LILY GREENHAM CONCRETE POETRY VINYL LP SPOKEN WORD JAZZ FROM 1970 RARE
  £   107
  $   142

 


£ 107 Sold For
Nov 2, 2015 Sold Date
Oct 28, 2015 Start Date
£   5 Start price
15   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

Lily Greenham

International  Language Experiments of the 50/60s

 

Original Vinyl Mono LP

Release Year - 1970

Made In Germany

Spoken word/jazz, with lots of inserts including a hand written card which recommends albums which include; The Beatles - Sgt Pepper and Hallucinations - The Psychedelic Off In Underground  - see photos.

Here is some information on this pioneer of the Concrete Poetry scene.


Lily Greenham was a performer and early pioneer of "concrete poetry". She used her voice in ways that genuinely hadn't been explored before, cutting, splicing, pitching and effecting it, making tones and chopping out syllables until words were barely even audible as words anymore, and occasionally punctuated these sounds with electronics or concrete recordings to create experimental compositions like nothing else at the time. The best point of reference at the moment would be Maja Ratkje who has a similar desire to explore the experimental potential of her own voice, but what Greenham manages is particularly stunning. Falling somewhere in-between Dadaist poetry and the early electronic explorations of Daphne Oram or Delia Derbyshire, what sets Greenham apart from the others is her desire to include the voice. Take 'Polar Polaris' for example, a menacing, hissing eight-minute piece of glorious electronic noise, based on two filtered words, or 'Experience', a peculiar two-minute play on words with synthesizer from the BBC Radiophonic Workshop's Paddy Kingsland.

 

 

CONDITION :

Vinyl & Labels - Ex/Ex

 Overall, the record looks in great condition with only the lightest surface marks. Previous owner has written her name in small letters on side 1 label, see photo.

Laminate Sleeve and Inserts - VG

A little creasing to the laminate, and a small patch of pen nib indentation (not inked, just indentation) on rear sleeve.

 

 

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Records are packaged safely using strong stiff cardboard and extra bubble wrap to ensure they arrive in the same condition as in my description. I also remove record from outer sleeve and original inner sleeves, placing them inside polythene protective cover to prevent seam splits.

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