JOHNNY 'Hammond' SMITH [Stinger/Thrush] BYRDIE GREEN:
  $   28

 


$ 28 Sold For
Jan 16, 2010 Sold Date
Jan 9, 2010 Start Date
$   10 Start price
5   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description


innersleeve1 Store WE'VE JUST ACQUIRED A TERRIFIC BATCH OF ORIGINAL JAZZ, SOUL & BLUES LP's.

THE  OWNER PURCHASED THEM NEW AND THEY HAVE BEEN IN THE SAME COLLECTION
SINCE DAY ONE.
95% OF THESE LOOK TO HAVE BEEN PLAYED ONCE TO ONLY HANDFUL
OF TIMES... VERY CLEAN LP's WITH SLIGHT SHELF OR STORAGE WEAR BEING THE
BIGGEST ISSUE.
THIS IS AN EXCITING & INTERESTING SELECTION, SO PLEASE HAVE
A LOOK AT ALL OF OUR OTHER OFFERINGS!

GOOD LUCK & HAPPY NEW YEAR
FROM YOUR FRIENDS AT

INNERSLEEVE

*****************************************************************************************************************
1966 PRESTIGE Records PR 7464

 MONO ORIGINAL

Houston Person * Otis Sutton * Eddie McFadden
Leo Stevens * Byrdie Green

[Van Gelder] stamps in dead wax

*

VINYL is EX++ to NM-
top copy!

 COVER is EX
light edge/surface wear

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Actually nicknamed after his instrument, Johnny "Hammond" Smith was perhaps one of the more underrated soul-jazz organists of the style's heyday. Born John Robert Smith in Louisville, KY, on December 16, 1933, Smith began learning piano as a child, idolizing Bud Powell and Art Tatum early on. After moving to Cleveland, Smith heard jazz organ pioneer Wild Bill Davis and decided to switch instruments; he made his professional debut on the organ in 1958, around the same time he was working as an accompanist for vocalist Nancy Wilson. In 1959, he began recording as a leader for Prestige, an association that would last through 1970 and produce highlights like That Good Feelin', Talk That Talk, Black Coffee, Open House, Ebb Tide, and Soul Talk, among others. As time passed, Smith's style got progressively funkier, and in 1971, he shortened his name to Johnny Hammond and moved to producer Creed Taylor's CTI label family. Hammond recorded five jazz-funk albums over the next three years, including Breakout, Wild Horses/Rock Steady, and the Mizell Brothers-helmed Gambler's Life. In 1975, Hammond moved to Milestone and recorded the culmination of his move into jazz-funk, Gears, another collaboration with the Mizell Brothers that was reviled by purists and canonized by acid jazz fans.



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