JON EARDLEY SEVEN, LP Prestige, 1956, RVG, NM/VG, Deep Groove 446 W. 50th St NYC
  $   100

 


$ 100 Sold For
Jun 7, 2014 Sold Date
May 31, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Condition: 

AMG Review by Scott Yanow

The soft-toned trumpeter Jon Eardley (who was playing with Gerry Mulligan's Sextet at the time) holds his own with tenor saxophonist Zoot Sims and altoist Phil Woods on this excellent straightahead septet set; also in the group are trombonist Milt Gold, pianist George Syran, bassist Teddy Kotick and drummer Nick Stabulas. The LP (Eardley's third and final American session as a leader) features the excellent group on three of the trumpeter's originals, one apiece by Syran and Woods plus the standard "There's No You."

Jon Eardley ?– The Jon Eardley Seven

Label: Prestige ?– 7033 Format: Vinyl, LP, Album, Mono 
Country: US Released: 1956 Genre: Jazz Style: Bop, Swing, Cool Jazz

TracklistHide Credits

A1 Leap Year Written-By – George Syran 4:56 A2 There's No You Written-By – Hopper*, Adair* 5:44 A3 On The Minute Written-By – Jon Eardley 8:00 B1 Ladders Written-By – Jon Eardley 5:13 B2 Koo Koo Written-By – Jon Eardley 5:47 B3 Eard's Word Written-By – Phil Woods 5:11

Credits

  • Alto Saxophone – Phil Woods
  • Bass – Teddy Kotick
  • Design [Cover] – Gil Melle*
  • Drums – Nick Stabulas
  • Engineer [Recording] – Rudy Van Gelder
  • Liner Notes – Ira Gitler
  • Photography By – Bob Weinstock
  • Piano – George Syran
  • Supervised By – Bob Weinstock
  • Tenor Saxophone – Zoot Sims
  • Trombone – Milt Gold
  • Trumpet – Jon Eardley

Notes

Recorded in Hackensack, NJ; January 13, 1956.

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.




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