JOHN COLTRANE GIANT STEPS INSANELY RARE SEALED ORIG 1959 ATLANTIC MONO LP SUPERB
  $   1,468

 


$ 1468 Sold For
Mar 15, 2015 Sold Date
Mar 8, 2015 Start Date
$   30 Start price
18   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

WE CURRENTLY HAVE   NEARLY 1,000   LISTED ITEMS

 

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·       JOHN COLTRANE with TOMMY FLANNAGAN, PAUL CHAMBERS, ART TAYLOR, WYNTON KELLY and JIMMY COBB – GIANT STEPS – ORIGINAL 1959 ATLANTIC RECORDS MONO LP 1311

 

·       ORIGINAL U.S. PRESSING

 

 

*** STILL SEALED MONO PRESSING  BELIEVED TO BE THE FIRST PRESSING ON THE LEGENDARY BLACK ATLANTIC MONO  LABEL WITH SILVER PRINT, , SUCH AS THE ONE SHOWN BELOW, FROM OUR PREVIOUS AUCTION  ***.

 

 

·       ONE OF THE GREATEST,  RAREST AND MOST COVETED JAZZ PRESSINGS IN EXISTENCE; IN FACT, PROBABLY ONE OF THREE GREATEST JAZZ RECORDINGS OF ALL TIME!

 

 

 

·       THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.

 

·       LOOSE-FITTING SHRINK WRAP, TYPICALLY USED AROUND THE TIME THIS ALBUM ORIGINALLY CAME OUT (LATE ‘50s/EARLY ‘60s)

 

·       PLEASE NOTE: BASED ON ALL VISAL ELEMENTS (COVER CONSTRUCTION, SHRINK WRAP, TYPE OF INNER SLEEVE, LAMINATION, PAPER STOCK ON THE BACK PANEL), WE ESTIMATE THAT THIS IS  THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING, NOT A REISSUE AND DEFINITELY NOT AN IMPORT OR A COUNTERFEIT PRESSING. HOWEVER, BECAUSE THE SECOND MONO PRESSING ON “BULL’S EYE” LABEL (1959/1960) AND THIRD PRESSING ON PURPLE AND RED ATLANTIC MONO LABEL (1961/1963) ARE ON THE OUTSIDE VIRTUALLY VISUALLY FROM THE ORIGINAL BLACK LABEL PRESSINGS, THERE IS A MINOR POSSIBILITY THAT THE BUYER WILL FIND A SECOND PRESSING INSIDE. WE ESTIMATE THAT THE LIKELIHOOD OF FINDING A FIRST OR SECOND PRESSING INSIDE IS ABOUT 40% AND LIKELIHOOD THAT THE BUYER WILL FIND A THIRD MONO PRESSING IS ONLY ABOUT 20%

 

·       WE CAN SEE FROM THE OPENING SIDE A THUMBNAILED ATLANTIC PAPER INNER SLEEVE WHICH THE LABEL WAS USING CIRCA 1959 - THE YEAR THIS ALBUM CAME OUT -  WITH THE "YOUNGEST" THUMBNAILED IMAGE BEING THAT OF RAY CHARLES' "THE GENIUS OF RAY CHARLES" ALBUM, WHICH CAME OUT IN 1959, ALSO ON BLACK ATLANTIC MONO  LABEL; THIS LITTLE PIECE OF EVIDENCE MASSIVELY INCREASES THE LIKELIHOOD THAT THE WINNING BIDDER WILL INDEED FIND ORIGINAL BLACK LABEL MONO PRESSING INSIDE.

 

·       MONSTROUSLY RARE MONO PRESSING, MANY TIMES RARER THAN STEREO (NOTE: STEREO PRESSINGS OF THIS TITLE ON CORRESPONDING (GREEN) ATLANTIC STEREO LABELS, IN USE BETWEEN 1958-1959 APPARENTLY DO NOT EXIST)

 

·       THIS IS ALMOST CERTAINLY THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       ORIGINAL LAMINATED COVER

 

·       ORIGINAL TOM DOWN RECORDING & MASTERING (TOM DOWD WAS FOR ATLANTIC WHAT RUDY VAN GELDER WAS FOR BLUE NOTE)

 

·       VERY THICK, HEAVY VINYL PRESSING

 

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane (tenor sax) is flanked by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only band member other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated — replicating the lineup featured on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are likewise Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos — the 180-degree antithesis of the art form up to that point. These arrangements would create a place for the solo to become infinitely more compelling. This would culminate in a frenetic performance style that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound." Coltrane's polytonal torrents extricate the amicable and otherwise cordial solos that had begun decaying the very exigency of the genre — turning it into the equivalent of easy listening. He wastes no time as the disc's title track immediately indicates a progression from which there would be no looking back. Line upon line of highly cerebral improvisation snake between the melody and solos, practically fusing the two. The resolute intensity of "Countdown" does more to modernize jazz in 141 seconds than many artists do in their entire careers. Tellingly, the contrasting and ultimately pastoral "Naima" was the last tune to be recorded, and is the only track on the original long-player to feature the Kind of Blue quartet. What is lost in tempo is more than recouped in intrinsic melodic beauty.

 

(EXCERPT FROM AN ONLINE REVIEW BY  LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► click here

 

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·       CONDITION:

 

·       RECORD

 

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).

 

(b)          The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           The record comes in the original stock inner sleeve (WE CAN SEE IT THROUGH THE OPENING!)

 

(d)          Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies (which includes subsequent pressings and reissues) of this album outnumber mono pressings by a ratio of at least 10:1.

 

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

 

COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP  (A LOOSE-FITTING SHRINK WRAP, TYPICALLY USED AROUND THE TIME THIS ALBUM ORIGINALLY CAME OUT (LATE ‘50s/EARLY ‘60s); 

 

PLEASE NOTE  THE BAGGY IS A LITTLE RUFFLED (NO PART IS MISSING) AND ABOUT 60% OF THE BAGGY HAS SEPARATED ALONG THE OPENING SIDE, BUT THE  ALBUM IS STILL VISIBLY SEALED AND INTACT.

 

The following flaws or imperfections are noted on the cover:

 

-         Cover shows some light yellowing on both sides, apparently from aging (nothing significant)

 

-         Cover has a small stamp with a name and/or address of the previous owner on the back panel (the baggy has separated enough on the opening side to allow the previous owner to stamp his name on the back cover)

 

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2   (VISIBLE ON BACK SIDE ONLY) .

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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(please note recent changes in our policy)

 

 

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FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

 

OUR VOLUME DISCOUNTS AND POSTAGE REBATES ►OUR GRADING POLICY ITEMS WE DO NOT GRADE ►HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ►OUR PAYPAL “CHARGEBACK” POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE RATES AND DISCLOSURES ►PAYMENT DEADLINES ►FREQUENTLY ASKED QUESTIONS (FAQ)

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

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