KATE BUSH “The Red Shoes” Rare original 1993 UK EMI lp M-

$

61

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KATE BUSH “The Red Shoes” Rare original 1993 UK EMI lp M-

1993/UK/EMI Records 7243 8 27277 12….. here’s a clean original pressing of this rare lp. The cover is in solid clean condition with slight corner wear, otherwise the cover is solid and clean with no splits. The vinyl is in Excellent to M- condition. There are some minor light inaudible storage stains/blemishes from the heavy custom inner sleeve. This record was brand new and I played it due to the stains just to check it out and it plays out clean and sweet!  The custom inner sleeve has no issues. A gorgeous  copy for your collection! Please check my auctions for other rock and psych lp’s. Good luck and thanks for looking!

The album is a continuation of Bush's multi-layered and multiple musical pursuits and interests. If not her strongest work -- a number of songs sound okay without being particularly stellar, especially given Bush's past heights -- Red Shoes is still an enjoyable listen with a number of diversions. The guest performer list is worthy of note alone, ranging from Procol Harum pianist Gary Brooker and Eric Clapton to Prince, but this is very much a Kate Bush album straight up as opposed to a collaborative work like, say, Santana's Supernatural. Opening song "Rubberband Girl" is actually one of her strongest singles in years, a big and punchy song served well with a horn section, though slightly let down by the stiff percussion. "Eat the Music," another smart choice for a single, mixes calypso and other Caribbean musical touches with a great, classically Bush lyric mixing up sexuality, romance, and various earthy food-based metaphors. Another highlight of Bush's frank embrace of the lustier side of life is "The Song of Solomon," a celebratory piece about the Bible's openly erotic piece. Those who prefer her predominantly piano and vocal pieces will enjoy "Moments of Pleasure" with a strong string arrangement courtesy of Michael Kamen. Other standouts include "Why Should I Love You?" with Prince creating a very Prince-like arrangement and backing chorus for Bush (and doing quite well at that) and the concluding "You're the One," featuring Brooker.