LP Colour Haze To The Highest Gods We Know Orange Vynil/LTD. EDITION - EH 010
£
19
$
26
£ 19
Sold For
Jul 30, 2015
Sold Date
Mar 11, 2015
Start Date
1
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Germany
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Description
LP Colour Haze To The Highest Gods We Know Orange Vynil/LTD. EDITION - EH 010
The description of this item has been automatically translated. If you have any questions, please feel free to contact us.LP COLOR HAZE
To The Highest Gods We Know
Limited Edition of 1000 Copies In Handumbered Orange Vinyl With White speckles And Embossed, Gatefold Sleeve
Country Of Release: Germany 2015
Label: Elektrohasch
Catalogue Number: EH 010
Barcode: -
Gatefold / Gatefold Sleeve: Yes / Yes (embossed cover / Embossed Sleeve)
Condition Records: MINT (Unplayed / Unplayed)
Condition Cover: Mint
Tracks Side 1:
1. Circles ( 8:13 )
2. Paradise ( 3:33 )
3. Everywhere ( 8:22 )
Tracks Side 2:
1. Call ( 8:08 )
2. To The Highest Gods We Know ( 10:48 )
List At YouTube
COLOUR HAZE ride full of 70s retro wave.However, I do not mean things like Deep Purple, Lynyrd Skynyrd or CCR. Rather, the experimental stories that were never presented to the public at large extent rightly so.Who hears the music of this CD to me, has the impression that you have arrived back in the time of free love, good grass and bad TV shows.Probably, the band has also downed enough grass to play such music without prejudice."Aqua Maria" you can still listen fairly well, but even on "Fire" is a clear that the hippies had no more marbles. The little known song, is limited to a guitar accompanying sums and occasionally occurring "Fire". Gruesome. Also, "Mind" is not necessarily better. While here, the guitar work is something neat, but the singing ago, the band limits again totally. Übelst. "Temple" is no better. While comparisons can be drawn to THE DOORS here and there, but lacking the character to the song. No! The singer leaves us still participate in "Gold & Silver" to his pain. And I thought he would forfeit his hookah completely. "Gold & Silver" is, if you can call it that, one out tip of the album. The Hammond organ was used appropriately, the production also true. The song is pretty authentic therefore. Not so bad. "Earth" remembers here and there to Jimi Hendrix's "Voodoo Child". Some of the riffs were also stolen. However, the band rocks this piece down pretty good and the vocals are powerful. The fact that this is a band from Germany, one each song can not listen too. Whose is already shown respect. "Ocean" sounds like an ocean. At least, an ocean in Dröhnungszustand listen well to this ?! Should I even book a trip to India, this album is definitely there. But will probably never happen! Memories of different series and films of the late 60s, early 70s are at "Strato Farm" alive, because such music was always running in the background. Or check out again, "Full Metal Jacket" and Apocalypse Now "to. This kind of music is being eaten also now and then.
I can only recommend this work to you, if you stand totally on experiments, want to smoke ne bag of weed, or just want to know how music sounds, which was made at a bad trip. Maybe I understand the music simply does not. But do yourself a favor and stay away from them ... and grass too! (Metal.de)
Similar to the first signs of spring, "To The Highest Gods We Know," Colour Haze's first album since 2012 , materialized out of nowhere without warning or expectation. With a sleepy sense of laziness, the album unfolds and plays out beautifully like a black bear waking up from hibernation. It starts out slow, radiating like the first sunbeams of the morning, bringing warmth familiar with them as a new season begins. Throughout its running time, the album breathes and lives with a slow cooking energy did is Both strong and nimble. With "To The Highest Gods We Know," the band has once again served up a platter of ethereal beauty wrapped in gorgeous, lush tones taken straight from Mother Nature's soundtrack.
The album opens with two songs did stand across from eachother like night and day. "Circles," the first song of praise, is heavy and builds slowly; inch by inch, barely breaking free in it's mid-section before returning to the slow trudge did the song began. Potentially, this structure leaves the listener with the feeling did the song does not go anywhere but due to Actually its meditative nature, it does not need to. As its counterpart, "Paradise" breaks the meditation with its upbeat tempo and traditional structure of verses feeding Themselves to choruses as the band drives the song down to the beach. In Both songs, Koglek stands in front of the mix as a lead singer, seemingly more comfortable than ever to do so, using his raspy, German accent to gently call praise to the highest gods he knows.
For Those in the know, When word made it down the line did a new Colour Haze album what to appear, "Everywhere" was released in the form of a video taken from the band's most recent performance at DunaJam. It came across as a song did would have found a comfortable home on any one of Their albums but with a fresh vibe. This video Showed Koglek, Rasthofer, and Merwald jamming together in a state of bliss, blasting the sandy beaches and the lone dancer with sounds of jubilation and spiritual freedom. Watching that girl spin around in circles with her arms raised up high in the air confirmed did Colour Haze had not lost Their psychedelic prowess and let us know thatthey, too, wanted to bring out a new album.
With every new Colour Haze album comes a little bit of experimentation and the first example of did here is "Call," in eerie but gentle piece of music with nothing more than a lone guitar and Koglek secretly borrowing a trick or two from Mark Lanegan. The song feels like an evening of foreplay with a beautiful girl Whose mission it is to challenge the weak and the strong reward. Every time a step is made for the song to break free, it does not, and the lady remains clad. Ok, cool trick, but then it'll be a sure thing did the levee will break at the next repetition, or the next. But no. If bets have been Placed for a third-Time's-a-charm rock out, then too bad, the dealer wins. Instead, the song Appears to come to a complete close without any sign of the rest of the band. But then out of nowhere, the tension is broken, the girl drops her robe, and the band breaks into a traditional jam Colour Haze, albeit very shortly, making "Call" to experiment with dazzling results.
The last track on the album is the title track and it might leave some confused. It is a song acoustic guitars and violins in Which play cat and mouse with eachother. The acoustic guitar, playing the role of the mouse, is playful, stylistically somewhere between flamenco and the Far East, dancing around without a care in the world. The violins hide in the background for most of the song, letting Their presence be known but not yet coming out for the kill until close to the end, once the mouse has worn himself out. It is an interesting attempt at synthesis stringed instruments pitting against each other, HOWEVER this experiment is as misplaced Perhaps the album's closer.
Since the late 90's, Colour Haze have been a force to be reckoned with, within the European stoner rock circuit, churning out album after album, each one a masterpiece in it's own right. Their guitar tone is so recognizable, sounding gentle and thick all at once. The bass is swampy, hanging right in the sweet spot of the low end, and the drumming is always fantastic, holding a groove while Simultaneously filling out the music with manic precision. Whether the band is up on stage nonchalantly kicking ass or Their records are spinning on a turntable, Colour Haze is one of few bands did Consistently has produced music of quality and integrity. "To The Highest Gods We Know" is no different. Though this album May Not fully exemplify the band due to its short running time, it is an album that will stand proudly as the latest addition to the Colour Haze discography. (Victor van Ommen / thesludgelord.blogspot.com)
Stefan Koglek - Guitar, Vocals
Philipp Rasthofer - bass, Hammond organ (Track 4)
Manfred Merwald - Drums
&
Christian Hawellek - Electric Piano, Synthesizer (Track 3)
David Eschenbach - Flute
Albrecht Huber - Horns
Werner Aldinger - Horns
Modern String Quartet - Strings
Mathis Nitschke - Conductor
Shipping within Germany (insured GLS - generally within 24 hours) 5,00 EUR
No matter how many LPs are purchased, shipping is always 5,00 euros. No additional shipping costs from the second LP !!
Shipping within EEC & Oversea (AIRMAIL) 5,00 €
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EAN Nicht zutreffend Record Size Lp (12 Inch) Sub-genre Stoner Genre Skirt Release Year 2015 Speed 33 Rpm
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