John Angaik - Lost - Willie Thrasher - Spirit Child - Native American Folk Rock
  $   32

 


$ 32 Sold For
May 11, 2019 Sold Date
Mar 21, 2019 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Two records: John Angaiak - I'm Lost In The City, Willie Thrasher - Spirit Child. They both have some mildly dinged corners (Lost In The City moreso), but they're new, sealed, and in great shape overall. 

I'm Lost in the City (1971) is the sole vinyl LP offering from Yup’ik singer-songwriter, John Angaiak. Born in Nightmute, Alaska, in 1941, Angaiak began playing guitar at a young age, quickly learning the basics before serving in the U.S. Armed Forces. Stationed in Vietnam and far away from home, Angaiak forged an astute outlook on his region, his country, and the world itself. Upon his return, Angaiak enrolled in the University of Alaska, Fairbanks, where he became active in the preservation of his native language as part of the school’s Eskimo Language Workshop.

Inspired by the program’s work and a friendship with music student Stephen Halbern, Angaiak recorded I’m Lost in the City, a project that helped to document and promote the previously oral Yup’ik language into a written one through a series of songs. Each side of the album, which showcases John’s intimate vocal and guitar style, shares a part of Angaiak’s culture and history: Side One is sung in Yup’ik, while the material on Side Two is delivered in English. Both are equally emotional, deeply personal and extremely affecting.

Over 13 songs, Angaiak speaks to his community and also to the world. “Ak’a Tamaani,” for one, became a regional hit in Alaska and reached as far as Greenland where Angaiak later performed in concert. Though I’m Lost in the City garnered a small mention in industry bible Billboard, regardless of the album’s cultural value, it sold poorly outside of Alaska and other northern communities, never finding a broader audience. In addition to his work as a painter and author, Angaiak is a proud family man and a source of great knowledge of his people and the changes they have faced over the years, shifting from a subsistence hunting, fishing, and sharing lifestyle to an increasingly urban influenced cash-based existence. An important statement on indigenous life and the human condition, I’m Lost in the City showcases Angaiak’s first hand perspective on this challenging transition, something that we can all learn a great deal from.



Spirit Child is the debut LP from Inuk singer-songwriter Willie Thrasher. Thrasher was born in Aklavik, a hamlet located in the Inuvik region of the Northwest Territories, Canada, in 1948. At five years of age, Thrasher was taken from his family and sent to a residential school where he was forbidden to practice his Inuvialuit culture, a shameful initiative by the Canadian government to assimilate Indigenous people into mainstream society. Music was a way for Thrasher to escape the pain and longing.

In the mid-1960s, Thrasher drummed for The Cordells, one of the first Inuit rock bands. One evening, a stranger recommended that the group tap into their Aboriginal roots instead of the charts for inspiration. This prompted Thrasher to take up the guitar and write songs about his life, people, and the environment. Despite losing a portion of his left middle finger in a work accident, Thrasher became a musical vagabond, travelling across Canada and the United States throughout the 1970s and well into the 1980s meeting many other First Nations, Métis, and Inuit musicians. Spirit Child was released by the Canadian Broadcasting Corporation (CBC) in 1981 and provided a further opportunity for Thrasher to reconnect with his Native heritage and share this love and understanding with people from other cultures. “Silent Inuit” became a northern hit for Thrasher, but with limited commercial support and little promotion outside of northern communities, the album eventually fell to the wayside.

Today, Thrasher lives in the town of Nanaimo, B.C., where he performs as a city sanctioned busker with his partner Linda Saddleback. The global attention garnered by Light In The Attic’s Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966-1985 has led to recent performances at the Austin Psych Fest and Levitation Vancouver. Wherever he may be, Willie Thrasher is a trailblazing troubadour with an Indigenous heartbeat sound. Let Spirit Child open your ears, heart, and mind to a new folk-rock reality.
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RETURNS: I do my best to list any item defects in my product description, therefore, I fully stand behind my merchandise and accept returns on most items. Complete buyer satisfaction is very important to me. In all cases, the buyer is responsible for paying the return shipping, and the item must be sent back in the exact same condition in which it was received, packaging fully intact. The return will not be honored if the item is returned to me in worse condition than it was received. I deduct a 10% restocking fee on returns resulting from anything that is not an oversight on my part, such as buyer's remorse or failing to read the item description. Every now and then, I'll sell something "as-is", in which case the return policy will be clearly stated in the description. In most cases, though, returns are accepted within 30 days of purchase. I just ask that you notify me of any issues before you send the item back. 
A few notes on the condition of vinyl records:I generally don't grade any items mint, since records and packaging sometimes have minor cosmetic flaws that one can't see if the shrink wrap is still sealed. However, I do my best to mention any visible flaws in the item description, and I'm usually very thorough. I'm happy to give more details on, or send photos of, any item upon request, so please feel free to ask. Please be aware that I don't guarantee sound quality or anything that could be considered a common quirk of vinyl production, as I don't have any control over the manufacturing process. Some pressings are noisier than others (particularly glow in the dark vinyl), and sometimes a record will have a slight wobble or some other imperfection. Some pressings are better than others, and that's just the nature of vinyl. If something is clearly damaged, though, that's a different story, in which case, I'm willing to accept a return. Also, I'm happy to open the shrink wrap and ship any record outside of the sleeve to prevent sleeve splits. If you don't state a preference, I'll assume you prefer the record remain sealed, in which case I'm not to be held responsible for any splitting that may occur. Thanks for understanding!


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