JOHN PRINE COMMON SENSE ATLANTIC SD18127 ORIGINAL NM LP vinyl album record 1975. matrix: PR AT/GP etches! EX+ to NM glossy lp, EX+ to NM cover, with color inner. great shape! rare!

PLEASE LOOK AT THE DETAILED  PHOTOS  FOR ADDITIONAL INFORMATION AND BELOW FOR GRADING INFORMATION. Remember, they are extreme close-ups

John Prine ?– Common Sense

Label:

Atlantic ?– SD 18127

Format:

Vinyl, LP, Album, PR

Country:

US

Released:

1975

Genre:

Rock, Folk, World, & Country

Style:

Country Rock, Country

Tracklist

A1

Middle Man

Acoustic Guitar – Steve GoodmanBass – Tommy CatheyDrums – Peter BunettaElectric Guitar – Paul Cannon, Rick VitoHorns – Andrew Love, Jack Hale*, James Mitchell, Lewis Collins (2), Wayne JacksonPiano – James Brown*Written-By – John Prine

2:29

A2

Common Sense

Acoustic Guitar [Lead] – Steve GoodmanBacking Vocals – Glenn Frey, Jackson Browne, John David SoutherBass – Tommy CatheyDrums – Peter BunettaElectric Guitar – Paul Cannon, Rick VitoOrgan – James Brown*Piano – Larry MuhoberacSteel Guitar – Leo LeBlancStrings, Arranged By – Carl Marsh (2)Written By – John Prine

3:07

A3

Come Back To Us Barbara Lewis Hare Krishna Beauregard

Acoustic Guitar [Slide] – Rick VitoBass – Tommy CatheyDrums – Peter BunettaElectric Guitar – Paul Cannon, Steve GoodmanHarmony Vocals – Bonnie RaittOrgan – James Brown*Piano – Larry MuhoberacSteel Guitar – Leo LeBlancWritten-By – John Prine

3:17

A4

Wedding Day In Funeralville

Backing Vocals – Glenn Frey, Herb Pedersen, John David SoutherBass – Tommy CatheyDrums – Peter BunettaElectric Guitar – Paul Cannon, Rick VitoOrgan – James Brown*Piano – Larry MuhoberacWritten-By – John Prine

2:25

A5

Way Down

Bass – Tommy CatheyDrums – Peter BunettaElectric Guitar – Paul CannonElectric Guitar, Slide Guitar – Rick VitoPiano, Organ – James Brown*Steel Guitar – Leo LeblancStrings, Arranged By – Carl Marsh (2)Written-By – John Prine

2:21

B1

My Own Best Friend

Bass – Tommy CatheyDrums – Peter BunettaElectric Guitar – Glenn Frey, Paul CannonElectric Guitar, Slide Guitar – Rick VitoOrgan – James Brown*Piano – Larry MuhoberacWritten-By – John Prine

3:12

B2

Fobidden Jimmy

Backing Vocals – Brooks Hunnicutt, Gwen Edwards, Pat CoulterBass – Donald "Duck" DunnCongas, Percussion – Mailto Correa*Drums, Percussion – Peter BunettaElectric Guitar – Steve GoodmanHorns – Jack Hale*, Wayne JacksonOrgan – James Brown*Piano – Alan HandWritten-By – John Prine

2:52

B3

Saddle In The Rain

Acoustic Guitar – Steve GoodmanBacking Vocals – Brooks Hunnicutt, Gwen Edwards, Pat CoulterBass – Donald "Duck" DunnCongas – Mailto Correa*Drums – Peter BunettaElectric Guitar – Steve CropperHorns – Andrew Love, Jack Hale*, James Mitchell, Lewis Collins (2), Wayne JacksonOrgan – James Brown*Piano – Alan HandWritten-By – John Prine

3:30

B4

That Close To You

Backing Vocals – Brooks Hunnicutt, Gwen Edwards, Pat CoulterBass – Tommy CatheyDrums – Peter BunettaElectric Guitar – Paul Cannon, Rick VitoHorns – Chuck Findley, Jackie Kelson*, Jim HornOrgan – James Brown*Piano – Larry MuhoberacSteel Guitar – Leo LeblancWritten-By – John Prine

2:45

B5

He Was In Heaven Before He Died

Acoustic Guitar – Steve GoodmanBacking Vocals – Steve GoodmanBass – Steve Spear (2)Organ [Pump] – James Brown*Steel Guitar – Leo LeblancWritten-By – John Prine

2:12

B6

You Never Can Tell

Backing Vocals – Al Bunetta, Alan Hand, Danny Cronin, Greg Jackson, John PrineBass – Tommy CatheyDrums, Backing Vocals – Peter BunettaElectric Guitar – Paul Cannon, Rick VitoHorns – Chuck Findley, Jackie Kelson*, Jim HornPiano – Larry MuhoberacWritten-By – Chuck Berry

3:17

Companies, etc.

·         Pressed By – Presswell

·         Recorded At – Ardent Studios

·         Recorded At – Larrabee Sound Studios

·         Remixed At – Ardent Studios

·         Mastered At – Atlantic Studios

Credits

·         Art Direction – Bob Defrin

·         Design – Paula Scher

·         Engineer – Barry Rudolph, Richard Rosebrough

·         Engineer, Remix – Ron Capone

·         Illustration [Concept] – Al Bunetta

·         Illustration [Front & Rear Cover] – Charles B. Slackman

·         Mastered By – GP*

·         Producer, Remix – Steve Cropper

·         Written-By, Acoustic Guitar, Vocals – John Prine

Notes

"PR" at end of label matrix and etched in runout indicates a Presswell pressing.

Issued with Lyric Sheet Insert and "Compositions from Atlantic/Atco" Inner-Sleeve.

Recorded at Ardent Studios, Memphis, Tennessee and Larabee Studios, Los Angeles, California, Remixed at Ardent

Barcode and Other Identifiers

·         Matrix / Runout (Label Side A): ST-A-753331 PR

·         Matrix / Runout (Label Side B): ST-A-753332 PR

·         Matrix / Runout (Runout Side A, Etched): ST-A-753331A AT/GP PR

·         Matrix / Runout (Runout Side B, Etched): ST-A-753332-D AT/GP PR

We use the industry standard Goldmine Grading Scale  Cover/Sleeve Grading applies to OUTER SLEEVE ONLY. If the original Inner sleeve is included it will be shown in the photos. Please ask any additional questions regarding inner sleeve or album condition BEFORE purchase! THE SCALE IS AS FOLLOWS:

10: MINT (M), Pristine, Looks as if it just came off the manufacturing line, also listed as New, Mint Sealed/Unopened

?

9: NEAR MINT (NM), Looks as if it just came from a store and was opened for the first time, maybe played a few times if ever, no evidence of play or wear whatsoever

?                      

8: EXCELLENT (EX), also listed as VERY GOOD PLUS PLUS (VG++), LP may have a faint surface mark or two barring it from being truly Near Mint, but sound quality will not be affected at all, cover sleeve is just short of Near Mint, often used for cover sleeves in Shrink, or with no ring-wear or staining or easily visible flaws whatsoever, seams and spine fully intact

?

7: VERY GOOD PLUS (VG+), Shows slight signs of wear, light scuffs or scratches may be present but they do not affect playback other than faint surface noise heard sporadically in between tracks, or the occasional soft click from a surface mark here or there, cover sleeve is considered still frame-able” yet when observed closely will show to have a flaw or small flaws, very minor ring wear if any, seams and spine intact but not pristine

?

6: VERY GOOD/VERY GOOD PLUS (VG/VG+), more obvious signs of wear and handling, LP has surface noise that is noticeable in some spots but perhaps is quiet and clean in other spots, clicks and pops will be heard, but will not significantly disrupt the music, cover sleeves have more obvious ring wear or marks/staining, seams may have cracking, minor seam splitting or some missing spine text but are still fairly well intact. Writing may be present on label.

5: VERY GOOD (VG), significant and obvious wear and handling including surface noise throughout, audible scratches which cause clicks and pops and crackle but no skips or repeated grooves, cover sleeve may have significant ring wear and/or staining, seam splits may be evident, label or sleeve may have writing, names, stickers etc.

?

4: VERY GOOD MINUS (VG-), in our shop typically only going to be seen on a cover sleeve for a significantly rare album that is in extremely bad shape, lots of splitting etc, yet is still worth owning due to its rarity. We will likely never offer albums with this rating.