JONI MITCHELL For the Roses SCARCER ORIG UK 1972 Nr EX SYLA LP, PLAYS VERY WELL.
  £   33
  $   44

 


£ 33 Sold For
Feb 21, 2021 Sold Date
Feb 14, 2021 Start Date
£   14 Start price
14   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.95. Europe (including Russia) £12.95 (£1 per extra record). Rest of World £19.95 (£2 per extra record). All my records are sent in boxes and the price of them has increased over time and these are my first price increases for nearly 10 years. Royal Mail prices have also gone up again. I will never compromise on quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all, and records WILL arrive damaged in them at some time as most record buyers will already know. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS including full side protection and bubble wrap, the records removed from the covers of course. All this very safe packing means I lose money on every box I post, but safe delivery is, and will always be paramount. You WILL see the difference when my packet arrives. Also, I will pay for insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received if possible. PLEASE NOTE: I will NOT send any item, no matter what its value without a Royal Mail or courier tracking number. ALL my items must be signed and trackable to comply with Ebay delivery rules. Please do NOT ask me to make any exceptions to this rule as no country offers 100% reliable service without it.

Posting to Russia: Yes, I do post to Russia. But delivery can take longer from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business.

ANY ITEM or ITEMS TO BE PAID WITHIN A MAXIMUM OF 6 DAYS or they will be cancelled – NO EXCEPTIONS.

FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion, as will any bidder who cancels a bid. Please only bid on my items if you want them.

Artist or Band: JONI MITCHELL

Album Title: For the Roses

Producer(s): Joni Mitchell

TRACK LIST:

Side 1: Banquet; Cold Blue Steel and Sweet Fire; Barangrill; Lesson in Survival; Let the Wind Carry Me; For the Roses.

Side 2: See You Sometime; Electricity; You Turn Me On, I’m a Radio; Blonde in the Bleachers; Woman of Heart and Mind; Judgement of the Moon and Stars (Ludwig’s Tune).

Label/Format: Asylum Records with matt, very gently textured surfaces. This a very first issue with the correct SYLA 8753 catalogue number. Later pressings were changed with the new Kinney K 53007 number.

Label Conditions: Both generally clean and attractive with moderately light, faint spindle marks and no wear around the hole. The odd gentle trace of tone spotting viewed right up close.

Catalogue Number: SYLA 8753

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of Record: 138 grams.

Country of Manufacture: England

Rarity: Moderate, but originals in finer condition are less easy to find.

Original Year of Release: 1972

Matrix Nos: SYLA 8753 A-1 / SYLA 8753 B-1

Mothers / Stampers: 1 GT / 2 RG

Musicians: Joni Mitchell – vocals, guitar, piano; Tom Scott – woodwinds, reeds; Wilton Felder – bass; Russ Kunkel – drums; Bobbye Hall – percussion; Bobby Notkoff – strings; James Burton – electric guitar; Graham Nash – harmonica; Stephen Stills – guitar.

Brief Info: The highly acclaimed fifth Joni Mitchell album. Best-known for the song ‘You Turn Me On, I’m a Radio’, a more commercial song written as a request by her label for a hit single – a feat it achieved in the United States. A beautiful album written at the time after her split with singer-songwriter James Taylor. A superbly packaged album with a double opening gatefold cover. One picture shows Joni naked on rocks in the sea – like the lady herself, it’s done in the best possible taste. This a lovely UK first issue, cover-protected, the difference immediately apparent, the record plays very well also. For fans of this brilliant and legendary Canadian artist, this proved a joy.

Cover Grade and Format: EXCELLENT(+): arguably better. An unlaminated double gatefold format with matt, smooth surfaces (bar the first opening inside which are gently textured), and including, of course, the correct SYLA 8753 catalogue number. Printed and made in England by Garrod & Lofthouse, includes the polylined white inner sleeve.

Cover Front: Minimal blemishes on this highly impressive front. Clean, fresh and attractive, hardly creased, any marks few and very faint with no sticker issues.

Cover Back: Very similar again with little to fault bar the merest trace of a rim arc rub at top and bottom (look hard). The lack of ugly ring wear is always good news on such covers.

Cover Inner Gatefolds: The rose picture is by Joni who is a keen painter. All four surfaces are immaculate as-seen. The first opening ‘roses’ surfaces are less smooth with a gentle textured finish, the record enters the cover from this area.

Top Edges: All straight, flush and flat with any traces of thickening to the single thickness ones very light and minimal. The main back fold is superb, barely worn at all and clean.

Bottom Edges: These traditional storage edges are almost the same as above.

Right Edge(s), and Type: All in superb condition again and again like above.

Spine and Text: A quite thick and highly impressive spine. Solid, straight with barely any compression and folded square, so all edges meet up very closely together and parallel. All text is perfect and unworn, also superbly centred for maximum good looks. Again no fading on this often exposed edge. Being single thickness, this is seldom seen like this or better, the avoidance of crushing and flattening makes this close to exceptional.

Corners: Any tip rubs or creases tiny and light, hardly any really. Excellent or better shape mostly retained with no knocks.

Cover Summary: A beautiful piece of rock art and in great condition, a first issue that totally blows away its considerable age. This beautiful item should please many, if not most collectors.

The Inner Sleeve: EXCELLENT(+): with any discolouration light to politely remind of age. It has two neat window circles with just a couple of tiny nicks one side, the polylining fresh and reasonably clear, no hard creases, just some natural crinkle. All edge folds naturally intact. This has the dual PATENT Nos 112555 and 1072844.

Vinyl Condition/Visual Grading: NEAR EXCELLENT: a fine visual copy that is clean with equally fine shine and very solidly pressed. A copy likely modestly played with surface marks light, mostly quite wispy and faint as seen more critically under bright light. No penetrating stylus scratches, viewed in average room light, little even register. Visually a fine original record that should please many collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing equipment, all listed further down.]

Sound Quality and Audio Grading: This classic early Joni album plays even above it’s visual grading with very little to fault. Offering strong, distortion-free sound, all frequencies are sharp and clear – sound quality is very high with a wide dynamic range and very detailed sound. Any surface sounds are minimal indeed and this has no tracking issues* or inherent pressing noises. Like most of the early Joni albums, this has some quieter songs, so the odd sporadic contact sound is near impossible to avoid totally, but this heavier original record is very well pressed and offers little else other than high-quality sound. Few available copies will outperform this very early pressing significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played modestly and has been very well stored within a non-smoking environment. Nothing of any note spoilt my pleasure when play-grading this wonderful record. It could prove difficult to find significantly better and can be strongly recommended.

* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2 grams. Records are a ‘contact’ format, and few will avoid the odd minor sound blemish.

I am one of the most established sellers on Ebay, trading since 2001 and offering the finest records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty all elements of the items I offer for sale. You may notice I only submit records quite sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade – visuals alone do not always tell a true story. I will try to mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same – just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in near mint condition as the real rare items. All the pictures I use for your guidance are the item being offered with no digital enhancements. Room light factors can make things vary sometimes, that is hard to control, especially in winter. I hope the item below is to your liking – any questions can be emailed and I will do my best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items. Please assume all records I offer have NO jumps, sticks, major warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 805 Nautilus (bi-wired with Tellurium Black terminated cable) with REL subwoofer. All records I offer on Ebay are cleaned on a professional Nessie vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D7500 DSLR Camera.

PACKING – THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid bid retractions. Small businesses need prompt payment to trade and these strict rules WILL be applied.

Payment Conditions:

I prefer PayPal from­ winning bidders. I only accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 2 days for communication and 7 days for payment to arrive – if not I will relist the item or offer to the runner-up.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund if the item is returned in the same condition is was sent e.g. as per the listing pictures.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.


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