LAURINDO ALMEIDA-CLASSICAL CURRENT 1969 WARNER BROS. SEVEN ARTS 1803/WS 1803
$
49
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Description
LAURINDO ALMEIDA-CLASSICAL CURRENT WARNER BROS.SEVEN ARTS 1803/WS 1803.
SIDE ONE:
THE BREEZE AND I
(3:56)
(Adapted by T. Camarata from Ernesto Lecuona's "Andalucia'')
MY REVERIE
(2:21)
(Melody based on Claude Debussy's "Reverie")
TILL THE END OF TIME
(2:54)
(Based on Chopin's "Polonaise'')
THE LAMP IS LOW
(2:47)
(Melody based on a theme from M. Ravel's "Pavane"*)
BAUBLES. BANGLES AND BEADS
(3:00)
(Based on themes of A. Borodin)
FULL MOON AND EMPTY ARMS
(3:22)
(Based on Rachmaninoff's "Piano Concerto No. 2")
SIDE TWO:
MOON LOVE
(2:50)
(Adapted from Tchaikovsky's 5th Symphony,
2nd movement")
MY PRAYER
(3:52)
(Based on Boulanger's "'Avant de Mourier")
MY MOONLIGHT MADONNA
(2:39)
(Adapted from Fibich's "Poeme")
OUR LOVE
(2:50)
(Based on Tchaikovsky's "Romeo And Juliet»)
WHEN I WRITE MY SONG
(3:33)
(Based on a theme from Saint Sans' "Samson and Delilah")
Theme from THE WARSAW CONCERTO_(4:27)
Since joining forces with the Stan Kenton Orchestra shortly after immigrating to this country in 1947
from his native Brazil, Laurindo Almeida has been frequently acclaimed as a brilliant guitarist in both
the classical and jazz idioms and as a musical innovator. To mention but one of his innumerable
contributions to the literature of jazz, he is generally credited with the fusion of American jazz elements with the samba form of his native country - coming up with what we know as the bossa nova.
Which is actually another story from the one on Classical Current, in which the always-experi-
menting virtuoso weds, through his use of an electronic classical guitar, familiar forms with some of the more amenable elements of musique concrete interested in which has increased Almost geometrically since rock musicians begin studying the work of John cage and attempting to duplicate some of his more rudimentary effects in their own work we are confident that Laurindo Almeida's classical current will prove one of the most enduring and influental corpus is a work to emerge in the broad area of electronically influence music arranged and conducted by Larry Cansler Lex de Azevedo and Pete King recorded on July 14 15 and 16 1969 at Western records Hollywood California cover photo ken biggs art direction ed thrasher produced by Sunny Burke
Vinyl looks to never been played no scratches no scuffs.
Cover is in great condition, artwork and words are all legible front and back has some slight ringwear on front and back but is hardly noticeable corners are a little frayed but like cover is hardly noticeable.
Inner paper record sleeve is a warner bros. product. Dont know if its original
Influental is supposed to be influential
I ship in a envelope lined with bubble wrapp i seperate lp from sleeve then wrap lp in thin packing foam then sandwich the whole thing between 2 pieces of thick cardboard.
In hopes it reaches u like i advertise it.
If any question please ask
Thanx
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