LP DEEP PURPLE Copenhagen 1972 (3LP) EAR MUSIC 0209633ERE - SEALED - Coverdale

	€		90
	$		105

3LP DEEP PURPLE

Copenhagen 1972

(Live at Kobenhavns Boldklub (KB Hallen), Copenhagen, Denmark, 01. 03. 1972)

(A real collector will note, that Blackmore - Coverdale - Hughes - Lord - Paice is listed as the Line-Up on the front cover, but it's Blackmore - Gillan - Glover - Lord - Paice)

Country of release: Germany, 2014

Label: Edel / Ear Music

Catalogue number: 0209633ERE

Barcode: 4029759096337

Klappcover / Gatefold Sleeve: Ja/Yes

Includes Innersleeves

Condition Records: Mint

Condition Cover: Mint

  LP ist noch verschweißt / LP IS STILL SEALED !!!

(Photo von meiner eigenen LP / Photo taken from my own copy)

Tracks Side 1:

1. Highway Star (8:25)

2. Strange Kind Of Woman (9:33)

 

Tracks Side 2:

1. Child In Time (17:26)

Tracks Side 3:

1. The Mule (9:23)

2. Lazy (11:16)

Tracks Side 4:

1. Space Truckin' (22:10)

Tracks Side 5:

1. Fireball (5:11)

2. Lucille (5:55)

3. Black Night (6:15)

Tracks Side 6:

1. Smoke On The Water (5:22) (Live at Hofstra University, New York 29.05.1973)

2. Space Truckin' (10:39(Live at Hofstra University, New York 29.05.1973)

3. 1971 Australian Interview (5:44)

Listen At YouTube:

http://www.youtube.com/watch?v=BamOGaIz20M

http://www.youtube.com/watch?v=3AL73LYo64A

( ) "Highway Star" has the slightly chaotic freshness that made the track such an exhilarating live tune. powered along on a wall of bass guitar and thundering drums and, before you know it, they're into "Strange Kind Of Woman", chugging along nicely. Apparently, they're "just doing the one tonight" according to Mr Gillan, so what's all that about then?!
Next up, a stunning version of "Child In Time", and after spending so much time listening to recent bootlegs it's amazing to recall just how much more powerful Ian's voice was back then, his controlled articulation in the quiet parts as sublime as his pitched screams are, well, ridiculously upfront. Odd again, to lurch from the first chorus into a keyboard solo you can actually hear before Blackers takes over. I've always been an advocate of the Morse-era band, but listening to stuff like this serves to remind me why some consider that the subtlety of the keyboard work these days is buried beneath punishingly loud guitar/bass work. Here, though, Blackers backs off, just the bass maintaining a hypnotic rumble while Jon doodles over the top. Weighing in at nearly 17 and a half minutes, you get alot of music for your song here. I've not listened to anything much from `72 for quite some time and it's definitely goosebumps time as the volume gets rolled off to expose the delicate rhythm work and measured (rather than full on) approach of the protaganists.
Before you know it, we're into ( ) "Lazy" (one thing you can't accuse Jon of being during the intro), some truly marvellous, dischordant keyboard droning, a quick rock of the Hammond to set the Leslie speakers exploding and then it's into the familiar groove which has had me tapping my feet to the tune for the last 25 years, Ritchie sparring with Jon before the riff kicks in, tentatively picking away at the riff and teasing us before the band launch into the song proper, again shuffling along on the rhythm section. Spolit these days as we are by better mixing desks and live sound, Ian Paice's snare and bass drums sound like a cornflake box and tea chest respectively (as they do on pretty much all recordings from this era), but with no multitracks to work from, what can we possibly expect?! Jon really lets fly on his solo here, Roger going up and down the scale until he threatens to run out of frets before it's back into the main riff and Ian waggling a tambourine into the mic before finally ripping the harmonica passage. Magic.
"Space Truckin" is another drawn out version, 24 minutes bits of Kachachurian's Sabre Dance (I think that's how you spell the name!) being crafted in, almost dropped in effortlessly, by Jon before things get taken down a notch for a few minutes of serious Strat abuse and general trem waggling. Possibly one of the best versions of the song I've heard, with the obvious bonus of the sound laying bare the more quiet parts of Ritchie and Jon's work which are normally inaudible or drowned out by moronic drunkards on boots of the era.
So we get "Fireball" live by Mk II, too - faltering into the song with guitar problems, the track eventually picks up impetus and gets going properly in a full flurry again carried along by Roger's often underacknowledged bass work. The version itself is taken at a fair pace that leaves you thinking the band are on the verge of collapse, before winding down into "Lucille", again faster than the BBC In Concert version-Perhaps motivated by the "proper" live environment? An off-key "Black Night" (Blackmore's strat seems never to have quite recovered from th abuse of Space Truckin) finishes off the ( ) set, the track being quite close to the Made In Japan versions in structure and pace. Again, it's nice to hear this now after so much time concentrating on the live versions of the last few years.
( ) So, overall, well worth grabbing-Another great slice of Mk II and a pretty much essential addition to the catalogue. ( ) Cheers! (Martin Ashberry/deep-purple.net)



Ritchie Blackmore - Guitar
Ian Gillan - Vocals, Congas, Tambourine, Harmonica
Roger Glover - Bass, Tambourine
Jon Lord - Hammond Organ, Electric Piano
Ian Paice - Drums

Versand innerhalb Deutschland(versichert mit GLS - generell innerhalb von 24 Stunden)  5,00 Euro

Egal wieviele LPs gekauft werden, Versand immer 5,00 Euro. Keine weiteren Versandkosten ab der zweiten LP!!

Shipping within EEC & Oversea (AIRMAIL) 8,50 Euro

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