LEO KOTTKE 12-STRING BLUES MEGA-RARE ORIG'69 PRE-JOHN FAHEY PRIVATE PRESSING LP

$

214

WE CURRENTLY HAVE  MORE THAN 400  LISTED ITEMS

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·       LEO KOTTKE – 12-STRING GUITAR BLUES: LIVE AT THE SCHOLAR - ULTRA-RARE PRE-JOHN FAHEY DISCOVERY -  ORIGINAL 1969 PRIVATE PRESSING ON (HIS OWN?) OBLIVION LABEL - ORIGINAL OBLIVION STEREO LP OBL-S1

·       ORIGINAL U.S. PRESSING

·       ORIGINAL PLAIN, RED OBLIVION LABEL WITH BLACK PRINT

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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12-String Blues (sub-titled Live at the Scholar), is the first album by American guitarist Leo Kottke, released in 1969.; The majority of the album was recorded live at the Ten O'Clock Scholar, a Minneapolis coffee house that had also featured Bob Dylan, Spider John Koerner and Simon & Garfunkel early in their careers. Three of the instrumentals were recorded in a studio. The LP record was a limited edition of 1000 copies, on the Minneapolis-based Oblivion Records (apparently this is their only album), and it has not been reprinted and or re-issued on CD. Publishing for the songs was by Symposium Music, same as the publishing and record label for Kottke's third LP. The Oblivion catalog number, "obl-s1," also indicates a possible connection with Symposium. Most of these songs were re-recorded for Kottke's album, Circle Round The Sun.

 (EXCERPT FROM AN ONLINE REVIEW AT WIKIPEDIA / WIKIPEDIA.ORG)

For additional historical or discography information on this album, including track listing ►click here

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has some light yellowish stains, probably from exposure to humidity, covering about 30% of both sides.

-        Cover has some writing on its back side (name of the previous owner written in faded black marker, about 1/8 x 1/2 inches in size)

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows considerable yellowing on both sides, apparently from aging.

-         Cover has a few tiny wrinkles along the spine  (nothing significant)

-         Cover shows considerable, oppressive yellowing on both sides, apparently from aging.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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