KOSMISCHE MUSIK - OHR LABEL (GERMAN IMPORT) OMM 2/56027

$

101

Kosmische Musik

Label:Ohr

Catalog#:OMM 2/56027

Format:2 x Vinyl, LP, Compilation

ARTISTS: ASH RA TEMPEL, POPOL VUH, KLAUS SCHULZE, TANGERINE DREAM

Country: Germany (Import)
Released: 1972
Genre: Electronic
Style: Abstract, Experimental, Ambient

Tracklist

A1 Popol Vuh  -  In Den Gärten Pharaos (Excerpt)  9:39 
    Composed By - Popol Vuh
  Percussion [African, Turkish] - Holger Trülzsch
  Synthesizer [Moog], Organ, Electric Piano [Fender] - Florian Fricke
  Technician [Moog Synthesizer Mixdown] - Frank Fiedler 
A2 Klaus Schulze  -  Ebene (Excerpt)  9:39 
    Composed By, Electronics [E - Maschinen], Organ, Guitar, Zither, Voice, Vocals, Percussion - Klaus Schulze
  Orchestra - Symphonieorchester Aus Berlin* 
B1 Ash Ra Tempel  -  Traummaschine (Excerpt)  9:15 
    Bass [Gibson] - Hartmut Enke
  Composed By - Ash Ra Tempel
  Drums, Percussion, Electronics - Klaus Schulze
  Guitar, Vocals, Electronics - Manuel Göttsching 
B2 Ash Ra Tempel  -  Schwingungen (Excerpt)  9:57 
    Bongos - Uli Popp
  Composed By, Guitar, Bass, Electronics - Hartmut Enke
  Drums, Vibraphone - Wolfgang Müller (2)
  Guitar, Organ, Electronics, Chorus - Manuel Göttsching
  Saxophone [Alto] - Matthias Wehler
  Vocals, Jew's Harp, Percussion - John L. 
C1 Tangerine Dream  -  Geburt  6:00 
    Cello, Violin, Guitar, Effects [Addiator] - Conny Schnitzler*
  Composed By, Guitar, Organ, Piano, Effects [Glass Shard] - Edgar Froese
  Percussion, Performer [Lash, Metalsticks, Burning Parchment] - Klaus Schulze 
C2 Tangerine Dream  -  Sunrise In The Third System  4:20 
    Composed By - Tangerine Dream
  Flute, Voice - Udo Dennebourg
  Guitar, Bass, Organ, Voice, Effects [Coffeemachine] - Edgar Froese
  Organ, Voice, Effects [Echomachines, Piece Of Metal] - Steve Schroeder*
  Percussion, Flute [Lotus], Zither, Synthesizer - Christoph Franke*
  Synthesizer - Roland Paulyck* 
C3 Tangerine Dream  -  Origin Of Supernatural Probabilities (Excerpt)  10:01 
    Composed By, Guitar [Gliss], Effects [Generator] - Edgar Froese
  Organ - Steve Schroeder*
  Synthesizer [Vc 3], Cymbal, Keyboards - Christoph Franke*
  Synthesizer [Vc 3], Organ, Vibraphone - Peter Baumann 
D1 Ash Ra Tempel  -  Gedanken  7:38 
    Composed By, Guitar, Bass - Hartmut Enke
  Guitar - Manuel Göttsching
  Organ - Steve Schroeder*
  Other [Magister Ludi] - Klaus D. Müller
  Percussion - Dietmar Burmeister
  Vocals - Bettina Hohls , Micky Duwe 
D2 Klaus Schulze  -  Land  10:33 
    Composed By, Organ - Klaus Schulze 

Credits

Artwork By [Cover Design] - Willemsen + Geitner
Artwork By [Cover Graphics] - M. C. Escher
Artwork By [Typography] - Peter Geitner
Compiled By - Rolf-Ulrich Kaiser

Notes

Track A1 from the LP "In den Gärten Pharaos" (Pilz/BASF 20 21276-9)
Track A2 from the LP "Irrlicht. Quadrophonische Symphonie für Orchester und E-Maschinen" (Ohr OMM 556022)
Track B1 from the LP "Ash Ra Tempel" (Ohr OMM 556013)
Track B2 from the LP "Schwingungen" (Ohr OMM 556020)
Track C1 from the LP "Electronic Meditation" (Ohr OMM 556004)
Track C2 from the LP "Alpha Centauri" (Ohr OMM 556012)
Track C3 from the LP "Zeit" (Ohr OMM 256021)
Tracks D1 & D2 released for the first time on this release

One could give this copy a fair rating of Near Mint given its overall condition but conservatively, I will rate it as VG++

The glossy vinyl looks almost new - maybe only played a few times. Really clean!

The cover is VG++, please see pics for details on the condition of the cover.

Pages between gatefold cover are in excellent shape, no rips or tears.

Also not shown is the spine but it is in fine shape and is not split.

Has both original record sleeves that are numbered and not split anywhere.

Overall an excellent copy of a very collectible and rare album!

Vinyl will be removed from its cover and then both placed in a protective sleeve for best shipping.

• Mint (M) Absolutely perfect in every way. Certainly never been played, possibly even still sealed.
• Near Mint (NM or M-) A nearly perfect record. Many dealers won't give a grade higher than this. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap.
• Very Good Plus (VG+) A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint.
• Very Good (VG) Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
• Good (G), Good Plus (G+) Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A jacket or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.