Kraftwerk Autobahn Vinyl LP Mercury SRM-1-3704 Near Mint 1977

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Kraftwerk Autobahn Vinyl LP - Mercury SRM-1-3704 Near Mint Pressing (1977)
Condition: Near Mint Vinyl and VG++ (EX) Cover. Vinyl was play-tested on both sides and plays beautifully thoughout. Very clean vinyl and cover. Cover has great color, fully intact with no splits or writing, still has gloss. Light creasing on back. Includes original Mercury inner sleeve.
Autobahn is the fourth album by Kraftwerk, originally released in 1974. The album also completed the group's transition from the experimental krautrock style of their earlier work to an electronic pop sound consisting mostly of synthesizers and drum machines.  Autobahn also includes lyrics and a new look for the group that was suggested by Emil Schult, an associate of Schneider and Hütter.
Most of the album is taken up by the 22-minute "Autobahn", featuring lyrics by Schneider, Hütter, and Schult. The song was inspired by the group's joy of driving on Germany's autobahns, and recorded music that reflected a trip emulating the sounds of a vehicle. The album's release in West Germany saw little press attention. "Autobahn" was released as a single and received airplay at a Chicago radio station, leading it to spread across the United States. In 1975, the song became an international hit and Kraftwerk's first release of their music in the US. "Autobahn"'s success led to the band touring the United States with new member Karl Bartos, who replaced Röder, followed by a tour of the United Kingdom.
Retrospectively, the album has been unanimously praised; Simon Witter wrote in NME the album is of "enormous historical significance" and Simon Reynolds said the album is where Kraftwerk's music really starts to matter. Musicians of the 1970s and 1980s, including David Bowie, cited the album as a major influence.
Track listing
A Autobahn 22:30
B1 Kometenmelodie 1 6:20 B2 Kometenmelodie 2 5:44 B3 Mitternacht 4:40 B4 Morgenspaziergang 4:00
Kraftwerk Ralf Hütter – vocals, electronics, music, concept, production Florian Schneider – vocals, electronics, music, concept, production Wolfgang Flür – percussion Klaus Röder – violin, guitar _____________________________________________
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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.

MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.

NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects. 

VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear. 

VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits. 

GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.

GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.

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