LARRY RIDLEY (Bass) "Sum Of The Parts" LP in shrink STRATA-EAST, 1975
$
53
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Description
AMG biographyby Scott Yanow An excellent accompanist and a thoughtful soloist, Larry Ridley has appeared on a countless number of sessions as a sideman. He studied at Indiana University and the Lenox School of Jazz. After gigging in his hometown with Freddie Hubbard, James Spaulding, and Wes Montgomery, Ridley relocated to New York, where he has been active ever since. Among his more significant musical associations in the 1960s were with Slide Hampton, Max Roach, Red Garland, Art Farmer, Jackie McLean, Sonny Rollins, Horace Silver, Lee Morgan, and George Wein's Newport All-Stars (1969). Thelonious Monk's regular bassist during 1970-1973, Ridley became involved in jazz education, heading the jazz program and music department at Rutgers. He worked with Philly Joe Jones' Dameronia (1981-1985) and has been active up until the present time. Larry Ridley only recorded sparingly as a leader (including an obscure Strata East LP in 1975), but he has been a valuable sideman on many dates.
Larry Ridley ?– Sum Of The Parts
Label: Strata-East – SES-19759 Format: Vinyl, LP, AlbumCountry: US Released: 1975 Genre: Jazz Style:
TracklistHide Credits?
A1 Changa Chikuyo Flute – Sonny FortuneGuitar – Cornell DupreeWritten-By – A. Gumbs* 4:02 A2 It Was A Very Good Year Written-By – E. Drake* 5:34 A3 Well You Needn't Alto Saxophone – Sonny FortuneElectric Bass – Larry RidleyGuitar – Cornell DupreeWritten-By – T. Monk* 8:18 A4 Go Down Moses 1:16 B1 Feelin' Blue Soprano Saxophone – Sonny FortuneWritten-By – K. Altman* 5:53 B2 Indiana Avenue Alto Saxophone – Sonny FortuneGuitar – Cornell DupreeWritten-By, Electric Bass – L. Ridley* 5:47 B3 In A Sentimental Mood Written-By – D. Ellington* 2:16 B4 Never Can Say Goodbye Guitar – Cornell DupreeSoprano Saxophone – Sonny FortuneWritten-By – C. Davis* 7:46Credits?
- Acoustic Bass, Arranged By, Liner Notes – Larry Ridley
- Congas, Percussion – Errol 'Crusher' Bennett*
- Design [Cover Design], Photography – Art Krasinsky
- Drums – Grady Tate
- Engineer [Recording], Mixed By – Tony May
- Mastered By – David Crawford (2)
- Piano, Electric Piano, Clavinet, Synthesizer [String Synthesizer], Arranged By – Onaje Allan Gumbs
- Producer – Elliot Meadow
- Typography – Bexar
Notes?
Recorded June 9, 10, 11 and 30, 1975 at Generation Sound Studios, New York City.
Produced for Aurelia Productions Inc. by Elliot Meadow.
(P)(C) 1975 Strata-East Records, Inc. 156 Fifth Avenue, N.Y., N.Y. 10010
Printed in U.S.A.
A1: (Onaje Music) ASCAP
A2: (Dolfi Music) ASCAP
A3: (Regent Music) BMI
A4: Public Domain
B1: (Faggifire Music) BMI
B2: (Lirid Music) BMI
B3: (American Academy of Music) ASCAP
B4: (Jobete Music) ASCAP
"IN A SENTIMENTAL MOOD is an unaccompanied bass solo"
"On GO DOWN MOSES, by means of overdubbing, there are four Larry Ridleys"
A1 has (Cultured Man of Iron) written after the author credit of (Gumbs)
Michigan residents must add 6.00% sales tax.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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