LED ZEPPELIN (self-titled) Classic Records / Atlantic Records SD 8216 180g (M-)
$
103
$ 103
Sold For
Jun 2, 2018
Sold Date
May 23, 2018
Start Date
$ 50
Start price
5
Number Of Bids
USA
Country Of Seller
eBay
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Description
LED ZEPPELIN (self-titled) Classic Records / Atlantic Records SD 8216 (180g QUIEX SV Super Vinyl) All Analog mastering by Bernie Grundman
Tracklist
A1 Good Times Bad Times Written-By – Page*, Bonham*, Jones* 2:45 A2 Babe, I'm Gonna Leave You Arranged By – Jimmy PageWritten-By – Traditional 6:40 A3 You Shook Me Written-By – Willie Dixon 6:30 A4 Dazed And Confused Written-By – Jimmy Page6:27 B1 Your Time Is Gonna Come Written-By – Jimmy Page, John Paul Jones 4:41 B2 Black Mountain Side Tabla – Viram JasaniWritten-By – Jimmy Page 2:06 B3 Communication Breakdown Written-By – Page*, Bonham*, Jones* 2:26 B4 I Can't Quit You Baby Written-By – Willie Dixon 4:42 B5 How Many More Times Written-By – Page*, Bonham*, Jones* 3:30
*(all photos are of the actual item)
- Manufactured By – Classic Records
- Copyright (c) – Atlantic Recording Corporation
- Artwork By [Band Photography] – Chris Dreja
- Bass, Organ, Backing Vocals – John Paul Jones
- Drums, Timpani, Backing Vocals – John Bonham
- Engineer [Director] – Glyn Johns
- Executive Producer – Peter Grant
- Guitar, Acoustic Guitar, Steel Guitar [Pedal], Backing Vocals – Jimmy Page
- Lacquer Cut By – Bernie Grundman
- Lead Vocals, Harmonica – Robert Plant
- Producer – Jimmy Page
Notes
© + ? 1969 Atlantic Recording Corporation. Manufactured and distributed under exclusive license by Classic Records, Inc.
- Matrix / Runout (Side One): SD 8216-A BG
- Matrix / Runout (Side Two): SD 8216-B
- AllMusic Review by Stephen Thomas Erlewine
- Led Zeppelin had a fully formed, distinctive sound from the outset, as their eponymous debut illustrates. Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme, Zeppelin created a majestic, powerful brand of guitar rock constructed around simple, memorable riffs and lumbering rhythms. But the key to the group's attack was subtlety: it wasn't just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos. As Led Zeppelin proves, the group was capable of such multi-layered music from the start. Although the extended psychedelic blues of "Dazed and Confused," "You Shook Me," and "I Can't Quit You Baby" often gather the most attention, the remainder of the album is a better indication of what would come later. "Babe I'm Gonna Leave You" shifts from folky verses to pummeling choruses; "Good Times Bad Times" and "How Many More Times" have groovy, bluesy shuffles; "Your Time Is Gonna Come" is an anthemic hard rocker; "Black Mountain Side" is pure English folk; and "Communication Breakdown" is a frenzied rocker with a nearly punkish attack. Although the album isn't as varied as some of their later efforts, it nevertheless marked a significant turning point in the evolution of hard rock and heavy metal.
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