Life Is Ugly So Why Not Kill Yourself VA LP NM/NM no insert 1982 LA Punk Comp

$

26

 Life Is Ugly So Why Not Kill Yourself

Label:

New Underground Records ?– NU-11

Format:

Vinyl, LP, Compilation 

Country:

US

Released:

1982

Genre:

Rock

Style:

Hardcore, Punk

Tracklist Hide Credits

A1 –Red Cross* Rich Brat

Bass – Steven McDonald

Drums – Ron Reyes

Guitar – Greg Hetson

Producer – Joe Nolte

Vocals – Jeff McDonald

0:36

A2 –Descendents I Want To Be A Bear

Bass – Tony Lombardo

Drums – Bill*

Guitar – Frank Navetta

Vocals – Milo*

0:40

A3 –Anti (6) Fight War Not Wars

Bass – Danny Phillips*

Drums – John McCarthy (2)

Guitar – Gary*

Vocals – Bert*

1:15

A4 –Anti (6) I Don't Wanna Die

Bass – Danny Phillips*

Drums – John McCarthy (2)

Guitar – Gary*

Vocals – Bert*

1:59

A5 –Ill Will (2) Paranoid

Bass – Brian Ramsey

Drums – Mark Haley (2)

Guitar – Sheldon Parker

Producer – Ill Will (2)

Vocals – Adam Guy

1:10

A6 –Ill Will (2) Midnite Deposit

Bass – Brian Ramsey

Drums – Mark Haley (2)

Guitar – Sheldon Parker

Producer – Ill Will (2)

Vocals – Adam Guy

1:00

A7 –Civil Dismay Youre So Fucked To Me

Bass – Nick Damials

Drums – Kip Upton

Guitar – John Napier (3)

Producer – Civil Dismay

Vocals – Jay Skyrus

A8 –Civil Dismay Warhol Genius

Bass – Nick Damials

Drums – Kip Upton

Guitar – John Napier (3)

Producer – Civil Dismay

Vocals – Jay Skyrus

A9 –Civil Dismay Filch

Bass – Nick Damials

Drums – Kip Upton

Guitar – John Napier (3)

Producer – Civil Dismay

Vocals – Jay Skyrus

A10 –China White (7) Criminal

Bass – James Rodriguez (2)

Drums – Joey Raffino*

Guitar – Frank Raffino*

Vocals – Mark Martin*

1:40

A11 –China White (7) Solid State

Bass – James Rodriguez (2)

Drums – Joey Raffino*

Guitar – Frank Raffino*

Vocals – Mark Martin*

1:33

B1 –Mood Of Defiance Empty Me

Bass – Danny*

Drums – Jilbert Pachico

Guitar – Gary Whatever*

Vocals – Tao Hatha Makemudra*

3:23

B2 –Minutemen Shit You Hear At Parties

Bass – Mike Watt

Drums – George Hurley

Producer – Mike Patton (2)

Vocals – D. Boon

1:05

B3 –Minutemen Maternal Rite

Bass – Mike Watt

Drums – George Hurley

Producer – Mike Patton (2)

Vocals – D. Boon

1:09

B4 –100 Flowers Sensible Virgin

Bass, Vocals – John Talley-Jones

Drums – Kevin Barrett

Guitar – Kjehl Johansen

Producer – Vitus Matare*

1:16

B5 –Urinals She's A Drone

Bass, Vocals – John Talley-Jones

Drums – Kevin Barrett

Guitar – Kjehl Johansen

Producer – Vitus Matare*

0:36

B6 –Zurich 1916 The Childrens Song

Producer – Gary Kail

Tape, Electronics – Gary Kail

Voice, Synthesizer – Rachel (30)

3:52

B7 –Plebs (2) Payday

Drums [Metal] – Gino Pusztai

Guitar – Ken Starkey

Saxophone – Martin Tamburovich

1:30

B8 –Saccharine Trust Disillusion Fool

Bass – Louis*

Drums – Richard*

Guitar – Joe Baiza

Vocals – Jack Brewer

1:04

Companies, etc.

Distributed By – Thunderbolt Records (4)

Recorded At – Media Art Studio

Recorded At – Total Access Recording Studios

Recorded At – Music Lab (4)

Recorded At – Casbah Studio

Recorded At – Last Studios (2)

Recorded At – Unicorn Studios, Hollywood, CA

Recorded At – New Underground Records

Credits

Producer – Spot (tracks: A2 to A4, A10 to B1, B7, B8)

Notes

This album is dedicated to the late ALAN WATTS.

A1 is the first Redd Kross recording with original line-up (10-79).

Includes lyric sheet.

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.