LEE KONITZ WITH WARNE MARSH [black Atlantic] MONO USA 1st pressing LP
$
64
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Description
Sound clips are not from the actual item for sale - they are provided for customers to investigate the music contained on the record.
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More images Lee Konitz With Warne Marsh – Lee Konitz With Warne Marsh Label: Atlantic – 1217 Format: Vinyl, LP, Album, Mono Country: US Released: 1955 Genre: Jazz Style: Cool Jazz Tracklist Hide Credits A1 Topsy Written-By – Eddie Durham, Edgar Battle Written-By – Eddie Durham, Edgar Battle A2 There Will Never Be Another You Lyrics By – Mack Gordon Written-By – Harry Warren (2) Lyrics By – Mack Gordon Written-By – Harry Warren (2) A3 I Can't Get Started Lyrics By – Ira Gershwin Written-By – Vernon Duke Lyrics By – Ira Gershwin Written-By – Vernon Duke A4 Donna Lee Written-By – Charlie Parker Written-By – Charlie Parker B1 Two Not One Written-By – Lennie Tristano Written-By – Lennie Tristano B2 Don't Squawk Written-By – Oscar Pettiford Written-By – Oscar Pettiford B3 Ronnie's Line Written-By – Ronnie Ball Written-By – Ronnie Ball B4 Background Music Written-By – Warne Marsh Written-By – Warne Marsh Credits Alto Saxophone – Lee Konitz Bass – Oscar Pettiford Drums – Kenny Clarke Engineer – Tom Dowd Guitar – Billy Bauer Photography By – William Claxton Piano – Ronnie Ball (tracks: B3), Sal Mosca (tracks: A2, A4 to B2, B4) Producer – Nesuhi Ertegun Tenor Saxophone – Warne Marsh Barcode and Other Identifiers Matrix / Runout (Side one/Stamped): 11339B AT G Matrix / Runout (Side two/Stamped): 11340B AT H
USA MONO FIRST PRESSING VINYL ALBUM ON BLACK/SILVER DEEP GROOVE LABEL IN FRONT LAMINATED SLEEVE WITH GENERIC INNER SLEEVE.
SLEEVE: VERY GOOD, SOME SHELF, CORNER, EDGE AND RING WEAR. TOP SEAM SPLIT, CORNER BUMPS, PEN MARKS NEXT TO TRACKS ON REAR, SMALL STICKER MARK.
DISC: VISUALLY DISC IS VERY GOOD+ WITH NO SCRATCHES BUT SOME PLAY SCUFFS, SPINDLE WEAR AND HAIRLINES. AURALLY BOTH SIDES PLAY AN HONEST VERY GOOD ONLY WITH NO SKIPS OR JUMPS BUT SOME SURFACE NOISE APPARENT. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
- 1. USA IS $6.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
- 2. INTERNATIONAL BY TRACKED AND INSURED PRIORITY AIR MAIL IS $69.99 [EXCEPT CANADA, WHICH IS $59.99]. This is now the only reliable, tracked and insured way we can ship international packages.
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