Co. Ltd. All rights of the manufacturer........of this record prohibited

+?1968      ?1969

Produced by Denny Cordell for Straight Ahead Productions. A New Breed Production

Rights Society / Publishing: Island Music, Robbins Music, Mecolico, France Melodie, BIEM, 

NCB, Writers Workshop, Carlin Music Corp., Northern Songs, etc.

On Back Sleeve: File under POPULAR : Male Vocal

stereo Ø A NEW BREED PRODUCTION

*?1968      ?1969

Ø The track marked Ø is a mono recording electronically reprocessed 

to give a stereo effect on stereo equipment.

Produced by Denny Cordell for Straight Ahead Productions

Made and Printed in Great Britain

Regal Zonophone......A Company of the EMI Group

6907 TPS   Printed and made by Garrod & Lofthouse Ltd. Patent No. 943,895   LRZ 1006  SLRZ 1006

tracklisting

Side 1: FEELING ALRIGHT - BYE BYE BLACKBIRD

CHANGE IN LOUISE - MARJORINE Ø - JUST LIKE A WOMAN

Side B: DO I STILL FIGURE IN YOUR LIFE? - SANDPAPER CADILLAC

DON'T LET ME BE MISUNDERSTOOD - WITH A LITTLE HELP FROM MY FRIENDS

I SHALL BE RELEASED

  grading

RECORD VG but (please, read above description)

SLEEVE VG+ but (please, see pictures and read above description)

Joe Cocker's debut album holds up extraordinarily well across four decades, 

the singer's performance bolstered by some very sharp playing, not only by his established 

sideman/collaborator Chris Stainton, but also some top-notch session musicians, among them 

drummer Clem Cattini, Steve Winwood on organ, and guitarists Jimmy Page and Albert Lee, 

all sitting in. It's Cocker's voice, a soulful rasp of an instrument backed up by Madeline Bell, 

Sunny Weetman and Rossetta Hightower that carries this album and makes "Change in Louise," 

"Feeling Alright," "Just Like a Woman," "I Shall Be Released," and even "Bye Bye Blackbird" 

into profound listening experiences. But the surprises in the arrangements, tempo, and 

approaches taken help make this an exceptional album. Tracks like "Just Like a Woman," with 

its soaring gospel organ above a lean textured acoustic and light electric accompaniment, 

and the guitar-dominated rendition of "Don't Let Me Be Misunderstood" -- the formal debut 

of the Grease Band on record -- all help make this an exceptional listening experience...(AllMusic)




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