JOHN CALE (VELVET UNDERGROUND) CHURCH/ANTHRAX RARE ORIG'70 PROMO LP w/TIME STRIP

$

203

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       JOHN CALE with TERRY RILEY – THE CHURCH OF ANTHRAX – ORIGINAL 1971 COLUMBIA RECORDS STEREO LP C-30131

·       ORIGINAL U.S. PRESSING

·       *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL TIMING STRIP ON THE COVER CLEARLY IDENTIFIES THE ITEM  AS PROMOTIONAL ***

·       ORIGINAL RED COLUMBIA LABEL WITH “COLUMBIA” IN YELLOW LETTERS WRAPPED AROUND THE RIM OF THE LABEL (70’s STYLE)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 6.

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1B/-1D'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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A one-time-only collaboration between former Velvet Underground co-founder John Cale and minimalist composer Terry Riley, 1971's Church of Anthrax doesn't sound too much like the solo work of either. Around this time, Riley's works were along the lines of "A Rainbow in Curved Air" or "Poppy Nogood and the Phantom Band": pattern music with an obsessive attention to repetition and tricks with an analogue delay machine that gave his music a refractory, almost hallucinogenic quality. Though Cale was trained in a similar aesthetic (he played with La Monte Young, surely the most minimal of all minimalist composers), he had largely left it behind by 1971, and so Church of Anthrax mixes Riley's drones and patterns with a more muscular and melodic bent versed in both free jazz and experimental rock. Not quite modern classical music, but not at all rock & roll either, Church of Anthrax sounds in retrospect like it was a huge influence on later post-minimalist composers like Andrew Poppy, Wim Mertens, and Michael Nyman, who mix similar doses of minimalism, rock, and jazz. On its own merits, the album is always interesting, and the centerpiece "The Hall of Mirrors in the Palace at Versailles" is probably the point where Riley and Cale approach each other on the most equal footing. The low point is Cale's solo writing credit, "The Soul of Patrick Lee," a slight vocal interlude by Adam Miller that feels out of place in these surroundings.

 (EXCERPT FROM AN ONLINE REVIEW BY STEWART MASON, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical or discography information on this album, including track listing ►click here

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TO SEE IF WE HAVE OTHER LISTED ITEMS BY JOHN CALE ►  CLICK HERE

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3 (front side) and 4 (back side)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Cover has a few tiny wrinkles along the spine   (VISIBLE ON BACK SIDE ONLY)

-         Minor shelf wear noted on the spine (nothing significant)

-         Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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