Jimmy Page & the Black Crowes Live at the Greek 3 LP Re-press/Re-Mastered (2019)

$

100

Jimmy Page & the Black Crowes Live at the Greek 3 LP Re-press/Re-Mastered (2019).

You are buying a re-mastered/re-pressed copy of the triple LP Jimmy Page & the Black Crowes "Live at the Greek".

This re-mastered/re-pressed version was done in 2019.  

This includes the original sleeves.

 

DESCRIPTION

 

re-master, re-press

 

CONDITION

 

Vinyl: NM (barely played)

Cover: VG+ (slight corner ding on front bottom right corner).  Small amount of clear tape on front crease area

 

Sleeves: original

Tracklist

Hide Credits A1 Celebration Day A2 Custard Pie A3 Sick Again A4 What Is And What Should Never Be B1 Woke Up This Morning Written-By – B.B. King, Jules Taub Written-By – B.B. King, Jules Taub B2 Shape Of Things To Come Written-By – Jim McCarty, Keith Relf, Paul Samwell-Smith Written-By – Jim McCarty, Keith Relf, Paul Samwell-Smith B3 Sloppy Drunk Written-By – Jimmy Rogers Written-By – Jimmy Rogers B4 Ten Years Gone C1 In My Time Of Dying C2 Your Time Is Gonna Come D1 The Lemon Song D2 Nobody's Fault But Mine D3 Heartbreaker E1 Hey Hey What Can I Do E2 Mellow Down Easy Written-By – Willie Dixon Written-By – Willie Dixon E3 Oh Well Written-By – Peter Green (2) Written-By – Peter Green (2) E4 Shake Your Money Maker Written-By – Elmore James Written-By – Elmore James F1 You Shook Me Written-By – J.B. Lenoir, Willie Dixon Written-By – J.B. Lenoir, Willie Dixon F2 Out On The Tiles F3 Whole Lotta Love

Companies, etc.

• Phonographic Copyright ? – The Orchard
• Copyright © – The Orchard
• Copyright © – Classicberry Ltd.
• Copyright © – The Black Crowes Partnership
• Manufactured By – The Orchard
• Distributed By – The Orchard
• Recorded At – The Greek Theatre
• Recorded By – Le Mobile
• Remastered At – Sterling Sound
• Lacquer Cut at – Sterling Sound

Credits

• Art Direction, Design – Joint Design
• Bass – Sven Pipien
• Design [Inside Jacket] – Ian R Drury
• Drums – Steve Gorman
• Guitar – Audley Freed, Jimmy Page
• Guitar, Vocals – Rich Robinson
• Illustration [Cover] – Joe Newton
• Keyboards – Eddie Harsch
• Lacquer Cut By – JN-H*
• Management [For Jimmy Page] – Bill Curbishley
• Management [For The Black Crowes, LA] – Pete Angelus
• Management [For The Black Crowes, NY] – Amy Finkle
• Photography By – Butch Belair, Ross Halfin
• Producer, Mixed By – Kevin Shirley
• Remastered By – Joe LaPorta
• Vocals – Chris Robinson (2)
• Written-By – C. Burnett* (tracks: D1), Jimmy Page (tracks: A1-A4, B4, C1-C2, D1-D3, E1, F2-F3), John Bonham (tracks: C1, D1, D3, E1, F2-F3), John Paul Jones (tracks: A1, C1-C2, D1, D3, E1, F2-F3), Robert Plant (tracks: A1-A4, B4, C1-C2, D1-D3, E1, F2-F3), Willie Dixon (tracks: F3)

Notes

Comes in a Tri-fold Sleeve with sticker attached to shrink-wrap:
"20th Anniversary Audiophile Edition 3 LPS on 180g vinyl Remastered 2019 TV-2145-1"

? 2000 & © 2019 The Orchard.
© 1999 Classicberry Ltd. & © 1999 The Black Crowes Partnership. Manufactured & distributed by The Orchard.

Barcode and Other Identifiers

• Barcode (Scanned): 016581214514
• Barcode (Printed): 0 16581 21451 4
• Label Code: TV-2145-1
• Matrix / Runout (Variant 1 - Side A Etched, Sterling stamped): TV-2145-1A JN-H STERLING A8
• Matrix / Runout (Variant 1 - Side B Etched, Sterling stamped): TV-2145-1B JN-H STERLING B8
• Matrix / Runout (Variant 1 - Side C Etched, Sterling stamped): TV-2145-1C JN-H STERLING C9
• Matrix / Runout (Variant 1 - Side D Etched, Sterling stamped): TV-2145-1D JN-H STERLING D8
• Matrix / Runout (Variant 1 - Side E Etched, Sterling stamped): TV-2145-1E JN-H STERLING E8
• Matrix / Runout (Variant 1 - Side F Etched, Sterling stamped): TV-2145-1F JN-H STERLING F9
• Matrix / Runout (Variant 2 - Side A Etched, Sterling stamped): TV-2145-1A JN-H STERLING A7
• Matrix / Runout (Variant 2 - Side B Etched, Sterling stamped): TV-2145-1B JN-H STERLING B8
• Matrix / Runout (Variant 2 - Side C Etched, Sterling stamped): TV-2145-1C JN-H STERLING C8
• Matrix / Runout (Variant 2 - Side D Etched, Sterling stamped): TV-2145-1D JN-H STERLING D8
• Matrix / Runout (Variant 2 - Side E Etched, Sterling stamped): TV-2145-1E JN-H STERLING E8
• Matrix / Runout (Variant 2 - Side F Etched, Sterling stamped): TV-2145-1F JN-H STERLING F9

IMPORTANT TO KNOW

 

- EVERY record has been ULTRASONICALLY cleaned, and inserted into a NEW outer sleeve.The LP is inserted into a NEW innersleeve, and the original sleeve is retained.In short, the item is as clean as it will ever be, and is well-protected. The exceptions to this process, of course, are sealed LP's.

- Records are packed professionally, and securely.

- I package, ship and drop-off vinyl purchases within 48 hours of purchase. I will message you via ebay messages with the tracking number.

- Please note that there may be incidental dust, shadows or glares on the vinyl from the lighting being used in the pictures.

- Please see the actual pictures in this listing. Please inspect them carefully and ask questions if you have condition-related concerns.

 

SHIPPING

 

Sent via USPS (United States Postal Service) Media Mail, unless otherwise requested.  Buyer will be responsible for the difference in shipping costs should another service/service level be requested.

 

POLICIES/FEEDBACK

 

Please Feel Free to Email me With Any Questions or Concerns You Might Have.

 

My goal is ALWAYS to ensure that you're satisfied with your purchase, and you'll buy from me again.

 

I grade conservatively, as it helps to avoid issues later.

 

Please leave feedback, and I will return the favor for you.

 

ADDITIONAL INFORMATION ON GRADING SYSTEMUSED (Please read!)

 

GRADING SYSTEM (modified Goldmine-the only difference is formalizing the Excellent (EX)/VG++grade).

 

MINT (M)

Theseare absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller.

 

NEAR MINT (NM OR M-)

 

A good description of a NM record is “it looks like it just came from a retails tore and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

 

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise.(NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

 

NM covers are free of creases, ring wear and seam splits of any kind.

 

NOTE:These are high standards, and they are not on a sliding scale. A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint! It’s estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960's are truly Near Mint. This is why they fetch such high prices, even for more common items.

  

Don’t assume your records are Near Mint. They must meet these standards to qualify!

 

Excellent (EX or VG++) (ADDED GRADE)

 

A halfway point between a NM record and a VG+ record.

 

A Record may have very slight scuffs, but only a few small ones. Cover may have a few small imperfections, but NO splits or writing.

(IMO, the ONLY flaw with the goldmine system is not having this mid grade as an option. It DOES mention this grade, but for some inexplicable reason it doesn't give it its own grade (see next grade).

 

VERY GOOD PLUS (VG+)

 

A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+).

 

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ringwear or discoloration, but it should be barely noticeable.

 

VG+ covers should have only minor wear. A VG+ cover might have some very minor seamwear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

 

Very Good (VG)

 

Many of the imperfections found on a VG+ record are more obvious on a VG record.That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG recordor sleeve will be worth the money.

 

VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail.  When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

 

Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

 

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too.

 

Good (G),

Good Plus (G+)

or Very Good Minus (VG–)

 

These records go for 10 to 15 percent of the Near Mint value, if you are lucky.

 

Good does not mean bad! The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ringwear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers and failing miserably. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.

 

If the item is common, it’s probably better to pass it up. But if you’ve been seeking it for a long time, get it cheap and look to upgrade.

 

POOR (P)

and Fair (F)

 

Poor (P) and Fair (F) records go for 0 to 5 percent of the Near Mint value, if they go at all. More likely, they end up going in the trash.