JOHN FAHEY DEATH CHANTS, BREAKDOWNS RARE 1965 TAKOMA MONO LP B & W COVER

$

181

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·       JOHN FAHEY – DEATH CHANTS, BREAKDOWNS AND MILITARY WALTZES – ULTRA RARE 1965 VERSION (PLEASE NOTE: THIS IS NOT A 1967 RE-RECORDING WHICH IS SIGNIFICANTLY DIFFERENT FROM THE ORIGINAL 1963 OR 1965 RELEASES, IN MORE WAYS THAN ONE) - 1965 TAKOMA RECORDS MONO LP C-1003

·       GENUINE  U.S. PRESSING

·       BLACK, GLOSSY TAKOMA MONO LABEL WITH SILVER PRINT, WITHOUT ANY GRAPHIC ARTWORK OR LOGOS.

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL "TEXTURED" (CRUDE FINISH) COVER.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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-        Fahey recorded two entirely different versions of this record: one issued in 1963 and one mostly of re-recordings in 1967. The CD reissue of Death Chants, Breakdowns and Military Waltzes does Fahey fans a massive favor by combining both versions onto one disc. Preceded only by the super-rare original version of Blind Joe Death, the 1963 LP of Death Chants was the first Fahey album to gain reasonably wide distribution. It's a work that beautifully displays both Fahey's virtuosity on folk and blues guitar and a distinct composing voice that draws much from folk and blues traditions, but is not quite part of either school. Fahey's gift for making music that's tranquil and evocative, but also with enough odd angularity and minor melody to give it depth and ambiguity, is evident right from the start, and heard to best advantage on "When the Springtime Comes Again," "Some Summer Day," and the epic "America." Even on the pieces with more straight blues connections, Fahey achieves a full and reverberant quality that sets it off not just from the average country blues revivalists of the period, but from vintage country blues itself. He takes a journey into the avant-garde with "The Downfall of the Adelphi Rolling Grist Mill," a creepy duet with flute player Nancy McLean. On the re-recorded versions that comprised most of the 1967 version of Death Chants, the fidelity is clearer, and having improved his technique Fahey probably felt more satisfied with these renditions. But as often happens on remakes, it must be said that the originals have an intangibly more affecting, more mysterious quality that does not come through as strongly on the more carefully executed rehauls.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS VERY GOOD+ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Stereo copies of this album are NOT known to exist (ALTHOUGH the 1967 re-recording of this album IS available in stereo)

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top and bottom seams (indeterminable length); These two split seams were delicately taped by the previous owner with a piece of piece of black paper tape which faithfully mimics the appearance, texture and color of the cover.

-        Cover has some writing on both sides (name of the previous owner written in thin brown marker, about 1/4 x 1 inches in size)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Minor shelf wear noted on the opening side (nothing significant)

-         The cover has a distinct P-shaped, pressure-type inspection (quality control) stamp on the back panel

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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